In Hawaiian mythology, Kāne-milo-hai is the brother of Kāmohoaliʻi, Pele, Kapo, Nāmaka, and Hiʻiaka by Haumea.
In Hawaiian religion, Hiʻiaka is a daughter of Haumea and Kāne.
In the traditions of ancient Hawaiʻi, Kanaloa is a god symbolized by the squid or by the octopus, and is typically associated with Kāne. It is also an alternative name for the island of Kahoʻolawe.
In Hawaiian religion, the god Lono is associated with fertility, agriculture, rainfall, music and peace. In one of the many Hawaiian stories of Lono, he is a fertility and music god who descended to Earth on a rainbow to marry Laka. In agricultural and planting traditions, Lono was identified with rain and food plants. He was one of the four gods who existed before the world was created. Lono was also the god of peace. In his honor, the great annual festival of the Makahiki was held. During this period, war and unnecessary work was kapu (forbidden).
In Hawaiian mythology, Laka is the name of two different popular heroes from Polynesian mythology..
In Hawaiian religion, Pele is the goddess of volcanoes and fire and the creator of the Hawaiian Islands. Often referred to as "Madame Pele" or "Tūtū Pele" as a sign of respect, she is a well-known deity within Hawaiian mythology and is notable for her contemporary presence and cultural influence as an enduring figure from ancient Hawaii. Epithets of the goddess include Pele-honua-mea and Ka wahine ʻai honua.
Hula is a Hawaiian dance form expressing chant (oli) or song (mele). It was developed in the Hawaiian Islands by the Native Hawaiians who settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form.
The Merrie Monarch Festival is a week-long cultural festival that takes place annually in Hilo, Hawaii during the week after Easter. It honors King David Kalākaua, who was called the "Merrie Monarch" for his patronage of the arts and is credited with restoring many Hawaiian cultural traditions during his reign, including hula. Many hālau hula (schools), including some from the U.S. mainland and some international performers, attend the festival each year to participate in exhibitions and competitions. The festival has received worldwide attention and is considered the most prestigious of all hula contests.
Ancient Hawaiʻi is the period of Hawaiian history preceding the unification in 1810 of the Kingdom of Hawaiʻi by Kamehameha the Great. Traditionally, researchers estimated the first settlement of the Hawaiian islands as having occurred sporadically between 400 and 1100 CE by Polynesian long-distance navigators from the Samoan, Marquesas, and Tahiti islands within what is now French Polynesia. In 2010, a study was published based on radiocarbon dating of more reliable samples which suggests that the islands were settled much later, within a short timeframe, in about 1219 to 1266.
Native Hawaiians are the Indigenous Polynesian people of the Hawaiian Islands.
Herbert Kawainui Kāne was a Hawaiian historian and artist. He is considered one of the principal figures in the renaissance of Hawaiian culture in the 1970s. His work focused on the seafaring traditions of the ancestral peoples of Hawaiʻi.
The Hawaiian Renaissance was the Hawaiian resurgence of a distinct cultural identity that draws upon traditional Kānaka Maoli culture, with a significant divergence from the tourism-based culture which Hawaiʻi was previously known for worldwide. The Hawaiian Renaissance has been pointed to as a global model for biocultural restoration and sustainability.
Mark Kealiʻi Hoʻomalu is a contemporary Hawaiian chanter, who was born and raised in ʻAiea, Oʻahu. He is best known for his contributions to the soundtrack of the 2002 Disney animated film, Lilo & Stitch, providing the film's two non-Elvis Presley-related songs. His style is both innovative and controversial, as purists disapprove of the liberties he takes in creating new arrangements of ancient chants.
A hālau hula is a school or hall in which the Hawaiian dance form called hula is taught. The term comes from hālau, literally, "long house, as for canoes or hula instruction"; "meeting house", and hula, a Polynesian dance form of the Hawaiian Islands. Today, a hālau hula is commonly known as a school or formal institution for hula where the primary responsibility of the people within the hālau is to perpetuate the cultural practice of hula.
Hawaiian religion refers to the indigenous religious beliefs and practices of native Hawaiians, also known as the kapu system. Hawaiian religion is based largely on the tapu religion common in Polynesia and likely originated among the Tahitians and other Pacific islanders who landed in Hawaiʻi between 500 and 1300 AD. It is polytheistic and animistic, with a belief in many deities and spirits, including the belief that spirits are found in non-human beings and objects such as other animals, the waves, and the sky. It was only during the reign of Kamehameha I that a ruler from Hawaii island attempted to impose a singular "Hawaiian" religion on all the Hawaiian islands that was not Christianity.
Margaret Maiki Souza Aiu Lake was a hula dancer, kumu hula, hula teacher, and influential figure in the second Hawaiian Renaissance because of her revolutionary teaching techniques. Because of her work she was recognized as the "Mother of Hawaiian Renaissance." Many of her students became teachers themselves making her the "most important hula teacher of the 20th century."
Native Hawaiian cuisine refers to the traditional Hawaiian foods that predate contact with Europeans and immigration from East and Southeast Asia. The cuisine consisted of a mix of indigenous plants and animals as well as plants and animals introduced by Polynesian voyagers, who became the Native Hawaiians.
ʻUlīʻulī are Hawaiian feathered gourd rattles that are occasionally used as instruments in the traditional Hawaiian dance, hula. This instrument is used in both ʻauana and kahiko hula dances. They are vibrantly colored feather gourd rattles used in kahiko performances to maintain timing and to enhance other sounds like chanting or the pounding of an ipu.
Edith Kenao Kanakaʻole was a Hawaiian dancer, chanter, teacher, and kumu hula. Born in Honomū, Hawaiʻi in 1913, she was taught hula from a young age, and dropped out of her formal schooling before completing middle school. She began to compose traditional Hawaiian music in 1946, choreographing hula to accompany many of her chants, and founded Hālau O Kekuhi in 1953. In the 1970s, she taught Hawaiian studies and language at Hawaiʻi Community College and later the University of Hawaiʻi at Hilo, where she worked until her death in 1979.
