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Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
Metonymy is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept.
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio.
Literal and figurative language is a distinction within some fields of language analysis, in particular stylistics, rhetoric, and semantics.
Pleonasm is redundancy in linguistic expression, such as "black darkness" or "burning fire". It is a manifestation of tautology by traditional rhetorical criteria and might be considered a fault of style. Pleonasm may also be used for emphasis, or because the phrase has become established in a certain form. Tautology and pleonasm are not consistently differentiated in literature.
In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal, and some solemn. The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.
The word thou is a second-person singular pronoun in English. It is now largely archaic, having been replaced in most contexts by the word you, although it remains in use in parts of Northern England and in Scots. Thou is the nominative form; the oblique/objective form is thee ; the possessive is thy (adjective) or thine ; and the reflexive is thyself. When thou is the grammatical subject of a finite verb in the indicative mood, the verb form typically ends in -(e)st, but in some cases just -t. Some modern or dialect speakers of thou use thee as the subject and conjugate the word with is/was, e.g. thee is, thee was, thee has, thee shall. However this is not considered standard.
An anacoluthon is an unexpected discontinuity in the expression of ideas within a sentence, leading to a form of words in which there is logical incoherence of thought. Anacolutha are often sentences interrupted midway, where there is a change in the syntactical structure of the sentence and of intended meaning following the interruption.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry. In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition of Lyrical Ballads (1798). Wordsworth proposed that a "language near to the language of men" was as appropriate for poetry as it was for prose. This idea was very influential, though more in theory than practice: a special "poetic" vocabulary and mode of metaphor persisted in 19th century poetry. It was deplored by the Modernist poets of the 20th century, who again proposed that there is no such thing as a "prosaic" word unsuitable for poetry.
The term hamartia derives from the Greek ἁμαρτία, from ἁμαρτάνειν hamartánein, which means "to miss the mark" or "to err". It is most often associated with Greek tragedy, although it is also used in Christian theology. The term is often said to depict the flaws or defects of a character and portraying these as the reason of a potential downfall. However, other critics point to the term's derivation and say that it refers only to a tragic but random accident or mistake, with devastating consequences but with no judgment implied as to the character.
In linguistics, prosody is the study of elements of speech that are not individual phonetic segments but which are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals.
Ik Onkar, also spelled Ek Onkar or Ik Oankaar ; literally, "one Om", hence interpreted as "There is only one God or one Creator") is a phrase in Sikhism that denotes the one supreme reality. It is a central tenet of Sikh religious philosophy.
Despite the various English dialects spoken from country to country and within different regions of the same country, there are only slight regional variations in English orthography, the two most notable variations being British and American spelling. Many of the differences between American and British/Commonwealth English date back to a time before spelling standards were developed. For instance, some spellings seen as "American" today were once commonly used in Britain, and some spellings seen as "British" were once commonly used in the United States.
A non sequitur is a conversational literary device, often used for comedic purposes. It is something said that, because of its apparent lack of meaning relative to what preceded it, seems absurd to the point of being humorous or confusing. This use of the term is distinct from the non sequitur in logic, where it is a fallacy.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as rules, elements, essentials, mechanics, or handbook; the latter are referred to as style, or rhetoric. The rules are about what a writer does; style is about how the writer does it. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to:
A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as "a substitution of a word or phrase by a less literal word or phrase". The word trope has also undergone a semantic change and now also describes commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games.
An apologia is a formal defense of an opinion, position or action. The term's current use, often in the context of religion, theology and philosophy, derives from Justin Martyr's First Apology and was later employed by John Henry Newman's Apologia Pro Vita Sua of 1864, which presented a formal defense of the history of his Christian life, leading to his acceptance by the Catholic Church in 1845. In modern usage, apologia describes a formal defense and should not be confused with the sense of the word 'apology' as an expression of regret; however, apology may mean apologia, depending on the context of use.
In philosophy, lexis is a complete group of words in a language, vocabulary, the total set of all words in a language, and all words that have meaning or a function in grammar.
References
Citations
- ↑ "Diction" Archived 2011-09-15 at the Wayback Machine , Online Etymology Dictionary
- ↑ "diction". Merriam-Webster.com Dictionary. Springfield, Mass.: Merriam-Webster. Retrieved 24 March 2020.
- 1 2 Crannell (1997) Glossary, p. 406
- ↑ Littré - Diction.
- ↑ Georges Le Roy, Traité pratique de la diction française, 1911.
- ↑ Crannell (1997) Part II, Speech, p. 84
- ↑ The Cambridge Greek Lexicon. Cambridge University Press. 2021. p. 865. ISBN 978110-8836982.
- ↑ Barnes, Jonathan, ed. (1984). The Complete Works of Aristotle: The Revised Oxford Translation. Vol. 2. Princeton University Press. p. 2331.
- ↑ Preston H. Epps. (1967). The Poetics of Aristotle: A translation and Commentary. Univ. of North Carolina Press. ISBN 978-0807840177. Archived from the original on 2004-06-07.
General sources
- Crannell, Kenneth C. (1999) [1997]. Voice and Articulation (3rd ed.). Belmont: Wadsworth Publishing Company. ISBN 9780534508999. OCLC 34640688. Voice and Articulation at Google Books (preview of 1997 edition)
- "diction". Literary-Devices.com. Retrieved 24 March 2020.
