Musicology is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus. Some geographers and anthropologists have an interest in musicology, so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist.
Musicality is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness and harmoniousness. These definitions are somewhat hampered by the difficulty of defining music, but, colloquially, "music" is often contrasted with noise and randomness. Judges of contest music may describe a performance as bringing the music on the page to life; of expressing more than the mere faithful reproduction of pitches, rhythms, and composer dynamic markings. In the company of two or more musicians, there is the added experience of the ensemble effect in which the players express something greater than the sum of their individual parts. A person considered musical has the ability to perceive and reproduce differences in aspects of music including pitch, rhythm, and harmony. Two types of musicality may be differentiated: to be able to perceive music and to be able to reproduce music in addition to creating music.
The Royal Netherlands Academy of Arts and Sciences is an organization dedicated to the advancement of science and literature in the Netherlands. The academy is housed in the Trippenhuis in Amsterdam.
Ray Jackendoff is an American linguist. He is professor of philosophy, Seth Merrin Chair in the Humanities and, with Daniel Dennett, co-director of the Center for Cognitive Studies at Tufts University. He has always straddled the boundary between generative linguistics and cognitive linguistics, committed to both the existence of an innate universal grammar and to giving an account of language that is consistent with the current understanding of the human mind and cognition.
The Institute for Logic, Language and Computation (ILLC) is a research institute of the University of Amsterdam, in which researchers from the Faculty of Science and the Faculty of Humanities collaborate. The ILLC's central research area is the study of fundamental principles of encoding, transmission and comprehension of information. Emphasis is on natural and formal languages, but other information carriers, such as images and music, are studied as well.
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior.
The terms design computing and other relevant terms including design and computation and computational design refer to the study and practice of design activities through the application and development of novel ideas and techniques in computing. One of the early groups to coin this term was the Key Centre of Design Computing and Cognition at the University of Sydney in Australia, which for nearly fifty years pioneered the research, teaching, and consulting of design and computational technologies. This group organised the academic conference series "Artificial Intelligence in Design (AID)" published by Springer during that period. AID was later renamed "Design Computing and Cognition (DCC)" and is currently a leading biannual conference in the field. Other notable groups in this area are the Design and Computation group at Massachusetts Institute of Technology's School of Architecture + Planning and the Computational Design group at Georgia Tech.
Hendrik (Henk) Tennekes was the director of research at the Royal Dutch Meteorological Institute, and was a Professor of Aeronautical Engineering at Pennsylvania State University and Professor of Meteorology at the Vrije Universiteit Amsterdam. He is known for his work in the fields of turbulence and multi-modal forecasting. He authored the textbooks The Simple Science of Flight: From Insects to Jumbo Jets and A First Course in Turbulence with John L. Lumley. The book "A First Course in Turbulence", is a classic that logs more than 12,000 citations on Google Scholar.
The Netherlands Institute for Advanced Study in the Humanities and Social Sciences (NIAS) in Amsterdam, Netherlands, is an independent research institute in the field of the humanities and social and behavioural sciences founded in 1970. The institute offers advanced research facility for international scholars of all of the humanities and social sciences. It is a member of Some Institutes for Advanced Study (SIAS) and the Network of European Institutes for Advanced Studies (NetIAS).
István Winkler is a Hungarian psychologist. He is Scientific Advisor (2005–present) and Head of the Department of General Psychology (2000–present) at the Institute for Psychology of the Hungarian Academy of Sciences and Professor of the Institute of Psychology, Szeged, since 2008.
Computational musicology is an interdisciplinary research area between musicology and computer science. Computational musicology includes any disciplines that use computation in order to study music. It includes sub-disciplines such as mathematical music theory, computer music, systematic musicology, music information retrieval, digital musicology, sound and music computing, and music informatics. As this area of research is defined by the tools that it uses and its subject matter, research in computational musicology intersects with both the humanities and the sciences. The use of computers in order to study and analyze music generally began in the 1960s, although musicians have been using computers to assist them in the composition of music beginning in the 1950s. Today, computational musicology encompasses a wide range of research topics dealing with the multiple ways music can be represented.
Cognitive musicology is a branch of cognitive science concerned with computationally modeling musical knowledge with the goal of understanding both music and cognition.
Piek Th.J.M. Vossen, is professor of computational lexicology at the VU University Amsterdam, head of the Computational Lexicology & Terminology Lab, and founder and president of the Global WordNet Association.
Sandra Trehub was a Canadian psychologist recognized for her research in the field of music psychology. She held the position of Professor Emeritus at the University of Toronto.
Naomi Ellemers is a distinguished professor of social psychology at Utrecht University since September 2015.
Ineke Sluiter is a Dutch classicist and professor of Greek Language and Literature at Leiden University since 1998. Her research focuses on language, literature, and public discourse in classical antiquity. She was a winner of the 2010 Spinoza Prize. Sluiter has been president of the Royal Netherlands Academy of Arts and Sciences since June 2020, and previously served as vice president from 2018 to 2020.
David Huron is a Canadian Arts and Humanities Distinguished Professor at the Ohio State University, in both the School of Music and the Center for Cognitive and Brain Sciences. His teaching and publications focus on the psychology of music and music cognition. In 2017, Huron was awarded the Society for Music Perception and Cognition Achievement Award.
Elaine Chew is an operations researcher and pianist focused on the study of musical structures as they apply to musical performance, composition and cognition, the analysis of electrocardiographic traces of arrhythmia, and digital therapeutics. She is currently Professor of Engineering at King's College London, where she is jointly appointed in the Department of Engineering and the Department of Cardiovascular Imaging in the School of Biomedical Engineering & Imaging Sciences.
Rens Bod is a professor in digital humanities and history of humanities at the University of Amsterdam. His research focuses on the exploration of patterns and underlying principles in language, music, art, literature and history. He also investigates the history of pattern searching in the humanities from a supranational perspective, thereby giving an impulse to the new field of "history of the humanities". In addition, Bod explores the history of the human search for meaning and purpose, and the underlying patterns and principles therein.
