William Notman was a Scottish-Canadian photographer and businessman. The Notman House in Montreal was his home from 1876 until his death in 1891 and has since been named after him.
Lewis Frederick Morley was a photographer.
John Thomson was a pioneering Scottish photographer, geographer, and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artefacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881.
David Moore was an Australian photojournalist.
Brian Skerry is a photographer and photojournalist specializing in marine wildlife and underwater environments. Since 1998 he has been a contributing photographer for National Geographic Magazine. In 2014 he was named a National Geographic Photography Fellow.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Lawrence Daws is an Australian painter and printmaker, who works in the media of oil, watercolour, drawing, screenprints, etchings and monotypes.
Emil Otto Hoppé was a German-born British portrait, travel, and topographic photographer active between 1907 and 1945. Born to a wealthy family in Munich, he moved to London in 1900 to train as a financier, but took up photography and rapidly achieved great success.
Olive Cotton was a pioneering Australian modernist female photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Reynolds Mark "Rennie" Ellis was a colourful Australian social and social documentary photographer who also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter, and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.
Mark Strizic was a 20th-century Croatian-Australian photographer and artist. Best known for his architectural and industrial photography, he was also a portraitist of significant Australians, and fine art photographer and painter known for his multimedia mural work.
Henry King was an English-born Australian photographer, known for his studies of Australian Aboriginal people and his views of Sydney. King was one of Australia's most significant early photographers, described by the Australian Photographic Review as "stand[ing] high in the esteem of the craft".
John Cyril "Jack" Cato, F.R.P.S. was a significant Australian portrait photographer in the Pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)
Sue Ford was an Australian photographer. Her eclectic practice was displayed in an exhibition at the National Gallery of Victoria in 2014.
David Potts (1926–2012) was an Australian documentary photographer. Potts worked with various fashion and commercial photographers. He left Australia in the 1950s to go to London where he worked as a photojournalist. Potts' photography work was considered distinctive with an unusual tone and sensitivity.
Ponch Hawkes is an Australian photographic artist, whose works have been featured in the Australian National Gallery and have hung in the National Gallery of Victoria and the State Library of Victoria and written about in the Sydney Morning Herald. Hawkes is considered an influential part of the Australian Feminist art Movement, which was centred predominately in Melbourne during the mid 1970s. Hawkes' work is broad in its scope, including artists, feminists, sportspeople, public figures and candid street-photographs. She is especially noted for her 1976 photo essay Our Mums and Us, which featured her coterie of female friends and their mothers, among them the writer Helen Garner, in a typological style.
Ruth Miriam Hollick was an Australian portrait and fashion photographer who was one of Melbourne's leading Pictorialist photographers during the 1920s.
Philip Quirk is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.
John William Lindt, FRGS, (1845-1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist.
David Beal is a British-born Australian photojournalist and multimedia producer, active from 1956–1990s.
