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New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Anna Sokolow was an American dancer and choreographer. Sokolow's work is known for its social justice focus and theatricality. Throughout her career, Sokolow supported of the development of modern dance around the world, including in Mexico and Israel.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today."
Le Baiser de la fée is a neoclassical ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen's short story Isjomfruen, the work is an homage to Pyotr Ilyich Tchaikovsky, for the 35th anniversary of the composer's death. Stravinsky elaborated several melodies from early piano pieces and songs by Tchaikovsky in his score. A commission by Ida Rubinstein from 1927, the ballet was choreographed by Bronislava Nijinska and premiered in Paris on 27 November 1928.
Western Symphony is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to American folk tunes arranged by Hershy Kay. It premiered on September 7, 1954 at the City Center of Music and Drama in New York. The ballet was originally presented in practice clothes without scenery. Scenery by John Boyt and costumes by Karinska were added in 1955. Lighting was originally by Jean Rosenthal and subsequently Mark Stanley. Set in the Western United States, the ballet features cowboys and dance hall girls.
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Thou Swell is a ballet created by New York City Ballet's balletmaster-in-chief Peter Martins to the songs of Richard Rodgers in an arrangement by Glen Kelly with orchestrations Don Sebesky.
The Nightingale and the Rose is a ballet choreographed by Christopher Wheeldon to music by Bright Sheng commissioned by the New York City Ballet. The premiere took place on Friday, June 8, 2007, at the New York State Theater, Lincoln Center, the orchestra conducted by the composer. Its libretto is based on the short story of the same name by Oscar Wilde.
Zakouski is a ballet made by New York City Ballet ballet master in chief Peter Martins to:
Fancy Free is a ballet composed in 1944 by Leonard Bernstein. The Ballet Theatre premiered the ballet with choreography by Jerome Robbins, scenery by Oliver Smith, costumes by Kermit Love, and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The New York City Ballet premiere took place on Thursday, 31 January 1980. Fancy Free provided the basis for the later musical, On the Town. A portion of the score was also used in the opening scenes of Alfred Hitchcock's Rear Window.
Bugaku is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to eponymous music by Toshiro Mayuzumi, commissioned by City Ballet in 1962. The premiere took place on 30 March 1963 at City Center of Music and Drama, New York, with scenery by David Hays, costumes by Karinska, and lighting by Ronald Bates. NYCB had toured Japan in 1958 and the Gagaku Company of the Imperial Household toured the US the following year.
The Chairman Dances is a ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music from 1985. The music was originally written for Adams' opera, Nixon in China, but not used in production: the scene is that in which Mao Zedong dances with his future bride, movie star Chiang Ch'ing. The premiere took place on 14 May 1988, as part of City Ballet's American Music Festival at New York State Theater, Lincoln Center, with scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
La Sonnambula(The Sleepwalker) is a ballet by the co-founder and ballet master of New York City Ballet, George Balanchine, made to Vittorio Rieti's music using themes from the operas of Vincenzo Bellini including La Sonnambula, Norma, I Puritani and I Capuleti e i Montecchi (1830–35).
Interplay is a ballet in one act made by Jerome Robbins, subsequently ballet master of New York City Ballet, for Billy Rose's Concert Varieties to Morton Gould's 1945 American Concertette. The premiere took place on Friday, 1 June 1945 at the Ziegfeld Theatre, New York. It was taken into the repertory of the American Ballet Theatre and presented on Wednesday, 17 October that year with costumes by Irene Sharaff. It has been revived for the City Ballet on Tuesday, 23 December 1952 at City Center of Music and Drama.
Prodigal Son, or Le Fils prodigue, Op. 46 is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.
Liebeslieder Walzer is a two-part neoclassical ballet choreographed by George Balanchine to Johannes Brahms' Liebeslieder Waltzes, Op. 52 and Neue Liebeslieder, Op. 65, with original sets and lighting designed by David Hays, and costumes designed by Barbara Karinska. The ballet premiered on 12 November 1960 at the New York City Center, performed by the New York City Ballet.
Ivesiana is a ballet choreographed by George Balanchine to compositions by Charles Ives. The ballet premiered on September 14, 1954, four months after Ives's death, at the City Center of Music and Drama, performed by the New York City Ballet. Balanchine made several changes to the ballet since, including adding and removing sections of the ballet, and the final version of Ivesiana consists of Central Park in the Dark, The Unanswered Question, In the Inn and In the Night.
The Unanswered Question: Some Intimations of the American Composer Charles Ives is a ballet made by Eliot Feld to Charles Ives' The Unanswered Question, Calcium Light Night, Fugue in Four Keys, Mists, From the Housatonic at Stockbridge, Sonata No. 2 for Piano and Violin, Remembrance and An Old Song Deranged. The premiere took place April 30, 1988, at the New York State Theater, Lincoln Center, as part of New York City Ballet's American Music Festival with lighting by the Feld Ballet's Allen Lee Hughes and Willa Kim's costumes. Other works to the music of Ives in the City Ballet repertory include Peter Martins' Calcium Light Night, Jerome Robbins' Ives, Songs and George Balanchine's Ivesiana.
The Kansas City Ballet (KCB) is a professional ballet company based in Kansas City, Missouri. The company was founded in 1957 by Russian expatriate Tatiana Dokoudovska. The KCB presents five major performances each season to include an annual production of The Nutcracker. The KCB, its school, and its staff are all housed in, operate from, and rehearse at the Todd Bolender Center for Dance and Creativity, a renovated, seven-studio, office, and rehearsal facility in Kansas City, Missouri, that opened in August 2011. The company performs at and is the resident ballet company at the nearby Kauffman Center for the Performing Arts, a performance venue in downtown Kansas City that opened in September 2011.
References
- Repertory Week, New York City Ballet, Spring Season, 2008 repertory, week 5
- Playbill , New York City Ballet, Friday, May 30, 2008
Articles
- Anna Kisselgoff (February 14, 1988). "DANCE VIEW; 'Ives, Songs': A Rollicking, Exquisite Odyssey". The New York Times .
Reviews
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