History
Early broadcasts
From 1912 to 1927 radio communication in the United States was regulated by the Department of Commerce, and originally there were no formal requirements for stations. Most operated under Amateur and Experimental licenses, making broadcasts intended for the general public. In order to provide a common standard, the department issued a regulation effective December 1, 1921, requiring that broadcasting stations would now have to hold a Limited Commercial license that authorized operation on two designated broadcasting wavelengths: 360 meters (833 kHz) for "entertainment", and 485 meters (619 kHz) for "market and weather reports". [6]
The first Everett broadcasting station authorization was issued on June 12, 1922 to Kinney Brothers & Sipprell for KDZZ. [7] It operated on 360 meters. Because there was only the single entertainment wavelength, stations in a given region had to develop timesharing arrangements for broadcasts on the shared 360 meter wavelength.
KFBL
The first license for KRKO's predecessor, KFBL, was issued on August 17, 1922. It was issued to the Leese Brothers and it also broadcast on 360 meters, as Everett's second station. [8] This original KFBL license is posted on a wall at the current station. The KFBL call letters were randomly assigned from an alphabetical roster of available call signs. Otto and Robert Leese started the radio station on the second floor of their auto repair shop on 28th and Rucker in downtown Everett. [9]
In mid-1923, the station was assigned to 1340 kHz. [10] On November 11, 1928, under the provisions of the Federal Radio Commission's General Order 40, KFBL was assigned to 1370 kHz, on a timesharing basis with KVL (later KEEN and KEVR) in Seattle. [11]
KRKO
The Leese brothers transferred control of the station to their engineer, Lee Mudgett, in 1934. He changed the call letters to KRKO. [12] In 1940, KRKO was reported to be the last remaining U.S. station operating with a power of only 50 watts. [13]
A 1940 review by the Federal Communications Commission (FCC) found that, under Mudgett's ownership, KRKO was badly managed and financially unstable. Therefore, it initially denied the station's license renewal and its proposed license assignment to the Everett Broadcasting Company, which was controlled by the Taft family. However, the FCC later relented, and approved both applications. [14]
In March 1941, most stations on 1370 kHz, including KRKO and its timeshare partner KEVR in Seattle, were moved to 1400 kHz, as part of the implementation of the North American Regional Broadcasting Agreement (NARBA). [15] The next year KRKO was authorized to began fulltime operation, after KEVR moved to 1090 kHz. In 1950, KRKO moved to the station's current frequency of 1380 kHz.
KRKO remained under Taft family ownership until the late 1970s. The Taft's Washington, D.C. attorney, John Marple, operated KRKO with some investors for a few years. In the early 1980s, an Everett area investment group led by a local beer distributor, Niles Fowler, acquired control of the station. Control was transferred back to a member of the Taft family following a sale of the station in 1983, [16] but in 1987 new local investors Art Skotdal and Roy Robinson purchased the KRKO assets and the Skotdal family continues to operate KRKO today. [9]
Sports and Classic Hits
KRKO began a sports radio format in 2000, featuring programming from Fox Sports Radio.
On September 4, 2009, two of the station's four radio towers were toppled by vandals. [17] [18] [19] A sign left at the scene said the eco-terrorist group Earth Liberation Front was responsible. [17] [20] The station transferred its radio transmission to a backup site and remained on the air at reduced power. [18] KRKO operated from the damaged site at full daytime power and reduced nighttime power until both destroyed towers were replaced on August 16, 2010. [21]
On October 4 and 5, 2014, KRKO was the only radio station in North America broadcasting a 100% digital signal during tests made for NAB Labs, a division of the National Association of Broadcasters. KRKO suspended analog transmissions for eight hours on Saturday and four hours on Sunday for daytime and nighttime tests. KRKO was the fourth commercial AM station in North America to test all-digital daytime transmissions. [4]
On July 9, 2018, KRKO changed format to a blend of oldies and classic hits. Along with the music, much of the live play-by-play sporting events previously heard during the all-sports format were retained. [22] Over time, the station's focus moved to 1970s and 80s hits.
