Tangled Up in Blue

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"Tangled Up in Blue"
A 25-second sample of "Tangled Up in Blue". A writer from Billboard said that the "strong acoustic background" instrumentals were reminiscent of Dylan's early songs. [22]
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With "Tangled Up in Blue", Dylan used shifting perspectives of time, influenced by his recent studies under Raeben. [9] Michael Gray describes the structure of "Tangled Up in Blue's" lyrics as the story of a love affair and career and how the "past upon present, public upon privacy, distance upon friendship, [and] disintegration upon love" transform and are complicated over time. [23] Timothy Hampton, Professor of Comparative Literature and French at the University of California, Berkeley, has described the structure of the lyrics as a set of sonnets, with seven stanzas each of 14 lines, each with a volta after line eight. [24]

Dylan continually re-worked the lyrics and arrangement even after the album was released. [23] [9] During his 1978 World Tour, the line starting "She opened up a book of poems" became "She opened up the Bible and started quotin' it to me", becoming one of the first public indicators of Dylan's conversion to Christianity. [23] The version released on Real Live , as performed throughout his 1984 Europe tour, differs radically in structure and lyrics from earlier versions, with a more cynical view of romance. [23] [9] Dylan said in 1985 that he was more satisfied with the implementation of multiple viewpoints in the song than he had been with the original. [11] Dylan has often stated that the song took "ten years to live and two years to write". [25]

In a 1985 interview with Bill Flanagan, Dylan said that although many people thought that the album Blood on the Tracks was autobiographical, "It didn't pertain to me. It was just a concept of putting in images that defy time – yesterday, today and tomorrow. I wanted to make them all connect in some kind of a strange way." [26] In his 2004 memoir Chronicles: Volume One , Dylan claimed that Blood on the Tracks was "an entire album based on Chekhov short stories. Critics thought it was autobiographical – that was fine." [12]

Critical reception

Billboard regarded "Tangled Up in Blue" as Dylan's most powerful and most commercial single in a long time, saying that Dylan's voice and the "strong acoustic background" instrumentals were reminiscent of Dylan's early songs. [22] Cash Box said that it is a "great tune...with lyrics pouring forth in profusion and with Bob's voice in excellent shape." [27] Jon Landau in Rolling Stone praised Dylan's lyrics and delivery of the song, but was unimpressed by the accompanying musicians and the production of the album, [28] while Jonathan Cott, in the same issue of the magazine, called the track "brilliant and haunted." Cott likened the effect of the album's lyrics to those of the Italian 13th century poem referred to in the song, quoting from the song: [29]

And every one of them words rang true
And glowed like burnin’ coal
Pourin’ off of every page
Like it was written in my soul
From me to you
Tangled up in blue

Some commentators have taken the reference in "Tangled Up in Blue" to the "Italian poet/From the thirteenth century" as a reference to Dante. [30] [31] Matthew Collins of Harvard, noting that Dylan may not have been precise with dates, argues that there are similarities between elements of the lyrics of "Tangled up in Blue" and the fifth canto of Dante's 14th Century Inferno , but finds it unlikely that Dylan will ever confirm who the reference in the song is to. [32] Hampton, however, believes that the reference is more likely to Petrarch. [24] Both Collins and Hampton note that in a 1978 interview, in reference to "Tangled Up in Blue", Dylan was asked who the poet was and replied "Plutarch. Is that his name?" [32] [24]

Don Stanley in The Vancouver Sun said that the song "succeeds on the strength of its metaphors." [33] An opposing view was expressed by Al Rudis, in The Pittsburgh Press , who was unimpressed by the song's lyrics, calling the track "a long lurching song [but with] no build-up of cumulative power" and stating that it contains "seemingly meaningless images." [34] Neil McCormick remarked in 2003 that the song is "A truly extraordinary epic of the personal, an unreliable narrative carved out of shifting memories like a five-and-a-half-minute musical Proust." [35] The Daily Telegraph has described the song as "The most dazzling lyric ever written, an abstract narrative of relationships told in an amorphous blend of first and third person, rolling past, present and future together, spilling out in tripping cadences and audacious internal rhymes, ripe with sharply turned images and observations and filled with a painfully desperate longing." [36]

Jim Beviglia ranks "Tangled Up in Blue" 14th in his 2013 assessment of the 100 best Dylan songs, saying that "this masterful song doesn't skimp on the pain." [37] In a 2020 article for The Guardian , Alexis Petridis ranked it the twelfth-greatest of Dylan's songs. [38] The track was ranked 3rd on Rolling Stone's 2016 ranking of the 100 greatest Dylan songs, with the staff describing it as "where emotional truths meet the everlasting comfort of the American folk song." [39] Rolling Stone ranked it No. 68 on their 2011 list of the 500 Greatest Songs of All Time, [40] and re-ranked it at No. 67 in 2021. [41] A 2021 Guardian article included it on a list of "80 Bob Dylan songs everyone should know". [42]

Live performances

Dylan has performed the song live 1,685 times up to August 2018. The first was on 13 November 1975 at Veterans Memorial Coliseum, New Haven. [43] [44] The most recent live performance as of October 2020 was on 28 August 2018 at Horncastle Arena, Christchurch, New Zealand. [44]

Dylan played the song solo on acoustic guitar during the first leg of the Rolling Thunder Revue tour in 1975, a performance of which is featured in Dylan's 1978 film Renaldo and Clara and which later became the song's official music video. [30] [45] On the second leg of the Rolling Thunder Revue, in 1976, the song was performed with a full band in what Clinton Heylin has called a "gear-crunching heavy-metal" arrangement. [9] The 1978 World Tour performances were slower, with a big band. [30] After 1978, the next live performances were in 1984, [44] again solo on acoustic guitar but this time with radically reworked lyrics. [9] Versions performed after 1984 have been closer to the original. [23]

Credits and personnel

Credits for the Blood on the Tracks and single release, adapted from the Bob Dylan All the Songs: The Story Behind Every Track book. [2]

Musicians

Technical

Covers and references

The song has been covered by various artists, including Barb Jungr, Jerry Garcia, Half Japanese, Robyn Hitchcock, the Indigo Girls, Kim Larsen, T-Bone Burnett, [46] Great White, Joan Baez, Ani Difranco, KT Tunstall, The Whitlams, [47] and The String Cheese Incident. [48] Mary Lee's Corvette covered the entire Blood on The Tracks album in 2002, including "Tangled Up in Blue". [49] According to Hootie & the Blowfish vocalist Darius Rucker, their song "Only Wanna Be with You" was written as a tribute to Dylan; [50] it includes the lines "Put on a little Dylan sitting on a fence," "Ain't Bobby so cool?", and "I'm tangled up in blue." [51]

The song is a playable track on Rock Band 2 , as the most difficult song in the vocal section, and the final song for the player to complete in the "Impossible Vocal Challenge". [48] "Tangled Up in Blue" is also published as one of two poems by Dylan in The Seagull Book of Poems. [52] Dylan reworked the lyrics again for an artwork, consisting of handwritten lyrics and a sketch of an abandoned car, displayed at the Halcyon Gallery's Mondo Scripto exhibition in 2018. [53] [54]

Charts (single)

"Tangled Up in Blue"
Tangled Up in Blue Cover.jpg
Single by Bob Dylan
from the album Blood on the Tracks
B-side "If You See Her, Say Hello"
ReleasedJanuary 20, 1975
RecordedDecember 30, 1974
Studio Sound 80 (Minneapolis, Minnesota)
Genre Folk rock [1]
Length5:41 [2]
Label Columbia
Songwriter(s) Bob Dylan
Producer(s) David Zimmerman (uncredited)
Bob Dylan singles chronology
"All Along the Watchtower"
(1974)		"Tangled Up in Blue"
(1975)		"Hurricane"
(1975)
Blood on the Tracks track listing
10 tracks
Side one
  1. "Tangled Up in Blue"
  2. "Simple Twist of Fate"
  3. "You're a Big Girl Now"
  4. "Idiot Wind"
  5. "You're Gonna Make Me Lonesome When You Go"
Side two
  1. "Meet Me in the Morning"
  2. "Lily, Rosemary and the Jack of Hearts"
  3. "If You See Her, Say Hello"
  4. "Shelter from the Storm"
  5. "Buckets of Rain"
Chart performance for "Tangled Up in Blue"
Chart (1975)Peak
position
US Billboard Hot 100 [55] 31

Official album releases

AlbumRelease YearRecorded atRecording date Take/ versionPersonnelRef.
1 Blood on the Tracks 1975 Sound 80 30 December 1974Bob Dylan: vocals, guitar, harmonica; Kevin Odegard: guitar; Chris Weber: guitar; Gregg Inhofer: keyboards; Billy Peterson: bass; Bill Berg: drums [9]
2 Real Live 1984 Wembley Stadium 7 July 1984Bob Dylan: vocals, guitar, harmonica; Colin Allen: drums; Ian McLagan: keyboards; Gregg Sutton:bass guitar; Mick Taylor: guitar [56] [57]
3 Biograph 1985 Blood on the Tracks version [58]
4 The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 1991 A&R Studios 16 September 1974Take 3, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass. Unknown additional acoustic guitar, from one of Charles Brown, III, Eric Weissberg, or Barry Kornfeld. Later also released on The Bootleg Series Vol. 14: More Blood, More Tracks [59] [10]
5 Bob Dylan's Greatest Hits Volume 3 1994 Blood on the Tracks version [60]
6 The Essential Bob Dylan 2000 Blood on the Tracks version [61]
7 The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue 2002 Boston Music Hall 21 Nov 1975Evening showLater also released on Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition) (For personnel, see that entry) [62] [63]
8 The Best of Bob Dylan 2005 Blood on the Tracks version [64]
9 Dylan 2007 Blood on the Tracks version [65]
10 The Bootleg Series Vol. 14: More Blood, More Tracks 2018 A&R Studios 19 September 197419/9/74, Take 3, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass [10] [66]
11 The Bootleg Series Vol. 14: More Blood, More Tracks (Deluxe edition)2018 A&R Studios 16 September 1974Take 1Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass [10] [66]
12 A&R Studios 17 September 1974RehearsalBob Dylan: vocals, guitar, harmonica; Tony Brown: bass; Paul Griffin: organ
13 A&R Studios 17 September 1974Take 2, RemakeBob Dylan: vocals, guitar, harmonica; Tony Brown: bass; Paul Griffin: organ
14 A&R Studios 17 September 1974Take 3, RemakeBob Dylan: vocals, guitar, harmonica; Tony Brown: bass
15 A&R Studios 19 September 1974Rehearsal and Take 1, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
16 A&R Studios 19 September 1974Take 2, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
17 A&R Studios 19 September 1974Take 3, Remake 2Included on a test pressing and also on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 )
18 A&R Studios 19 September 1974Rehearsal and Takes 1–2, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
19 A&R Studios 19 September 1974Take 3, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
20 Blood on the Tracks version
21 Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition)2019 Worcester Memorial Auditorium 19 November 1975Bob Dylan – vocals, guitar, piano, harmonica; Bobby Neuwirth: guitar, vocals; Scarlet Rivera: violin; T Bone J. Henry Burnett: guitar, vocals; Steven Soles: guitar, vocals; Mick Ronson: guitar; David Mansfield: steel guitar, mandolin, violin, dobro; Rob Stoner: bass guitar, vocals; Howie Wyeth: drums, piano; Luther Rix: drums, percussion, congas; Ronee Blakley: vocals; Ramblin' Jack Elliott: vocals, guitar; Allen Ginsberg: vocals, finger cymbals; Joni Mitchell: vocals [63]
22 Boston Music Hall 21 November 1975Evening show
23 Forum de Montréal 4 December 1975

Notes

  1. 1 2 Some sources state the release date as 17 January 1975

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