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Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction. [1]
In the Introduction to the Encyclopedia of Adventure Fiction, Critic Don D'Ammassa defines the genre as follows:
.. An adventure is an event or series of events that happens outside the course of the protagonist's ordinary life, usually accompanied by danger, often by physical action. Adventure stories almost always move quickly, and the pace of the plot is at least as important as characterization, setting, and other elements of creative work. [2]
D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel A Tale of Two Cities is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's Great Expectations is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." [2]
Adventure has been a common theme since the earliest days of written fiction. Indeed, the standard plot of Heliodorus, and so durable as to be still alive in Hollywood movies, a hero would undergo a first set of adventures before he met his lady. A separation would follow, with the second set of adventures leading to a final reunion.
Variations kept the genre alive. From the mid-19th century onwards, when mass literacy grew, adventure became a popular subgenre of fiction. Although not exploited to its fullest, adventure has seen many changes over the years – from being constrained to stories of knights in armor to stories of high-tech espionage.
Examples of that period include Sir Walter Scott, Alexandre Dumas, père, [3] Jules Verne, the Brontë Sisters, Rudyard Kipling, Sir H. Rider Haggard, Sir Arthur Conan Doyle, Edgar Rice Burroughs, Victor Hugo, [4] Emilio Salgari, Karl May, Louis Henri Boussenard, Thomas Mayne Reid, Sax Rohmer, A. Merritt, Talbot Mundy, Edgar Wallace, and Robert Louis Stevenson.
Adventure novels and short stories were popular subjects for American pulp magazines, which dominated American popular fiction between the Progressive Era and the 1950s. [5] Several pulp magazines such as Adventure , Argosy , Blue Book , Top-Notch , and Short Stories specialized in this genre. Notable pulp adventure writers included Edgar Rice Burroughs, Talbot Mundy, Theodore Roscoe, Johnston McCulley, Arthur O. Friel, Harold Lamb, Carl Jacobi, George F. Worts, [5] Georges Surdez, H. Bedford-Jones, and J. Allan Dunn. [6]
Adventure fiction often overlaps with other genres, notably war novels, crime novels, detective novels, sea stories, Robinsonades, spy stories (as in the works of John Buchan, Eric Ambler and Ian Fleming), science fiction, fantasy, (Robert E. Howard and J. R. R. Tolkien both combined the secondary world story with the adventure novel) [7] and Westerns. Not all books within these genres are adventures. Adventure fiction takes the setting and premise of these other genres, but the fast-paced plot of an adventure focuses on the actions of the hero within the setting. [ according to whom? ] With a few notable exceptions (such as Baroness Orczy, Leigh Brackett and Marion Zimmer Bradley) [8] adventure fiction as a genre has been largely dominated by male writers, though female writers are now becoming common.
Adventure stories written specifically for children began in the 19th century. Early examples include Johann David Wyss's The Swiss Family Robinson (1812), Frederick Marryat's The Children of the New Forest (1847), and Harriet Martineau's The Peasant and the Prince (1856). [9] The Victorian era saw the development of the genre, with W. H. G. Kingston, R. M. Ballantyne, and G. A. Henty specializing in the production of adventure fiction for boys. [10] This inspired writers who normally catered to adult audiences to essay such works, such as Robert Louis Stevenson writing Treasure Island for a child readership. [10] In the years after the First World War, writers such as Arthur Ransome developed the adventure genre by setting the adventure in Britain rather than distant countries, while Geoffrey Trease, Rosemary Sutcliff [11] and Esther Forbes brought a new sophistication to the historical adventure novel. [10] Modern writers such as Mildred D. Taylor ( Roll of Thunder, Hear My Cry ) and Philip Pullman (the Sally Lockhart novels) have continued the tradition of the historical adventure. [10] The modern children's adventure novel sometimes deals with controversial issues like terrorism (Robert Cormier, After the First Death (1979)) [10] and warfare in the Third World (Peter Dickinson, AK (1990)). [10]
Works related to Adventure at Wikisource| Authority control databases: National |
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Edgar Rice Burroughs was an American writer, best known for his prolific output in the adventure, science fiction, and fantasy genres. Best known for creating the characters Tarzan and John Carter, he also wrote the Pellucidar series, the Amtor series, and the Caspak trilogy.
Gothic fiction, sometimes called Gothic horror, is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels.
Pulp magazines were inexpensive fiction magazines that were published from 1896 until around 1955. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century.
Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and sorcery commonly overlaps with heroic fantasy. The genre originated from the early-1930s works of Robert E. Howard. The term "sword and sorcery" was coined by Fritz Leiber in the May 1961 issue of the fantasy fanzine Amra, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
A Princess of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the first of his Barsoom series. It was first serialized in the pulp magazine All-Story Magazine from February–July, 1912. Full of swordplay and daring feats, the novel is considered a classic example of 20th-century pulp fiction. It is also a seminal instance of the planetary romance, a subgenre of science fantasy that became highly popular in the decades following its publication. Its early chapters also contain elements of the Western. The story is set on Mars, imagined as a dying planet with a harsh desert environment. This vision of Mars was based on the work of the astronomer Percival Lowell, whose ideas were widely popularized in the late 19th and early 20th centuries.
Thuvia, Maid of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the fourth of the Barsoom series. The principal characters are Carthoris and Thuvia of Ptarth, each of whom appeared in the previous two novels.
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.
Richard Allen Lupoff was an American science-fiction and mystery author, who also wrote humor, satire, nonfiction and reviews. In addition to his two dozen novels and more than 40 short stories, he also edited science-fantasy anthologies. He was an expert on the writing of Edgar Rice Burroughs, and had an equally strong interest in H. P. Lovecraft. He also co-edited the non-fiction anthology All in Color For a Dime, which has been described as "the very first published volume dedicated to comic book criticism"; as well as its sequel, The Comic-Book Book.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Works in which the marvels were not necessarily believed, or only half-believed, such as the European romances of chivalry and the tales of the Arabian Nights, slowly evolved into works with such traits. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
The lost world is a subgenre of the fantasy or science fiction genres that involves the discovery of an unknown Earth civilization. It began as a subgenre of the late-Victorian adventure romance and remains popular into the 21st century.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Ruritanian romance is a genre of literature, film and theatre comprising novels, stories, plays and films set in a fictional country, usually in Central or Eastern Europe, such as the "Ruritania" that gave the genre its name.
The Bones of Zora is a science fiction novel by American writers L. Sprague de Camp and Catherine Crook de Camp, the ninth book of the former's Viagens Interplanetarias series and the seventh of its subseries of stories set on the fictional planet Krishna. Chronologically it is the sixth Krishna novel. It was first published in hardcover by Phantasia Press in 1983, and in paperback by Ace Books in August, 1984 as part of the standard edition of the Krishna novels. An E-book edition was published by Gollancz's SF Gateway imprint on September 29, 2011 as part of a general release of de Camp's works in electronic form. The novel has also been translated into German.
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fantasy world and usually inspired by mythology or folklore. The term "fantasy" can also be used to describe a "work of this genre", usually literary.
Amazing Stories Annual was a pulp magazine which published a single issue in July 1927. It was edited by Hugo Gernsback, and featured the first publication of The Master Mind of Mars, by Edgar Rice Burroughs, which had been rejected by several other magazines, perhaps because the plot included a satire on religious fundamentalism. The other stories in Amazing Stories Annual were reprints, including two stories by A. Merritt, and one by H.G. Wells. The magazine sold out, and its success led Gernsback to launch Amazing Stories Quarterly the following year.
Arthur Sullivant Hoffman was an American magazine editor. Hoffman is best known for editing the acclaimed pulp magazine Adventure from 1912 to 1927, as well as playing a role in the creation of the American Legion.
Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaicness of operas, much as used in "horse opera", a 1930s phrase for a clichéd and formulaic Western film, and "soap opera", a melodramatic television series. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
Accidental travel is a speculative fiction plot device in which ordinary people accidentally find themselves outside of their normal place or time, often for no apparent reason, a particular type of the “fish-out-of-water” plot. In Russian fandom, the trope is known under the term popadantsy, plural form for popadanets, female: popadanka, a person who accidentally finds himself elsewhere/elsewhen. The Russian term bears ironical flavor, because popadantsy has become a widespread cliche in Russian pulp science fiction. Russian critic Boris Nevsky traces this plot device to at least Gulliver's Travels.
Romance, is a "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". This genre contrasted with the main tradition of the novel, which realistically depict life. These works frequently, but not exclusively, take the form of the historical novel. Walter Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".
