Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.
George Lester Jackson was an American author, activist and convicted felon. While serving an indeterminate sentence for stealing $70 from a gas station in 1961, Jackson became involved in revolutionary activity and co-founded the prison gang Black Guerrilla Family.
The Freewheelin' Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963, by Columbia Records. Whereas his self-titled debut album Bob Dylan had contained only two original songs, this album represented the beginning of Dylan's writing contemporary lyrics to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".
Another Side of Bob Dylan is the fourth studio album by American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits, is the second compilation album by American singer-songwriter Bob Dylan, released on November 17, 1971 by Columbia Records. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup.
"Leopard-Skin Pill-Box Hat" is a song by American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, who Dylan had spent time with in December 1965.
Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters in history, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when his songs "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues, and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"The Times They Are a-Changin'" is a song written by Bob Dylan and released as the title track of his 1964 album of the same name. Dylan wrote the song as a deliberate attempt to create an anthem of change for the time, influenced by Irish and Scottish ballads. Released as a 45-rpm single in Britain in 1965, it reached number 9 on the UK Singles Chart. The song was not released as a single in the U.S. In 2019 it was certified Silver by BPI.
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
"I Shall Be Released" is a 1967 song written by Bob Dylan.
"I Want You" is a song by American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"To Ramona" is a song by American singer-songwriter Bob Dylan, first released on his fourth studio album, Another Side of Bob Dylan (1964). The song was written by Dylan, and produced by Tom Wilson. The lyrics were started at the May Fair Hotel in London in May 1964, and finished during a week-long stay in the Greek village of Vernilya later that month. Dylan recorded all the tracks for the album, including the song, in a single three-hour session on June 9, 1964, at Studio A, Columbia Recording Studios, New York. Its narrator advises Ramona, who is preparing to return to "the South", not to follow the advice of others. Critics have suggested several different people as inspirations for the song, including Joan Baez, Suze Rotolo, and Sara Lownds.
"You Ain't Goin' Nowhere" is a song written by American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident. A recording of Dylan performing the song in September 1971 was released on the Bob Dylan's Greatest Hits Vol. II album in November of that year, marking the first official release of the song by its author. Earlier 1967 recordings of the song, performed by Dylan and the Band, were issued on the 1975 album The Basement Tapes and the 2014 album The Bootleg Series Vol. 11: The Basement Tapes Complete.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
"Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.
"I Threw It All Away" is a song by American singer-songwriter Bob Dylan. The track appeared on Dylan's album Nashville Skyline in 1969, and was released as its first single later that year, where it reached number 85 on the Billboard Hot 100, and number 30 on the UK Singles Chart. It is considered to be one of the best and most popular songs on the album.
The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 is a compilation album by American singer-songwriter Bob Dylan, containing demo recordings he made for his first two publishing companies, Leeds Music and M. Witmark & Sons, from 1962 to 1964. The seventh installment of the ongoing Bob Dylan Bootleg Series, it was released on October 19, 2010 on Legacy Records.
"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.
"Dear Landlord" is a song by American singer-songwriter Bob Dylan. It was recorded on November 29, 1967, at Columbia Recording Studios, Nashville, produced by Bob Johnston. The song was released on Dylan's album John Wesley Harding on December 27, 1967. It is a piano blues that has been interpreted as an address to his then-manager Albert Grossman.
