Jumbo Comics

Last updated
Jumbo Comics
JumboComics1.jpg
Jumbo Comics #1 (Sept. 1938). Cover artist(s) unknown.
Publication information
Publisher Fiction House
ScheduleMonthly
FormatTabloid (issues #1-8); standard (issues #9–167)
Genre Adventure anthology
Publication dateSept. 1938–Mar. 1953
No. of issues167
Main character(s) Sheena, Queen of the Jungle
Inspector Dayton
ZX-5, Spies in Action
Ghost Gallery
Sky Girl
Long Bow
Creative team
Written by Ruth Roche
Artist(s) Jack Kirby, Bob Kane, Matt Baker, Mort Meskin, Lou Fine, Bob Powell, Mort Leav, Art Saaf, Dick Briefer, Lily Renée
Editor(s)Malcolm Reiss (issues #1-35), John F. "Jack" Byrne (issues #49–77), Claude E. Lapham (issues #62–162)

Jumbo Comics was an adventure anthology comic book published by Fiction House from 1938 to 1953. Jumbo Comics was Fiction House's first comics title; the publisher had previously specialized in pulp magazines. The lead feature for Jumbo Comics' entire run was Sheena, Queen of the Jungle.

Contents

Notable creators who worked on Jumbo Comics include Jack Kirby (working under a variety of pseudonyms), Bob Kane, Matt Baker, Mort Meskin, Lou Fine, Bob Powell, Mort Leav, Art Saaf, Dick Briefer, Lily Renée, and Ruth Roche. Jerry Iger was Jumbo Comics' art director for its entire run.

Publication history

By the late 1930s, Fiction House publisher Thurman T. Scott expanded the company from pulp magazines to comic books, an emerging medium that began to seem a viable adjunct to the fading pulps. Receptive to a sales call by Eisner & Iger, one of the prominent "packagers" of that time that produced complete comic books on demand for publishers looking to enter the field, Scott published Jumbo Comics #1 (Sept. 1938), [1] (just a couple months after Action Comics #1) under Fiction House's Real Adventures Publishing Company imprint. [2]

Sheena, Queen of the Jungle appeared in that initial issue. The character had debuted in 1937 in the British magazine Wags. [3] Indeed, all the material Eisner & Iger prepared for Jumbo Comics #1 (and the subsequent seven issues) had originally appeared in Wags, which was a tabloid-sized publication. For this reason, Jumbo Comics #1-8 were oversize (10-1/2" x 14-1/2") and exclusively in black and white. (The name "Jumbo" was derived from the oversized publication size.) [4] With issue #9, the title reverted to standard Golden Age comic size (8-1/2" x 10-1/2") and was printed in color. [5]

Bob Powell's first published comic-book art is tentatively identified as the uncredited three-page story "A Letter of Introduction," featuring the famed ventriloquist Edgar Bergen and his dummy, Charlie McCarthy, in Jumbo Comics #2 (Oct. 1938). Lou Fine's first published comics art was the strip "Wilton of the West" in Jumbo Comics #4 (Dec. 1938), signed with the house pen name "Fred Sande" [6] (which strip originator Jack Kirby had used in previous issues).

Ultimately, Fiction House published 167 issues of Jumbo Comics from September 1938 to March 1953.

Recurring features

Three features in Jumbo Comics #1 representing Jack Kirby's first comic-book work following his debut in Wild Boy Magazine: [7]

In addition, Dick Briefer produced a serialized adaptation (in five-page installments) of Victor Hugo's The Hunchback of Notre Dame which ran in the first 8 issues.

Other recurring features:

Sheena, Queen of the Jungle — soon became the company's star character, and her adventures appeared in every issue of Jumbo Comics. Over the years the Sheena feature was worked on by notable creators like Bob Powell, Mort Meskin, and Matt Baker.

ZX-5 Spies in Action — ran for almost the entire run of the title.

Ghost Gallery — ran from issue #40 until the book was cancelled.

Inspector Dayton — another recurring feature that debuted in the first issue and ran until issue #60 (Feb. 1944).

Hawks of the Seas — period adventure continuing a story from Quality Comics' Feature Funnies #12, after Eisner-Iger and Quality had had a falling out; the strip lasted about ten issues.

Peter Pupp — originally by Bob Kane; ran for the first 25 issues.

Spencer Steel — ran for the first 12 issues; also appeared in Fiction House's Fight Comics .

Sky Girl — by Matt Baker; ran in issues #69-139 (November 1944–December 1952), with some of the later stories being reprints.

Long BowWestern feature which ran in issues #141-160 (Nov. 1950–June 1952), roughly concurrent with Fiction House's Long Bow series (which ran nine issues from 1951–Winter 1952/1953).

Related Research Articles

<span class="mw-page-title-main">Spirit (comics character)</span> Fictional character

The Spirit is a fictional masked crimefighter appearing in American comic books. Created by cartoonist Will Eisner, he first appeared as the main feature of a tabloid-sized comic book insert distributed in the Sunday edition of Register and Tribune Syndicate newspapers. Popularly referred to as "The Spirit Section", the insert ran from June 2, 1940 to October 5, 1952.

<span class="mw-page-title-main">Sheena, Queen of the Jungle</span> Comic-book heroine

Sheena, Queen of the Jungle, is a fictional American comic book jungle girl heroine, originally published primarily by Fiction House during the Golden Age of Comic Books. She was the first female comic book character with her own title, with her 1941 premiere issue preceding Wonder Woman #1. Sheena inspired a wealth of similar comic book jungle queens. She was predated in literature by Rima, the Jungle Girl, introduced in the 1904 William Henry Hudson novel Green Mansions.

<span class="mw-page-title-main">Matt Baker (artist)</span> American artist (1921–1959)

Clarence Matthew Baker was an American comic book artist and illustrator, best known for drawing early comics heroines such as the costumed crimefighter Phantom Lady, and romance comics. Active in the 1940s and 1950s Golden Age of comic books, he is one of the first known African-American artists to find success in the comic-book industry. He also penciled St. John Publications' digest-sized "picture novel" It Rhymes with Lust (1950), the first graphic novel despite that term not having been coined at the time.

Notable events of 1938 in comics.

Morton Meskin was an American comic book artist best known for his work in the 1940s Golden Age of Comic Books, well into the late-1950s and 1960s Silver Age.

<span class="mw-page-title-main">George Roussos</span> American comic book artist

George Roussos, also known under the pseudonym George Bell, was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on landmark early issues of Marvel Comics' Fantastic Four. Over five decades, he created artwork for numerous publishers, including EC Comics, and he was a staff colorist for Marvel Comics.

<span class="mw-page-title-main">Jerry Iger</span> American cartoonist and art-studio entrepreneur

Samuel Maxwell "Jerry" Iger was an American cartoonist and art-studio entrepreneur. With business partner Will Eisner, he co-founded Eisner & Iger, a comic book packager that produced comics on demand for new publishers during the late-1930s and 1940s period known to fans and historians as the Golden Age of Comic Books.

"Charles Nicholas" is the pseudonymous house name of three early creators of American comic books for the Fox Feature Syndicate and Fox Comics: Chuck Cuidera (1915–2001), Jack Kirby (1917–1994), and Charles Wojtkoski (1921–1985). The name originated at Eisner & Iger, one of the first comic book packagers that created comics on demand for publishers entering the new medium during the 1930s–1940s Golden Age of comic books. The three creators are listed in order of birth year, below.

<span class="mw-page-title-main">Lou Fine</span> American comic book artist

Louis Kenneth Fine was an American comic book artist known for his work during the 1940s Golden Age of comic books, where his draftsmanship became an influential model to a generation of fellow comics artists.

<span class="mw-page-title-main">Fiction House</span> American publisher of magazines and comics

Fiction House was an American publisher of pulp magazines and comic books that existed from the 1920s to the 1950s. It was founded by John B. "Jack" Kelly and John W. Glenister. By the late 1930s, the publisher was Thurman T. Scott. Its comics division was best known for its pinup-style good girl art, as epitomized by the company's most popular character, Sheena, Queen of the Jungle.

Bob Powell was an American comic book artist known for his work during the 1930–1940s Golden Age of comic books, including on the features "Sheena, Queen of the Jungle" and "Mr. Mystic". He received a belated credit in 1999 for co-writing the debut of the popular feature "Blackhawk". Powell also did the pencil art for the bubble gum trading card series Mars Attacks. He officially changed his name to S. Robert Powell in 1943.

<span class="mw-page-title-main">Tarzanesque</span> Term used to describe Tarzan-like characters.

Tarzanesque is a term created by Frenchman Francis Lacassin used to describe characters in comic books inspired by Tarzan. A tarzanesque character resembles Tarzan in his physical resourcefulness, within a line of action that includes an adventurous life in the jungle, the gift of understanding and being understood by animals, contact with lost civilizations and courage combined with the ability to deal with nature. The creation of such characters may have been propitiated by the success that Tarzan had achieved since his appearance in literature in 1912, culminating with the release of daily comic strips in 1929, which paved the way for a genre that combined the allure of the unknown environment, the need for the archetypal characteristics of the hero and the popularity of access.

<i>Blue Ribbon Comics</i>

Blue Ribbon Comics is the name of two American comic book anthology series, the first published by the Archie Comics predecessor MLJ Magazines Inc., commonly known as MLJ Comics, from 1939 to 1942, during the Golden Age of Comic Books. The revival was the second comic published in the 1980s by Archie Comics under the Red Circle and Archie Adventure Series banners.

Eisner & Iger was a comic book packager that produced comics on demand for publishers entering the new medium during the late-1930s and 1940s, a period fans and historians call the Golden Age of Comic Books. Founded by Will Eisner and Jerry Iger, many of comic books' most significant creators, including Jack Kirby, entered the field through its doors. Eisner & Iger existed from 1936 to 1939.

Ruth Ann Roche was a writer and editor in the Golden Age of Comic Books. She was also the business partner of Jerry Iger.

<i>Wings Comics</i> Aviation-themed anthology comic book

Wings Comics was an aviation-themed anthology comic book published by Fiction House from 1940 to 1954. Wings Comics was one of Fiction House's "Big 6" comics titles.

Ann Brewster was an American cartoonist and illustrator during the Golden Age of comics. She provided art for many different publishers, including Ace Magazines, Fiction House, and Atlas Comics. Brewster is most notable for illustrating romance comics. After a career as penciller and inker for comics, she transitioned to illustrating novels and children's magazines before retiring in 1980.

Editors Press Service was a print syndication service of columns and comic strips that was in operation from 1933 to 2010. It was notable for being the first U.S. company to actively syndicate material internationally. Despite surviving for more than seven decades, EPS was never a large operation, characterized by comic strip historian Allan Holtz as a "hole-in-the-wall outfit."

<span class="mw-page-title-main">Timeline of DC Comics (1940s)</span>

The 1940s were an essential time for DC Comics. Both National Comics Publications and All-American Publications would introduce many new featured superheroes in American comic books in superhero comics anthology tales like More Fun Comics, Adventure Comics, Detective Comics, Action Comics, All-American Comics, Superman, Flash Comics, Batman, All Star Comics, World's Finest Comics, All-Flash, Star Spangled Comics, Green Lantern, Leading Comics, Sensation Comics, Wonder Woman, Comic Cavalcade and Superboy that would be a staple for the comic book company. Examples of the superheroes include the Flash, Hawkman and Hawkgirl, Johnny Thunder and Thunderbolt, Spectre, Hourman, Robin, Doctor Fate, Congo Bill, Green Lantern, Atom, Manhunter, Doctor Mid-Nite, Sargon the Sorcerer, Starman, Johnny Quick, the Shining Knight, the Star-Spangled Kid and Stripesy, Tarantula, Vigilante, Green Arrow and Speedy, Aquaman, Wonder Woman, Sandy, the Golden Boy, Mister Terrific, Wildcat, Air Wave, Guardian, Robotman, TNT and Dan the Dyna-Mite, Liberty Belle, Superboy and Black Canary. These characters would later crossover in superhero team titles in the 1940s such as the Justice Society of America and the Seven Soldiers of Victory helping pave a way to a shared universe of the publication company. Other used featured characters outside of superheroes included kid titular heroes like the Newsboy Legion and the Boy Commandos. Later Western heroes would be used such as Johnny Thunder, Nighthawk and Pow Wow Smith.

Comics packaging is a publishing activity in which a publishing company outsources the myriad tasks involved in putting together a comic book — writing, illustrating, editing, and even printing — to an outside service called a packager. Once the comics packager has produced the comic, they then sell it to the final publishing company.

References

Notes

  1. Goldstein, Andrew (n.d.). "Fiction House: History and Influences". Connecticut Historical Society. Archived from the original on September 8, 2008.
  2. Real Adventures Publishing Co., Inc., Grand Comics Database. Accessed Mar. 10, 2017.
  3. Sheena, Queen of the Jungle at Don Markstein's Toonopedia. Archived from the original November 10, 2011
  4. Sergi, Joe. "Tales From the Code: The Near Extinction of Sheena," CBLDF website (January 25, 2013).
  5. Quattro, Ken. "Return to Wonderful Wags of Oz," The Comics Detective (Apr. 25, 2010).
  6. Berk, John (2004). "Lou Fine". Comicartville Library. Archived from the original on May 19, 2011.
  7. Per Kirby's recollection in interview, The Nostalgia Journal #30 (Nov. 1976), reprinted in The Comics Journal Library, Volume One: Jack Kirby (2002) ISBN   1-56097-466-4, p. 3

Sources consulted