Eurostile

Last updated
Eurostile
EurostileSpec.svg
Category Sans-serif
Classification Geometric
Designer(s) Aldo Novarese
Foundry Nebiolo
Date released1962
Re-issuing foundries Linotype
URW
Monotype Imaging
Design based on Microgramma
Variations Microgramma
Microstyle Square 721

Eurostile is a geometric sans-serif typeface designed by Aldo Novarese in 1962. Novarese created Eurostile for one of the best-known Italian foundries, Nebiolo, in Turin.

Contents

Novarese developed Eurostile to succeed the similar Microgramma, which he had helped design. Microgramma was a titling font with only uppercase letters, which came with a variety of weights. A decade after Microgramma, Novarese resolved this limitation with his design of Eurostile, which added lowercase letters, a bold condensed variant, and an ultra narrow design he called Eurostile Compact, for a total of seven fonts.

Eurostile is a popular font, particularly suitable for headings and signs. Its linear nature suggests modern architecture, with an appeal both technical and functional. The squarish shapes with their rounded corners evoke the appearance of television screens of the 1950s and 1960s. It is particularly popular in science fiction artwork and media set or produced in the 1960s and '70s, alongside other graphic design use. Eurostile and its antecedent Microgramma had a near-monopoly on science fiction typefaces through the end of the 20th century, before Ray Larabie, seeing an opening in the market, began designing more modern computer fonts for the genre and distributed them through freeware. [1]

Foundry type

Introduced by Nebiolo in 1962.

Cold type copies

The popularity of Eurostile continued strong right into the cold type era, and it was offered by various manufacturers under the following names: [2]

Digital versions

Europe

Europe is a variant of Eurostile designed at TypeMarket in 1992–1993 by Alexey Kustov. The family includes 16 fonts, adding Shadow Demi, Shadow Oblique, and the missing oblique counterparts to the original Linotype family. It supports Cyrillic characters.

Eurostile DisCaps

Eurostile DisCaps is a small caps version of the font. The family comes with one width in regular and bold weights, without obliques.

Eurostile LT

Eurostile LT is a variant of Eurostile by Linotype. It uses squarer designs for non-letter characters like integral, infinity, pilcrow; letterlike symbols like @, the copyright mark, the registration mark; and accents such as cedilla and the tilde. However, the circle in circled letters (@, Ω) remained circular, which was not fixed until Eurostile Next. The asterisk was redesigned to use six points instead of five. Some numerals, such as "1", were redesigned with a straight tail instead of an angled tail for use in Japan.

In all, the family includes 11 fonts, adding an Outline Bold font to the original Eurostile family by Linotype. It supports ISO Adobe 2, Adobe CE, and Latin extended character sets.

Eurostile Next (2008)

Eurostile Next is an optically rescaled and redesigned version of the original font family, designed by Linotype Type Director Akira Kobayashi. The redesign was based on the specimens of the original metal fonts. [3] [4] [5]

Redesigned features include restoring the super curve lost in the previous film and digital versions, reduced stroke weight difference between the upper and lowercase letters, type-sensitive accents and letterlike symbols (ç, É, @, €). In addition, Kobayashi added new Light and Ultra Light weights to complement the Extended, Normal, and Condensed variations within the family, added small caps letters and figures. [6]

The family consists of 15 fonts in 5 weights and 3 widths each. It supports ISO Adobe 2,Adobe CE, Latin extended character sets. OpenType features include small caps, tabular and proportional figures, superior and inferior numerals, diagonal fractions, and ordinals. Kobayashi decided not to provide italics.

Eurostile Candy (2008)

Eurostile Candy is a variant of Eurostile Next with rounded corners. Extra strokes in letters such as a, s, or t, are removed. Joints in letters such as n and r have been simplified to create even more square shapes.

The family consists of three weights (regular, semi bold, bold) in extended width, without oblique fonts. It supports ISO Adobe 2,Adobe CE, Latin extended character sets. Extra OpenType features found in Eurostile Next are not supported.

Eurostile Unicase (2008)

Eurostile Unicase is a variant of Eurostile Next with unicase letters. The family consists of one font (Regular) in extended width, without oblique fonts, but it has heavier weight than Eurostile Next Extended Bold. It supports ISO Adobe 2, Adobe CE, and Latin extended character sets. Extra OpenType features found in Eurostile Next are not supported.

Eurostile Relief

Eurostile Relief is a shadowed version of the font designed by URW Studio.

Eurostile Stencil

Eurostile Stencil is a stencil font based on URW's Eurostile black extended (D), designed by Achaz Reuss.

Square 721

The Square 721 font from Bitstream is very nearly identical to Eurostile albeit with slightly different proportions. Square 721 is available in 2 weights and 3 widths each.

URW version

In the URW version, there are also Greek, Cyrillic, subscript and superscript, box drawing characters. The family has 16 fonts in five weights and three widths, with condensed fonts on regular and heavy weights; extended fonts on regular and black weights; complementary oblique fonts on black, bold, heavy, heavy condensed, medium, regular, regular condensed.

Variants

Francker is a variant based on Eurostile. [7]

Michroma is a free and open source digital adaptation created by Vernon Adams, based on the extended forms of Eurostile and its predecessor Microgramma. Only one weight was released before Adams suffered injuries in 2014 that were ultimately fatal. [8]

Applications

Television

Eurostile is one of the most popular fonts in science-fiction television. [9] Doctor Who used the font for the credits during the Second Doctor era (1966 to 1969, with Patrick Troughton in the lead role), and again in cast and crew titles from 1987 to 1989. Eurostile—and the Microgramma Extended Bold font on which it is based—was the primary font used in the science fiction series UFO , created by Gerry Anderson in 1969. All of the vehicles and clothing bearing the logo of the series' secret organisation SHADO used the font, in addition to the main titles.

Eurostile was also used in the title of television shows such as Star Trek (on several first-season episode title cards), Ironside , Adam-12, Star Trek: Enterprise , Deal or No Deal , The Amazing Race , and Judge Mathis . Eurostile Extended Bold was used in the logo and inter-title sequence of Nickelodeon's Drake & Josh (alongside the regular variant, specifically on the "DRAKE" and "JOSH" scrolling text in the background), and was used in titles and set backdrops for Channel 4's early 90s comedy series Vic Reeves Big Night Out. Eurostile Std Heavy Condensed was used for titles and credits for Emergency! and The Six Million Dollar Man. Type expert Dave Addey noted: "Indeed, Eurostile is such a quick way to establish a timeframe that whenever I see it in real life – which happens quite a lot in my adopted home of California – I assume I’ve been transported to some futuristic dystopia, where a local care center feels more like a sinister government facility for scientific experimentation." [10] [11] Eurostile is also featured in many games on The Price is Right , as well as the logo for the Sunday night newsmagazine 60 Minutes . The 2021 Netflix biography on the American fashion designer Halston uses Eurostile Extended for the main logo and interstitial placements. The NBC game show The Wall uses both the Bold and Condensed variantsof Eurostile during gameplay.

Video games

Eurostile can be found in several video games such as Homeworld, Ratchet and Clank, Ridge Racer, Tom Clancy's Ghost Recon, Tekken, Splinter Cell, Driv3r, Elite Dangerous, and the StarCraft series.

Film

Eurostile, particularly Eurostile Bold Extended, is used extensively in science fiction movies, among them 2001: A Space Odyssey (especially for HAL 9000) [12] Jetsons: The Movie, Moon , Back to the Future , Starship Troopers , The Andromeda Strain and Total Recall. [13] [14]

Logos

Eurostile is a corporate branding font for Toshiba, Dimension Films, and Diadora. The retail version was authorized by Toshiba Europe GmbH to URW, where Eurostile Black OT was sold. [15] Eurostile Extended Bold is used in the Nokia, New Flyer, Casio and Roland Corporation JUNO logos. The Eurovision Song Contest also used the font from 2004 to 2014. Eurostile is also used for the logo of Rotarex, Colgan Air, Roadcycling.com, and Roadcycling.mobi. Halliburton uses Eurostyle Extended Two for its logo. [16] The NBA's San Antonio Spurs use Eurostile in their logos. In the 1970s and 1980s, Eurostile was the font for the Tandy Corporation. The Daihatsu corporate logo also used the Eurostile font. Dekoron Wire & Cable, LLC uses Eurostile for their company logo. [17]

Currency

Eurostile is used in Canadian Journey series of Canadian dollar bank notes. [18]

Other

Eurostile is used in many PSA Peugeot Citroën vehicles such as Peugeots and most Citroëns.

Dell used Eurostile on its products, starting with the OptiPlex GX150 in December 2000, and was used all the way until its 2016 rebrand. Additionally, it was also used for its full-screen "Dell End User Software License Agreement" first-run, pre-startup program that was seen on its Inspiron laptops made between 2003 and 2007, [19] as well as for a black-colored keyboard (for the Num Lock, Scroll Lock, and Caps Lock indicator labels) from the early 2000s.

Rooster Teeth's Let's Play Minecraft series used Eurostile for its thumbnails on YouTube from 2012 to 2014.

Chip Ganassi Racing uses Eurostile for its numbers in the IndyCar Series.

Related Research Articles

<span class="mw-page-title-main">Palatino</span> Serif typeface

Palatino is the name of an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company.

<span class="mw-page-title-main">Optima</span> 1958 typeface by Hermann Zapf

Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany in 1958.

<span class="mw-page-title-main">Helvetica</span> Neo-grotesque sans-serif typeface

Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.

<span class="mw-page-title-main">Frutiger (typeface)</span> Typeface designed by Adrian Frutiger

Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".

<span class="mw-page-title-main">Arial</span> Neo-grotesque sans-serif typeface

Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.

<span class="mw-page-title-main">Futura (typeface)</span> Geometric sans-serif typeface

Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.

<span class="mw-page-title-main">Univers</span> Sans-serif typeface family

Univers is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.

<span class="mw-page-title-main">Adrian Frutiger</span> Swiss typeface designer (1928–2015)

Adrian Johann Frutiger was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.

<span class="mw-page-title-main">Microgramma (typeface)</span> Sans-serif typeface

Microgramma is a sans-serif typeface which was designed by Aldo Novarese and Alessandro Butti for the Nebiolo Type Foundry in 1952. It became popular for use with technical illustrations in the 1960s and was a favourite of graphic designers by the early seventies, its uses ranging from publicity and publication design to packaging, largely because of its availability as a Letraset typeface. Early typesetters also incorporated it.

Aldo Novarese was an Italian type designer who lived and worked mostly in Turin.

<span class="mw-page-title-main">Font</span> Particular size, weight and style of a typeface

In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.

<span class="mw-page-title-main">Bookman (typeface)</span> 1869 serif typeface

Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of the 1960s and 1970s, when revivals of it were very popular.

<span class="mw-page-title-main">Syntax (typeface)</span> Sans-serif typeface

Syntax comprises a family of fonts designed by Swiss typeface designer Hans Eduard Meier. Originally just a sans-serif font, it was extended with additional serif designs.

<span class="mw-page-title-main">News Gothic</span> Grotesque sans-serif typeface

News Gothic is a sans-serif typeface designed by Morris Fuller Benton, and was released in 1908 by his employer American Type Founders (ATF). The typeface is similar in proportion and structure to Franklin Gothic, also designed by Benton, but lighter.

<span class="mw-page-title-main">Avenir (typeface)</span> 1988 typeface by Adrian Frutiger

Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 and released in 1988 by Linotype GmbH.

<span class="mw-page-title-main">Monotype Grotesque</span> Grotesque sans-serif typeface

Monotype Grotesque is a family of sans-serif typefaces released by the Monotype Corporation for its hot metal typesetting system. It belongs to the grotesque or industrial genre of early sans-serif designs. Like many early sans-serifs, it forms a sprawling family designed at different times.

<span class="mw-page-title-main">ITC Avant Garde</span> Sans-serif typeface

ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.

<span class="mw-page-title-main">Trade Gothic</span> Grotesque sans-serif typeface

Trade Gothic is a sans-serif typeface designed in 1948 by Jackson Burke (1908–1975), who continued to work on further style-weight combinations, eventually 14 in all, until 1960, while he was director of type development for Linotype in the US. The family includes three weights and three widths.

<span class="mw-page-title-main">Nimbus Sans</span> Sans-serif typeface

Nimbus Sans is a sans-serif typeface created by URW++, based on Helvetica.

<span class="mw-page-title-main">Erbar</span> Sans-serif typeface

In typography, Erbar or Erbar-Grotesk is a sans-serif typeface in the geometric style, one of the first designs of this kind released as type. Designer Jakob Erbar's aim was to design a printing type which would be free of all individual characteristics, possess thoroughly legible letter forms, and be a purely typographic creation. His conclusion was that this could only work if the type form was developed from a fundamental element, the circle. Erbar-Grotesk was developed in stages; Erbar wrote that he had originally sketched out the design in 1914 but had been prevented from working on it due to the war. The original version of Erbar was released in 1926, following Erbar's "Phosphor" titling capitals of 1922 which are very similar in design.

References

  1. Tselentis, Jason (August 28, 2017). "Typodermic's Raymond Larabie Talks Type, Technology & Science Fiction". How. Archived from the original on August 10, 2018. Retrieved October 29, 2017.
  2. W.F. Wheatley, Typeface Analogue, National Composition Association, Arlington, Virginia, 1988, p. 8. pp. 34 - 35.
  3. "Eurostile Next - Font News". Linotype.com. Retrieved 28 August 2017.
  4. "Die Eurostile Next". issuu. Linotype GmbH. 20 March 2011. Retrieved 17 May 2018.
  5. Piccinini, Claudio. "Eurostile Next". Typographica.org. Retrieved 11 July 2015.
  6. "Eurostile® Next Font Family - Fonts.com". Fonts.com. Retrieved 28 August 2017.
  7. "Francker - Font News". Linotype.com. Retrieved 28 August 2017.
  8. "Michroma Font · 1001 Fonts".
  9. At 28% of all font types, the second-most used in the survey by Shedorff and Noessel (Nathan Sheadorff and Christopher Noessel, Make It So: Interaction Design Lessons from Science Fiction, New York, NY: Rosenfeld Media, 2012, p. 37.).
  10. Addey, Dave (29 November 2014). "Eurostile in science fiction". Typeset in the Future. Retrieved 9 July 2015.
  11. Addey, Dave (11 December 2018). Typeset in the Future: Typography and Design in Science Fiction Movies. ABRAMS. pp. 46–51. ISBN   978-1-68335-334-8.
  12. says, James Arboghast (31 January 2014). "2001: A Space Odyssey". Typesetinthefuture.com. Retrieved 28 August 2017.
  13. "Fontspots: Eurostile". Typeset In The Future. 29 November 2014.
  14. "Pyramid Mines". 26 September 2023.
  15. "URW Info". Archived from the original on 2012-07-22. Retrieved 2008-12-16.
  16. "POST data" (PDF). Archived from the original (PDF) on 2021-08-08. Retrieved 2015-02-04.
  17. "Dekoron Wire & Cable, LLC". Dekoroncable.com. Retrieved 2017-08-27.
  18. Vit, Bryony Gomez-Palacio and Armin. "Speak Up Archive: It's All About the Money". Underconsideration.com. Retrieved 2017-08-27.
  19. Isherwood, Alan (28 December 2005). "DSC00413". Flickr . Retrieved 13 July 2022.

Eurostile Next