| Hawkins! Alive! At the Village Gate | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1963 | |||
| Recorded | August 13 and 15, 1962 | |||
| Venue | Village Gate, NYC | |||
| Genre | Jazz | |||
| Length | 52:54 | |||
| Label | Verve V/V6 8509 | |||
| Producer | Creed Taylor | |||
| Coleman Hawkins chronology | ||||
| ||||
Hawkins! Alive! At the Village Gate is a live album by saxophonist Coleman Hawkins which was recorded at the Village Gate in 1962 and released on the Verve label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   |
AllMusic stated "The great Hawkins (who debuted on records 40 years earlier) gets to stretch out on this live outing by his 1962 quartet ... Coleman Hawkins in his late 50s was still a powerful force. [3]
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, loud, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became well known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
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