Khalili Collection of Spanish Metalwork

Last updated

Nasser D. Khalili Collection of Spanish Metalwork
Khalili Collection Spanish Damascened Metalwork zul109.jpg
Bronze gilt and enamelled casket by Plácido Zuloaga, 1891–1892
Curators Nasser D. Khalili (founder)
Dror Elkvity (Curator and Chief Co-ordinator)
James D. Lavin (Special Advisor) [1]
Size (no. of items)100 [2]
Website https://www.khalilicollections.org/all-collections/spanish-damascene-metalwork/

The Khalili Collection of Spanish Damascene Metalwork is a private collection assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. It includes a hundred examples of damascened metalwork, in which gold or silver is pressed into an iron surface to create fine decoration. It is one of eight collections assembled, conserved, published and exhibited by Khalili, each of which is considered among the most important in its field. [3] The collection includes art works from 1850 to the early twentieth century, including many from the workshop of Plácido Zuloaga and other works from artists trained or influenced by Zuloaga. Almost all the works are from Eibar or Toledo.

Contents

Khalili, who also owns the world's largest private collection of Islamic art, [4] first encountered damascening in that context, and regards Spain as having "raised the art to the pinnacle of perfection" so began to collect Spanish damascene as well. [5] The collection has been the basis for international exhibitions including at the Victoria and Albert Museum in London, the Bilbao Fine Arts Museum and the Alhambra Palace in Granada. [6] Alan Borg, when Director of the Victoria and Albert Museum, described the collection's catalogue as "a landmark in the study of nineteenth-century Spanish decorative art". [2]

Works

Works from Eibar

Writing or document desk by Placido Zuloaga, 1884-1885 Khalili Collection Spanish Damascened Metalwork ZUL105.jpg
Writing or document desk by Plácido Zuloaga, 1884–1885

Many works in the collection are from the workshop of Plácido Zuloaga, one of a family of artists based in Eibar, Spain. [1] Zuloaga's art won many awards in national and international expositions. [7] He was known for elaborate damascened artworks, each requiring the skills of eight to twelve specialist artisans over a period of years. [7] Many of these pieces were commissioned by the English collector Alfred Morrison. [8] Twenty-two works in the collection are signed by Zuloaga. [1] These include an intricately decorated forged iron cassone, 201 centimetres (79 in) wide, that has become known as the Fonthill Casket after Morrison's residence, Fonthill Manor in Wiltshire. [8] Also commissioned by Morrison are a pair of amphora-shaped urns, 108 centimetres (43 in) high, from 1878 whose style imitated the medieval Alhambra vases. [9] Covered in intricate Hispano-Arabic decoration, possibly drawn from contemporary engravings of a specific Alhambra vase, these were exhibited in Paris before delivery to Morrison. [9]

Iron shrine with virgin and child, 1880 Khalili Collection Spanish Damascened Metalwork ZUL095.jpg
Iron shrine with virgin and child, 1880

A writing desk dated 1884–1885 has 44 drawers in a wooden case, each with enamelled floral patterns and a damascened metal button-pull. [10] Not a woodworker himself, Zuloaga would have subcontracted out the preparation of the wood and veneer. [10] A 47.3-centimetre-high (18.6 in) iron shrine dated 1880 recalls Gothic architecture in its overall shape, but the intricate damascened decoration is more suggestive of Art Nouveau. [11] It contains a cast silver figure of the Virgin and Child in a Gothic style. [11] Other items bearing the signature of Plácido Zuloaga include vases, urns, snuff boxes and caskets, all combining gold and silver damascening on forged iron. [12] Unlike his father, Plácido did not manufacture arms. However, he occasionally applied damascening to guns produced elsewhere. One such revolver, of a design pioneered by the French gunsmith Casimir Lefaucheux, is in the collection. [13] Brooches also with Zuloaga's signature depict the Arms of Mexico and a farmyard scene. [14] An ivory snuff box combines the monogram of Carlos, Duke of Madrid with the symbol of the House of Bourbon. It was likely produced when the Basque country was occupied by Carlos' army during the Third Carlist War. [14]

The collection includes other objects from Eibar, from artists who likely trained with Zuloaga and then established their own workshops. [15] Alongside urns, vases, cigarette boxes, and other containers, these include mirror frames, bracelets, and handles for parasols, a cane, and umbrellas. [16] A cased rifle and bayonet was presented by the Basque government to Prince of Asturias Jaime de Borbón y de Borbón-Parma, then six years old, who was a pretender to the thrones of Spain and of France. [17]

Works from Toledo

Cased jambiya dagger with sheath from Toledo, 1877 Khalili Collection Spanish Metalwork ZUL114.jpg
Cased jambiya dagger with sheath from Toledo, 1877

Nineteen works in the collection are from Toledo, [18] which has its own tradition of damascening, having been the location of an Artillery Factory (formerly the Royal Sword Factory). [19] These include a janbiya dagger with sheath in a Moroccan style, dated 1877, which was presented to King Alfonso XII by the Artillery Factory. [20] Some of the works from Toledo are domed caskets which show an influence of Zuloaga's Fonthill Casket. [21] One of these contains the visiting card of Victoria Eugenie of Battenberg, Queen consort of Spain. [22] Another casket illustrates scenes from the story of Don Quixote and a bust of its author, Miguel de Cervantes. [23] An artist represented in the collection is Linares of Toledo, who exhibited at a world's fair in New York in the 1930s. His cigarette case uses two colours of gold to depict mythical creatures. [24] A 28-centimetre (11 in) high commemorative plaque from around 1883 combines mythic symbolism with illustrations of the telegraph and other uses of electricity, and was likely an award given to a member of the Telegraph Corps. [25]

Other works

Two works in the collection come from outside Spain, including a hunting sword with scabbard from mid-nineteenth century France signed by a Henry Dufresne. [26] A casket from Vicenza, Italy, is signed by Antonio Cortelazzo (1819–1903), an artist who was influenced by Plácido Zuloaga, having seen Morrison's collection in the 1870s. [27]

Exhibitions

Although the collection is not on permanent public display, the following exhibitions have featured works from the collection: [6]

Plácido Zuloaga: Spanish Treasures from The Khalili Collection

El Arte y Tradición de los Zuloaga: Damasquinado Español de la Colección Khalili

Plácido Zuloaga: Meisterwerke in gold, silber und eisen damaszener–schmiedekunst aus der Khalili-Sammlung

Metal Magic: Spanish Treasures from the Khalili Collection

Alan Borg, when Director of the Victoria and Albert Museum, described the collection's catalogue as "a landmark in the study of nineteenth-century Spanish decorative art". [2]

Related Research Articles

<span class="mw-page-title-main">Ignacio Zuloaga</span> Spanish painter (1870–1945)

Ignacio Zuloaga y Zabaleta was a Spanish painter, born in Eibar, Guipuzcoa, near the monastery of Loyola.

<span class="mw-page-title-main">William Beckford (novelist)</span> English novelist, art critic, slaveholder and politician (1760–1844)

William Thomas Beckford was an English novelist, art critic, planter and politician. He was reputed at one stage to be England's richest commoner. The son of William Beckford and Maria Hamilton, daughter of the Hon. George Hamilton, he served as a Member of Parliament for Wells in 1784–1790 and Hindon in 1790–1795 and 1806–1820. Beckford is best known for writing the 1786 Gothic novel Vathek, for building the Fonthill Abbey in Wiltshire and Beckford's Tower in Bath, and for his extensive art collection.

<span class="mw-page-title-main">Juan Prim</span> Spanish Prime minister, general and statesman

Juan Prim y Prats, 1st Count of Reus, 1st Marquis of los Castillejos, 1st Viscount of Bruch was a Spanish general and statesman who was briefly Prime Minister of Spain until his assassination.

<span class="mw-page-title-main">Owen Jones (architect)</span> British architect (1809–1874)

Owen Jones was a British architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. He helped pioneer modern colour theory, and his theories on flat patterning and ornament still resonate with contemporary designers today.

<span class="mw-page-title-main">Léonard Morel-Ladeuil</span> French sculptor

Léonard Morel-Ladeuil, French goldsmith and sculptor, was born at Clermont-Ferrand.

<span class="mw-page-title-main">Champlevé</span> Enamelling technique

Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface.

<span class="mw-page-title-main">Damascening</span>

Damascening is the art of inlaying different metals into one another—typically, gold or silver into a darkly oxidized steel background—to produce intricate patterns similar to niello. The English term comes from a perceived resemblance to the rich tapestry patterns of damask silk. The term is also used to describe the use of inlaid copper interconnects in integrated circuits. As its name suggests, damascene gets its name from Damascus, Syria and the ancient artisans that created and exported this craft.

<span class="mw-page-title-main">National Archaeological Museum (Madrid)</span> Archaeology museum in Madrid, Spain

The National Archaeological Museum is a museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain.

<span class="mw-page-title-main">Nasser Khalili</span> British-Iranian scholar, collector and philanthropist

Sir Nasser David Khalili KCSS PhD is a British-Iranian scholar, collector, and philanthropist based in London. Born in Iran and educated at Queens College, City University of New York and the School of Oriental and African Studies in London, he is a naturalised British citizen.

<span class="mw-page-title-main">Fonthill Vase</span> Chinese porcelain vase

The Fonthill Vase, also called the Gaignières-Fonthill Vase after François Roger de Gaignières and William Beckford's Fonthill Abbey, is a bluish-white Qingbai Chinese porcelain vase dated to 1300–1340 AD. It is famous as the earliest documented Chinese porcelain object to have reached Europe.

<span class="mw-page-title-main">Waddesdon Bequest</span> Collection of Renaissance art in the British Museum

In 1898 Baron Ferdinand de Rothschild bequeathed to the British Museum as the Waddesdon Bequest the contents from his New Smoking Room at Waddesdon Manor. This consisted of a wide-ranging collection of almost 300 objets d'art et de vertu, which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica. One of the earlier objects is the outstanding Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection is in the tradition of a schatzkammer, or treasure house, such as those formed by the Renaissance princes of Europe; indeed, the majority of the objects are from late Renaissance Europe, although there are several important medieval pieces, and outliers from classical antiquity and medieval Syria.

<span class="mw-page-title-main">Sanctuary of Loyola</span>

The Sanctuary of Loyola or Loiola, or the Shrine and Basilica of Loyola, consists of a series of edifices built in Churrigueresque Baroque style around the birthplace of St. Ignatius of Loyola, founder of the Society of Jesus.

<span class="mw-page-title-main">Daniel Zuloaga</span> Spanish ceramicist and painter, 1852-1921

Daniel Zuloaga y Boneta was a Spanish ceramist and painter. He is considered to be one of the innovators of art pottery in Spain. He worked primarily from his workshops in Madrid and Segovia, but his work extended throughout Spain. He participated in various international exhibitions, and his pieces can be found in other European countries. His work was characterized by using ancient techniques. Through the influence of his father, Zuloaga worked in his youth at the Royal Palace of Madrid. After training in France, Zuloaga and his brothers opened their first shop in the Real Fábrica de La Moncloa, its most representative work being the facades of the Palacio de Velázquez. His other works can be seen at the Palacio de Cristal and the Hospital of Maudes, among many others.

Alfred Morrison was an English collector, known for his interest in works of art, autographs and manuscripts.

<span class="mw-page-title-main">Khalili Collections</span> 8 art collections of Nasser D. Khalili

The Khalili Collections are eight distinct art collections assembled by Nasser D. Khalili over five decades. Together, the collections include some 35,000 works of art, and each is considered among the most important in its field.

<span class="mw-page-title-main">Khalili Collection of Japanese Art</span> Private collection of Meiji-era art

The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. Its 1,400 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili.

<span class="mw-page-title-main">Plácido Zuloaga</span> Spanish 19th century metalworker

Plácido Maria Martin Zuloaga y Zuloaga was a Spanish sculptor and metalworker. He is known for refining damascening, a technique that involves inlaying gold, silver, and other metals into an iron surface, creating an intricate decorative effect. Zuloaga came from a family of Basque metalworkers. He was the son of damascening pioneer Eusebio Zuloaga, the half-brother of the artist Daniel Zuloaga, and the father of the painter Ignacio Zuloaga. Taking over his father's armaments factory, he adapted it to make art pieces which he exhibited at international fairs, winning multiple awards.

<span class="mw-page-title-main">Khalili Collection of Enamels of the World</span> Private art collection

The Khalili Collection of Enamels of the World is a private collection of enamel artworks from the period 1700 to 2000, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. It is one of the eight Khalili Collections, each of which is considered among the most important in its field.

<span class="mw-page-title-main">Khalili Collection of Islamic Art</span> Private collection of art from Islamic lands

The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.

<i>Empire of the Sultans</i> Travelling exhibition of Islamic art

Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art. Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire. Many of the objects had been created for the leaders of the empire, the sultans. Two of the calligraphic pieces were the work of sultans themselves.

References

Definition of Free Cultural Works logo notext.svg  This article incorporates text from a free content work. Licensed under CC-BY-SA 3.0. Text taken from The Khalili Collections , Khalili Foundation, .

Notes

  1. 1 2 3 "Spanish Damascene Metalwork". Khalili Collections. Retrieved 30 June 2020.
  2. 1 2 3 Borg, Alan "Preface" in Lavin 1997
  3. "The Khalili Collections major contributor to "Longing for Mecca" exhibition at the Tropenmuseum in Amsterdam". UNESCO. United Nations Educational, Scientific and Cultural Organization. 16 April 2019. Archived from the original on 7 April 2022. Retrieved 25 June 2020.
  4. Moore, Susan (12 May 2012). "A leap of faith". Financial Times. Retrieved 10 September 2019.
  5. Khalili, Nasser D. "Foreword" in Lavin 1997
  6. 1 2 "The Eight Collections". nasserdkhalili.com. Archived from the original on 28 October 2022. Retrieved 10 September 2019.
  7. 1 2 Lavin 1997, p. 63.
  8. 1 2 Lavin 1997, p. 71.
  9. 1 2 Lavin 1997, p. 83.
  10. 1 2 Lavin 1997, p. 108.
  11. 1 2 Lavin 1997, p. 104.
  12. Lavin 1997, pp. 88–114.
  13. Lavin 1997, p. 102.
  14. 1 2 Lavin 1997, p. 114.
  15. Lavin 1997, p. 146.
  16. Lavin 1997, pp. 146–183.
  17. Lavin 1997, p. 128.
  18. Lavin 1997, pp. 187–204.
  19. Lavin 1997, p. 184.
  20. Lavin 1997, p. 189.
  21. Lavin 1997, pp. 195–198.
  22. Lavin 1997, p. 199.
  23. Lavin 1997, p. 201.
  24. Lavin 1997, p. 193.
  25. Lavin 1997, p. 187.
  26. Lavin 1997, p. 206.
  27. Lavin 1997, p. 208.

Sources

Further reading