Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Matthew Carter is a British type designer. A 2005 New Yorker profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used fonts.
Erik Spiekermann is a German typographer, designer and writer. He is an honorary professor at the University of the Arts Bremen and ArtCenter College of Design.
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Incorporated in Delaware and headquartered in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hotmetal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, Arial, Bembo and Albertus.
Neville Brody, is an English graphic designer, typographer and art director. He is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), and designing record covers for artists such as Clock DVA, Cabaret Voltaire, The Bongos, 23 Skidoo and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. His work is included in the permanent collection of the Museum of Modern Art (MoMA). He was the Dean of the School of Communication at the Royal College of Art, London until September 2018. He is now Professor of Communication.
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications.
FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". It originated from an unused commission for the Deutsche Bundespost. Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s.
FF Scala is an old-style serif typeface designed by Dutch typeface designer Martin Majoor in 1991 for the Muziekcentrum Vredenburg in Utrecht, the Netherlands. The FF Scala font family was named for the Teatro alla Scala (1776–78) in Milan, Italy. Like many contemporary Dutch serif faces, FF Scala is not an academic revival of a single historic typeface but shows influences of several historic models. Similarities can be seen with William Addison Dwiggins' 1935 design for the typeface Electra in its clarity of form, and rhythmic, highly calligraphic italics. Eric Gill's 1931 typeface Joanna, with its old style armature but nearly square serifs, is also similar in its nearly mono-weighted stroke width.
FF Scala Sans is a humanist sans-serif typeface designed by Dutch designer Martin Majoor in 1993 for the Vredenburg Music Center in Utrecht, the Netherlands. It was designed as a companion to Majoor's earlier serif old style typeface FF Scala, designed in 1990.
Joanna is a serif typeface designed by Eric Gill (1882–1940) from 1930 to 1931 that was named for one of his daughters. Gill chose Joanna for setting An Essay on Typography, a book by Gill on his thoughts on typography, typesetting and page design. He described it as "a book face free from all fancy business".
FontBook is a typeface compendium in hardback published by FSI FontShop International and edited by Erik Spiekermann, Jürgen Siebert, and Mai-Linh Thi Truong. Published in 1991, it has been revised four times, with the latest edition published in September 2006. This fourth edition contains 32,000 samples of fonts from 90 international type foundries. In addition to type samples, FontBook also contains historical footnotes and cross-references to fonts of similar style.
FF DIN is a sans-serif typeface in the industrial or "grotesque" style. It was designed in 1995 by Albert-Jan Pool, based on DIN-Mittelschrift and DIN-Engschrift, as defined in the German standard DIN 1451. DIN is an acronym for Deutsches Institut für Normung. It was published by FontShop in its FontFont library of typefaces.
Albert-Jan Pool is a Dutch type designer and educator.
Martin Majoor is a Dutch type designer and graphic designer. As of 2006, he had worked since 1997 in both Arnhem, Netherlands, and Warsaw, Poland.
The Gerrit Noordzij Prize is given to type designers and typographers for extraordinary contributions to the fields of type design, typography and type education. The prize, initiated by Anno Fekkes during the 1996 ATypI conference in The Hague, is awarded every three years by the Royal Academy of Art in The Hague together with the Museum Meermanno, under the auspices of the Dr. P.A. Tiele Trust. The prize is named after Gerrit Noordzij, who was a professor of typeface design at the Royal Academy of Art. For the continuity of the prize, the Gerrit Noordzij Fund was created.
Erik van Blokland is a Dutch typeface designer, educator and computer programmer. He is the head of the Type Media Master of Design program in Typeface Design at the Royal Academy of Art, The Hague in the Netherlands.
Just van Rossum is a Dutch typeface designer, software developer, and professor at the Royal Academy of Art in the Hague. He is the co-founder of design firm, LettError, along with Erik van Blokland. Just van Rossum is the younger brother of Guido van Rossum, creator of the Python programming language.
Cornel Windlin is a Swiss graphic and type designer originally from Kerns (Obwalden) whose work has received national and international awards, been exhibited in museums and published in design books and publications. In addition to his design work, he also lectures regularly in Switzerland and abroad. His work has been extensively recognised in books, trade journals and exhibitions.
