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Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines.
Chronic Town is the debut EP by American alternative rock band R.E.M., released on August 24, 1982, on I.R.S. Records. Containing five tracks, the EP was recorded at the Drive-In Studio in Winston-Salem, North Carolina, in October 1981, eighteen months after the formation of the band. Its co-producer was Mitch Easter, who produced the band's "Radio Free Europe" single earlier in 1981.
Reckoning is the second studio album by American alternative rock band R.E.M., released on April 9, 1984, by I.R.S. Records. Produced by Mitch Easter and Don Dixon, the album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M.'s live performances, and used binaural recording on several tracks. Lead singer Michael Stipe dealt with darker subject matter in his lyrics, with water-related imagery being a recurring theme on the album.
Fables of the Reconstruction, also known as Reconstruction of the Fables, is the third studio album by American alternative rock band R.E.M., released on I.R.S. Records on June 10, 1985. The Joe Boyd-produced album was the first recorded by the group outside the United States. Many of the album's lyrics take inspiration from Southern Gothic themes and characters.
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
Dead Letter Office is a rarities and B-sides collection by R.E.M., released in April 1987. The album is essentially a collection of many additional recordings R.E.M. made from before Murmur to Lifes Rich Pageant that were outtakes or released as B-sides to their singles internationally. Many of the tracks are favorite cover versions indicating the band's disparate influences and musical tastes, including three Velvet Underground covers, and songs by Aerosmith, Roger Miller, and fellow Athenians Pylon ("Crazy").
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988. It was their last authorized release on I.R.S. Records, to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
The Best of R.E.M. is a greatest hits album by R.E.M. released in 1991, shortly after the success of the band's seventh studio album, Out of Time, released by Warner Bros. The Best of R.E.M., however, was released by the band's previous record label, I.R.S. Records, and only includes tracks from their first five albums while the group was with that label. As such, it covers their output from 1982 to 1987.
R.E.M. In the Attic – Alternative Recordings 1985–1989 was the fourth R.E.M. compilation released by I.R.S. Records. EMI-Capitol, which acquired the entire I.R.S. Records catalogue upon the label's failure in 1996, released In the Attic in 1997 without the permission of R.E.M. The album failed to chart in the UK, and only reached #185 in the U.S. in its sole week on the chart. Most of the songs had appeared on the European reissues of the band's IRS albums, but this was their first official release in the US. There are two exceptions; these are "Gardening at Night", which was on Eponymous, and "Cant Get There From Here" which was on Singles Collected, both compilations having been released in the U.S.. Although they were also I.R.S. Years bonus tracks, "Crazy" and "Toys in the Attic" had also appeared on the band's b-sides compilation album Dead Letter Office.
"All the Right Friends" is one of the earliest songs written by R.E.M., written by Peter Buck and Michael Stipe in 1979 before meeting their future bandmates, according to Peter Buck's liner notes to the band's In Time compilation album. Like all R.E.M. songs, its composition is credited to all members.
"Talk About the Passion" is a song by the American alternative rock band R.E.M., released as the second single released from its debut album Murmur in 1983. It was released in Europe only, on 12" vinyl. This song failed to follow up on the success of "Radio Free Europe" released earlier in the year, as it did not chart. A live performance at Larry's Hideaway, Toronto, Ontario, Canada, from July 9, 1983, was released on the 2008 Deluxe Edition reissue of Murmur.
"Cant Get There from Here", or "Can't Get There from Here", is the first single released by R.E.M. from its third studio album Fables of the Reconstruction in 1985. The song peaked at number 10 on the Billboard Bubbling Under Hot 100 Singles, equaling to a position of approximately 110 on the main Billboard Hot 100 chart. It also peaked at number 91 on the Canadian Singles Chart. It was re-released in 2006 on a compilation disc, And I Feel Fine... The Best of the I.R.S. Years 1982–1987.
"Begin the Begin" is the first song on R.E.M.'s fourth album, Lifes Rich Pageant. Lead singer Michael Stipe has called it "a song of personal, political activism." Though never released as a single, it appeared frequently in the band's live performances as a song early in the set. It was even used as an opening song in the live performances at their inductions into the Georgia Music Hall of Fame and the Rock and Roll Hall of Fame. The song was also included as the first track on their 2006 compilation And I Feel Fine... The Best of the I.R.S. Years 1982-1987.
And I Feel Fine... The Best of the I.R.S. Years 1982–1987 is a compilation album by American band R.E.M. It features songs from the band's years at I.R.S. Records. All tracks have been remastered, and the set was released 12 September 2006. A companion DVD, titled When the Light Is Mine, was released the same day.
"Ages of You" is a song by the band R.E.M. from their album Dead Letter Office. It was one of the early songs the group wrote.
"Sitting Still" is a song by American rock band R.E.M. that was issued on their first single in 1981 and on their 1983 debut album Murmur.
"Pretty Persuasion" is a song by R.E.M. that was first released on the band's 1984 album Reckoning. It was released as a promotional single and reached number 44 on Billboard's Rock Tracks chart. According to R.E.M. biographer Tony Fletcher, it is often regarded as "the 'archetypal' R.E.M. anthem".
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
References
- ↑ Black, Johnny (2004). Reveal: The Story of R.E.M. Backbeat Books. ISBN 0-87930-776-5.
- ↑ Hogan, Peter (1995). The Complete Guide to the Music of R.E.M. Omnibus Press. p. 41. ISBN 0-7119-4901-8.
