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A Christmas carol is a carol on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music.
Spirituals is a genre of Christian music that is associated with African Americans, which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs", work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres such as the blues emerged from the spirituals songcraft.
John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early oral and musical African-American traditions, the date it was composed is unknown. Performances by the Hampton Singers and the Fisk Jubilee Singers brought the song to the attention of wider audiences in the late 19th century. J. B. T. Marsh includes an early version of text and tune in his 1876 publication The Story of the Jubilee Singers, with Their Songs. The earliest known recording of "Swing Low, Sweet Chariot" was recorded in 1894, by the Standard Quartette.
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang.
John Wesley Work III was an American composer, educator, choral director, musicologist and scholar of African-American folklore and music.
"What Child Is This?" is a Christmas carol with lyrics written by William Chatterton Dix in 1865 and set to the tune of "Greensleeves", a traditional English folk song, in 1871. Although written in Great Britain, the carol today is more popular in the United States than its country of origin.
The Fisk Jubilee Singers are an African-American a cappella ensemble, consisting of students at Fisk University in Nashville, Tennessee. The first group was organized in 1871 to tour and raise funds for college. Their early repertoire consisted mostly of traditional spirituals, but included some songs by Stephen Foster. The original group toured along the Underground Railroad path in the United States, as well as performing in England and Europe. Later 19th-century groups also toured in Europe.
"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in traditional communities, but the song has since become standardised. The version which is now popular was collected in 1909 by the English folk song collector Cecil Sharp in the market town of Chipping Campden in Gloucestershire, England, from a woman named Mary Clayton.
"Angels We Have Heard on High" is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called "Les Anges dans nos campagnes", with paraphrased English lyrics by James Chadwick. The song's subject is the birth of Jesus Christ as narrated in the Gospel of Luke, specifically the scene outside Bethlehem in which shepherds encounter a multitude of angels singing and praising the newborn child.
"Wade in the Water" is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery." The lyrics to "Wade in the Water" were first co-published in 1901 in New Jubilee Songs as Sung by the Fisk Jubilee Singers by Frederick J. Work and his brother, John Wesley Work Jr., an educator at the historically black college in Nashville, Tennessee, Fisk University. Work Jr. (1871–1925)—who is also known as John Work II—spent thirty years collecting, promoting, and reviving the songcraft of the original Fisk Jubilee Singers, which included being a member and director of the Fisk Jubilee Quartet. The Sunset Four Jubilee Singers made the first commercial recording of "Wade in the Water" in 1925—released by Paramount Records. W. E. B. Du Bois called this genre of songs the Sorrow Songs. "Wade in the Water" is associated with songs of the Underground Railroad.
"Mary Don't You Weep" is a Spiritual that originates from before the American Civil War. As such, scholars sometimes refer to it as a "slave song", "a label that describes their origins among the enslaved", and it contains "coded messages of hope and resistance". It is considered one of the most important Negro spirituals. It is listed as number 11823 in the Roud Folk Song Index.
"Children, Go Where I Send Thee" is a traditional African-American spiritual song. Among the many different versions of the song, a defining feature is the cumulative structure, with each number accompanied by a biblical reference. Today, many Americans know it as a Christmas carol.
The Wexford Carol or the Enniscorthy Carol is a traditional religious Irish Christmas carol originating from Enniscorthy in County Wexford. The subject of the song is the nativity of Jesus Christ.
Christmas Spirituals is the name of two albums recorded by the American folk singer Odetta. The first was released in 1960 on Vanguard Records. The second, a new recording of mostly the same songs, produced by Rachel Faro at White Crowe Audio in Burlington, Vermont, was originally released in 1987 on Alcazar Records and was reissued digitally in 2007 on Ashe Records. Both albums have Bill Lee, Spike Lee's father on double bass. The cover of the second Christmas Spirituals album, by the artist Coleen Patterson, depicts a Black Madonna by the River Jordan with the Three Kings in attendance. Odetta said that these songs were traditional spirituals that emerged from the sufferings of slavery as a catharsis for the terrible wrongs that were committed.
The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. It is a common subject of Christian art and of Christmas carols.
John Wesley Work Jr. was a musicologist, the first African-American collector of folk songs and spirituals, and also a choral director, educationalist singer and songwriter.
Christmas in Mexico is observed from December 12 to January 6, with one additional celebration on February 2. Traditional decorations displayed on this holiday include nativity scenes, poinsettias, and Christmas trees. The season begins with celebrations related to the Virgin of Guadalupe, the Patroness of Mexico, followed by traditions such as Las Posadas and Pastorelas.
"Down in the River to Pray" is a traditional American song variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a Southern gospel song. The exact origin of the song is unknown. The most famous version, featured in O Brother Where Art Thou?, uses a pentatonic scale, common in many African American spirituals.
"Rise Up, Shepherd, and Follow" is a song telling the story of Christmas morning, describing a "star in the East" that will lead to the birthplace of Christ. The title derives from a lyric repeated throughout the song. Depending on how the song is arranged and performed, it is known variously as a spiritual, hymn, carol, gospel song, or folk song.
References
- ↑ "Go Tell It on the Mountain - Lyrics, Hymn Meaning and Story".
- ↑ Epstein, Joseph (2006). The Yale Book of Quotations. Yale University Press. p. 278. ISBN 978-0-300-10798-2.
- ↑ "Go, Tell It on the Mountain".
- ↑ "Go, Tell It on the Mountain".
- ↑ "Go Tell It on the Mountain - Lyrics, Hymn Meaning and Story".
- ↑ "Go, Tell It on the Mountain".
- ↑ "CashBox Record Reviews" (PDF). Cash Box. February 29, 1964. p. 10. Retrieved January 12, 2022.
- ↑ Marsh, Charles (1997). God's Long Summer. Princeton. p. 47. ISBN 9780691130675.
- ↑ Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. p. 241. ISBN 978-0-89820-177-2.
