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Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. The style consists predominantly of partly or completely instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music.
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Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.
Kenneth George Boothe OD is a Jamaican vocalist known for his distinctive vibrato and timbre. Boothe achieved an international reputation as one of Jamaica's finest vocalists through a series of crossover hits that appealed to both reggae fans and mainstream audiences.
Lloyd James, who is better known as Prince Jammy or King Jammy, is a dub mixer and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs were known for their clear sound and use of effects.
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This Is...Augustus Pablo is a studio album by Augustus Pablo originally released in 1974 and co-written and produced by Pablo's childhood friend and critically acclaimed reggae producer Clive Chin. The album boasts an impressive list of session musicians including Ansel Collins on keyboards and Lloyd Parks and Aston Barrett both on bass guitar. The album was one of the first to showcase Pablo's unique use of the melodica.
Red Sea is a studio album by Augustus Pablo released in 1998, containing material recorded between 1970 and 1973 and was produced by Herman Chin Loy. The music on the album is among the earliest instances of Pablo's revolutionary use of the melodica as a viable musical instrument. Chin Loy is often credited as being an influential figure in the discovery and nurturing of Pablo's talent.
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Leonard Chin aka Santic, is a Jamaican reggae record producer. After first working as a car mechanic, he then trained as a photographer and worked for the Gleaner Company. In the early 1970s he began working as a singer with Charles Hannah and The Graduates, and recorded a single for Gussie Clarke, but he realized that he was better suited to production. His early productions between 1973 and 1975 included recordings by Augustus Pablo, who recorded the first single for his Santic record label, "Pablo In Dub", as well as Paul Whiteman, Horace Andy, Roman Stewart, and Gregory Isaacs. Two of the tracks he produced for Pablo were included on the melodica player's debut album. Chin's recording sessions generally took place at Randy's studio, with Errol Thompson at the mixing desk, and using Pablo as an arranger or keyboard player. Chin also produced Jah Woosh's 1976 album, Chalice Blaze. A mid-1970s compilation of his productions, An Even Harder Shade of Black, was reissued by Pressure Sounds in 1995. The label released a further collection of his work, Down Santic Way, in 2005.
Vincent "Randy" Chin was a Jamaican record producer and label owner who ran the Randy's shop, recording studio, and record label, later moving to New York City and setting up the VP Records empire, now the world's largest independent label and distributor of Caribbean music.
Soul Syndicate, originally called the Rhythm Raiders, were one of the top reggae session bands in Jamaica from the early 1970s to the mid-1980s.
References
- ↑ Aquarius Rock. The Hip Reggae World of Herman Chin-Loy booklet and liner notes
- 1 2 3 4 Larkin, Colin: The Virgin Encyclopedia of Reggae, 1998, Virgin Books, ISBN 0-7535-0242-9
- ↑ Barrow, Steve & Dalton, Peter: Reggae: The Rough Guide, 1997, Rough Guides, ISBN 1-85828-247-0
