Diversions for Piano Left Hand and Orchestra, Op. 21, is a concertante music composition by Benjamin Britten.
Britten wrote the work for the Viennese-born pianist Paul Wittgenstein, who lost his right arm in World War I. Britten met Wittgenstein in New York in July 1940 and sketched the piece in August at Owl's Head, Maine. Although Wittgenstein complained about the orchestration, Britten initially declined to make any changes [1] but later agreed to a few small alterations. Forever after, he felt bitter about them, and after 1950 he revised the score "to create an official version that would stop Paul playing it by rendering his version obsolete." [2] Wittgenstein retained the performing rights for a good number of years, which kept other pianists from performing the work. [3]
Wittgenstein played the premiere of Diversions with the Philadelphia Orchestra under the baton of Eugene Ormandy on 16 January 1942. The Philadelphia reviewers commented more on Wittgenstein and his work as a one-armed pianist than on the composition itself. The Philadelphia Record did describe the score as "ingeniously written", while Musical America commented on the presence of both "pleasurable and dull moments" in the work. [4]
The piece is in the form of a theme and 11 variations:
Britten utilised music that he wrote for a production of J. B. Priestley's Johnson over Jordan as source material for the work. [5] Lyn Henderson has noted the influence of Prokofiev-like rhythms in Variation IXa. [6] Christopher Mark has discussed Britten's use of the circle of fifths in various works, including the Diversions. [7]
The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
Frank Bridge was an English composer, violist and conductor.
Leon Fleisher was an American classical pianist, conductor and pedagogue. He was one of the most renowned pianists and pedagogues in the world. Music correspondent Elijah Ho called him "one of the most refined and transcendent musicians the United States has ever produced".
The cultural year was dominated by the Festival of Britain and the opening of The Royal Festival Hall, the first dedicated concert hall of its size to be built in London since 1893: located on the south bank of the Thames, this was to host concerts by major orchestras from Britain and abroad. The Festival itself was a celebration of music, art and theatre. It notably provided an opportunity for the staging of many events seen during the first Folk music Festival held in Edinburgh, organised with the help of such talents as the American Alan Lomax, the Irish traditional musician Seamus Ennis and the political theatre director Ewan MacColl, who would go on to form the Ballad and Blues Club.
Cello Concerto in E minor, Op. 58 is a concerto written by Sergey Prokofiev between 1933 and 1938. Its duration is approximately 35 minutes. It consists of three movements:
Olli Mustonen is a Finnish pianist, conductor, and composer.
The CBC Symphony Orchestra (CBCSO) was a radio orchestra based in Toronto, Ontario, Canada. It was operated by the Canadian Broadcasting Corporation during the 1950s and 1960s.
Arthur William Oldham OBE was an English composer and choirmaster. He founded the Edinburgh Festival Chorus in 1965, the Chorus of the Orchestre de Paris in 1975, and the Concertgebouw Orchestra Chorus in Amsterdam in 1979. He also worked with the Scottish Opera Chorus 1966–74 and directed the London Symphony Chorus 1969–76. For his work with the LSO Chorus, he won three Grammy Awards. He was also a composer, mainly of religious works, but also a ballet and an opera.
Robert Clarence Raybould was an English conductor, pianist and composer who conducted works ranging from musical comedy and operetta, Gilbert and Sullivan to the standard classical repertoire. He also championed works by contemporary, particularly British, composers.
Benjamin Britten's Piano Concerto, Op. 13, is the composer's sole piano concerto.
James Pease was an American bass-baritone, notable for his Wagnerian roles. He was also a distinguished Balstrode in Benjamin Britten’s Peter Grimes, a role which he was the first to perform in the US in 1946, and later recorded under the composer’s direction in 1958.
Siegfried Rapp was a German pianist who lost his right arm during World War II and then focused on the left-hand repertoire. He is now mainly remembered for being the first to perform Prokofiev's Piano Concerto No. 4 for the Left Hand, Op.53.
This is a summary of 1950 in music in the United Kingdom.
Lorin Hollander is an American classical concert pianist. He has performed with virtually all of the major symphony orchestras in the United States and many around the world. A New York Times critic called him in 1964 "the leading pianist of his generation."
This is a summary of 1943 in music in the United Kingdom.
This is a summary of 1940 in music in the United Kingdom.
This is a summary of 1937 in music in the United Kingdom.
Barbara Nissman is an American pianist. She is especially known for her interpretations and performances of the works of Alberto Ginastera and Sergei Prokofiev which feature prominently in her repertoire. She is also a writer and a producer of a new DVD series, and a guest clinician presenting concerts, master classes and lectures world-wide.
Trevor Harvey (1911—1989) was an English conductor.
Klaviermusik mit Orchester, Op. 29, is a 1923 piano concerto by Paul Hindemith. Subtitled Klavier nur linke Hand, it is a piano concerto for the left hand alone. It was commissioned by the pianist Paul Wittgenstein, who lost his right arm in the World War. He never played the piece, and when he died, his widow refused access to the score. The premiere, after her death, was played in Berlin in 2004, with Leon Fleisher as the soloist and the Berlin Philharmonic conducted by Simon Rattle. It was published by Schott.