Glass Pieces

Last updated

Glass Pieces
Choreographer Jerome Robbins
Music Philip Glass
PremiereMay 12, 1983 (1983-05-12)
New York State Theater
Original ballet company New York City Ballet
DesignBen Benson
Jerome Robbins
Ronald Bates
Genre Neoclassical ballet

Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater, performed by the New York City Ballet. [1]

Contents

Production

Choreographer Jerome Robbins was first invited to direct Philip Glass's opera, Akhnaten . Due to the unusual nature of the opera, Robbins decided to make a ballet with the music first and figure out the stage directions. However, due to scheduling conflict, Robbins withdrew from the opera, but went ahead with the ballet. [2]

Though the score is minimal, Robbins decided to treat it differently. He made charts of the music's structure on graph paper, then worked with Ronald Bates, who also designed the lighting, to make backdrop that looks like a piece of graph paper. [2] Robbins also added "Rubric" and "Façades" from Glass's Glassworks , [3] as the scores "struck him as being markedly different in character". Robbins also claimed that since he was focused on the music during the creative process, he was surprised to see the critics interpret it as "images of urban life". On the entire ballet Robbins said it has a "a ritualistic sense" which may be "inevitable" due to Glass's music. [2]

The ballet was the first New York City Ballet (NYCB) work set to minimalist music and premiered shortly after the company's co-founder George Balanchine's death. [4]

Structure

The first part, "Rubric", features dancers in bright color practice wears walking across the stage, [5] and three main couples performing different choreography. [6] Whenever the couples enter the stage, the corps de ballet changes its movements. Robbins said it is like a rondo. [2]

The middle section is set to "Façades", which Robbins described as "a songlike melody repeated five times". The principal couple is the equivalent of the score while an all-female corps dances at the back of the stage in a line, representing the accompaniment. [2] [5]

The third and final movement, danced to "Akhnaten", is called "tribal" by Robbins, with dancers performing in bloc patterns. [2]

Original cast

Rubric: [5]

Façades: [5]

Revivals

Other ballet companies that have performed Glass Pieces include the Paris Opera Ballet, Joffrey Ballet and San Francisco Ballet. [7] [8] [9] The former two companies and NYCB all included the ballet in their Robbins Centennial celebrations. [7] [8] [10]

Videography

In light of the impact of the COVID-19 coronavirus pandemic on the performing arts, Paris Opera Ballet released a video recording of Glass Pieces as a part of the Tribute to Jerome Robbins program. [11] NYCB released a 2017 video recording of the third movement. [12]

Related Research Articles

<span class="mw-page-title-main">New York City Ballet</span> American ballet company

New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.

<span class="mw-page-title-main">Jerome Robbins</span> American choreographer & director (1918–1998)

Jerome Robbins was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.

<span class="mw-page-title-main">Joffrey Ballet</span> Ballet company (founded in 1956)

The Joffrey Ballet is an American dance company and training institution in Chicago, Illinois. The Joffrey regularly performs classical and contemporary ballets during its annual performance season at the Civic Opera House, including its annual presentation of The Nutcracker.

<span class="mw-page-title-main">Natasha Katz</span> American lighting designer

Natasha Katz is an American lighting designer for the theatre, dance, and opera.

Thomas R. Skelton was an American lighting designer. In a career spanning more than four decades, he was best known for his lighting designs for ballet and Broadway theatre productions.

Symphony in C, originally titled Le Palais de Cristal, is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra.

<span class="mw-page-title-main">Benjamin Millepied</span> French multi oriented dancer and choreographer

Benjamin Millepied is a French dancer and choreographer, who has lived and worked in the United States since joining the New York City Ballet in 1995, where he became a soloist in 1998 and a principal in 2002. He has also created choreography for the company, and choreographed pieces for other major companies. He retired from the NYCB in 2011.

Janie Taylor is an American ballet dancer, répétiteur and costume designer. She joined New York City Ballet in 1998, was promoted to principal dancer in 2005 and left in 2014. She then started designing costumes and staging works by Justin Peck and Benjamin Millepied, before performing again as a member of the L.A. Dance Project.

Moves is a ballet choreographed by Jerome Robbins. The ballet was made for Robbins's troupe Ballet: USA's 1959 tour, with Aaron Copland brought in to write the music. However, he struggled with the score, and Robbins ultimately decided to have the ballet performed in silence instead. The ballet premiered at the Festival of Two Worlds held in Spoleto, Italy, on July 3, 1959. It has since been revived by other dance companies, including the New York City Ballet. Copland's score was later published as Dance Panels.

In the Night is a ballet choreographed by Jerome Robbins to four nocturnes by Frédéric Chopin. It premiered on January 29, 1970 at the New York State Theater, performed by the New York City Ballet.

Interplay is a ballet in one act made by Jerome Robbins, subsequently ballet master of New York City Ballet, for Billy Rose's Concert Varieties to Morton Gould's 1945 American Concertette. The premiere took place on Friday, 1 June 1945 at the Ziegfeld Theatre, New York. It was taken into the repertory of the American Ballet Theatre and presented on Wednesday, 17 October that year with costumes by Irene Sharaff. It has been revived for the City Ballet on Tuesday, 23 December 1952 at City Center of Music and Drama.

<i>Dances at a Gathering</i> Ballet by Jerome Robbins

Dances at a Gathering is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet.

Prodigal Son, or Le Fils prodigue, Op. 46 is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.

A Suite of Dances is a ballet choreographed by Jerome Robbins to Johann Sebastian Bach's Cello Suites. The ballet was created for Mikhail Baryshnikov and premiered on March 3, 1994, at the New York State Theater.

Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.

Ronald Bates was an American ballet lighting designer, particularly for the New York City Ballet.

<span class="mw-page-title-main">Holly Hynes</span>

Holly Hynes is an accomplished, award-winning costume designer with over 250 ballets to her credit, including more than 70 at the New York City Ballet. Hynes' designs are also on view in companies around the world, including American Ballet Theatre, San Francisco Ballet, Bolshoi Ballet, National Ballet of Canada, Kirov Ballet, Royal Ballet, Paris Opera Ballet, Royal Danish Ballet, La Scala Theatre Ballet, Koninklijk Ballet van Vlaanderen, Houston Ballet, BalletMet, Pennsylvania Ballet, Ballet Vancouver, Les Grands Ballets Canadiens, American Repertory Ballet, Pacific Northwest Ballet, Atlanta Ballet, Richmond Ballet, Nashville Ballet, Miami City Ballet, Alberta Ballet, Joffrey Ballet, Kansas City Ballet, and the Suzanne Farrell Ballet at The John F. Kennedy Center for the Performing Arts, where she served as the resident costume designer for 19 years.

Paul Boos is an American dancer, ballet master, archivist, and répétiteur. He danced with New York City Ballet from 1977 until 1990 before becoming a guest teacher for the Royal Danish Ballet. In addition to teaching internationally, he is part of a select group of répétiteurs sanctioned by the Balanchine Trust to set the ballets of George Balanchine. Having previously served as Project Associate since 2016, in 2021, Boos was appointed to Director of the Video Archives for the George Balanchine Foundation.

In Creases is a ballet choreographed by Justin Peck, his first for the New York City Ballet, to Philip Glass' "Four Movements for Two Pianos". The ballet premiered on July 14, 2012, at the Saratoga Performing Arts Center, during the company's annual season there, and had its New York City premiere on May 29, 2013.

<span class="mw-page-title-main">Lois Bewley</span> American dancer and choreographer (1934–2012)

Lois Bewley (1934–2012) was an American dancer, choreographer and designer. She studied at the School of American Ballet before joining the Ballet Russe de Monte-Carlo. After touring with the American Ballet Theatre and the dance companies of Alicia Markova and Jerome Robbins, she joined the New York City Ballet in 1960. Regarded as the "clown princess of dance", she co-founded the First Chamber Dance Quartet and choreographed original ballets and dance pieces. She also worked as an opera director, costume designer and set designer.

References

  1. "Glass Pieces". New York City Ballet. Retrieved September 23, 2020.
  2. 1 2 3 4 5 6 Anderson, Jack (May 29, 1983). "Robbins Thinks Big About Dances". The New York Times.
  3. "'Glass Pieces' at 35". Wise Music Classical. May 15, 2018.
  4. Macaulay, Alastair (April 27, 2018). "Jerome Robbins, Ballet's Mr. 'Take It Easy, Baby,' at 100". The New York Times.
  5. 1 2 3 4 Kisselgoff, Anna (May 14, 1983). "Ballet: World Premiere, Robbins's 'Glass Pieces'". The New York Times.
  6. Anderson, Jack (January 13, 1986). "City Ballet: 'Glass Pieces'". The New York Times.
  7. 1 2 Cappelle, Laura (October 30, 2018). "Paris Opera Ballet finds freedom in its Tribute to Jerome Robbins". The Financial Times.
  8. 1 2 Parry, Jann (July 8, 2018). "Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet". DanceTabs.
  9. Parry, Jann (July 20, 2014). "San Francisco Ballet – Maelstrom, Within the Golden Hour, Glass Pieces – Paris". DanceTabs.
  10. Goldberg, Rachael (April 1, 2018). "BWW Review: NYC Ballet: Robbins Centennial (Bernstein, Glass, And Verdi) at The Kennedy Center". Broadway World.
  11. "5 free performances and films to stream live (and later)". All Arts. April 14, 2020. Archived from the original on June 25, 2020.
  12. "New York City Ballet Announces Casting for Weeks One and Two of Their Digital Season". Broadway World. September 21, 2020.