Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian, is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present and in control of the world. About 1500 deities are known. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples.
Nut, also known by various other transcriptions, is the goddess of the sky, stars, cosmos, mothers, astronomy, and the universe in the ancient Egyptian religion. She was seen as a star-covered nude woman arching over the Earth, or as a cow. She was depicted wearing the water-pot sign (nw) that identifies her.
Ammit was an ancient Egyptian goddess with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians. In ancient Egyptian religion, Ammit played an important role during the funerary ritual, the Judgment of the Dead.
The Duat is the underworld in ancient Egyptian mythology. It has been represented in hieroglyphs as a star-in-circle: 𓇽. The god Osiris was believed to be the lord of the underworld. He was the first mummy as depicted in the Osiris myth and he personified rebirth and life after death. The underworld was also the residence of various other gods along with Osiris.
Nehebkau was the primordial snake god in ancient Egyptian mythology. Although originally considered an evil spirit, he later functions as a funerary god associated with the afterlife. As one of the forty-two assessors of Ma’at, Nehebkau was believed to judge the deceased after death and provide their souls with ka – the part of the soul that distinguished the living from the dead.
The ancient Egyptians believed that a soul was made up of many parts. In addition to these components of the soul, there was the human body.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BC. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. In 1842, the Egyptologist Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as 'Book of the Dead'.
The Amduat[pronunciation?] is an important ancient Egyptian funerary text of the New Kingdom of Egypt. Similar to previous funerary texts, such as the Old Kingdom's Pyramid Texts, or the First Intermediate Period's Coffin Texts, the Amduat was found carved on the internal walls of a pharaoh's tomb. Unlike other funerary texts, however, it was reserved almost exclusively for pharaohs until the Twenty-first Dynasty, or very select nobility.
The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
The Book of Gates is an ancient Egyptian funerary text dating from the New Kingdom. The Book of Gates is long and detailed, consisting of one hundred scenes. It narrates the passage of a newly deceased soul into the next world journeying with of the sun god, Ra, through the underworld during the hours of the night towards his resurrection. The soul is required to pass through a series of 'gates' at each hour of the journey. Each gate is guarded by a different serpent deity that is associated with a different goddess. It is important that the deceased knows the names of each guardian. Depictions of the judgment of the dead are shown in the last three hours. The text implies that some people will pass through unharmed, but others will suffer torment in a lake of fire. At the end of Ra's journey through the underworld, he emerges anew to take his place back in the sky.
The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. They are partially derived from the earlier Pyramid Texts, reserved for royal use only, but contain substantial new material related to everyday desires, indicating a new target audience of common people. Coffin texts are dated back to 2100 BCE. Ordinary Egyptians who could afford a coffin had access to these funerary spells and the pharaoh no longer had exclusive rights to an afterlife.
The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, Imsety, Hapy, Duamutef, and Qebehsenuef were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom, they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal, and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the cardinal directions.
The Stele of Ankh-ef-en-Khonsu or Stele of Revealing is a painted, wooden offering stele located in Cairo, Egypt. It was discovered in 1858 by the French Egyptologist François Auguste Ferdinand Mariette at the mortuary temple of the 18th Dynasty Pharaoh Hatshepsut, located at Deir el-Bahari. It was originally made for the Montu-priest Ankh-ef-en-Khonsu i, and was discovered near his coffin ensemble of two sarcophagi and two anthropomorphic inner coffins. It dates to circa 680–70 BCE, the period of the late 25th Dynasty/early 26th Dynasty. Originally located in the former Boulaq Museum under inventory number 666, the stele was moved around 1902 to the newly opened Egyptian Museum of Cairo, where it remains today.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
The Egyptian Book of the Dead of Qenna is a papyrus document housed at the Dutch National Museum of Antiquities in Leiden. One of several thousand papyri containing material drawn from Book of the Dead funerary texts, Qenna uniquely includes a passage that describes a deceased person’s activity in an afterlife location it calls the “house of hearts.” While the house of hearts is mentioned in at least two tomb inscriptions, Qenna treats it in more detail. The passage appears as an addendum within Spell 151 of the Book of the Dead:
"You will enter the house of hearts, the place which is full of hearts. You will take the one that is yours and put it in its place, without your hand being hindered. Your foot will not be stopped from walking. You will not walk upside down. You will walk upright."
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
The gate deities of the underworld were ancient Egyptian minor deities charged with guarding the gates of the Egyptian underworld.
The Assessors of Maat were 42 minor ancient Egyptian deities of the Maat charged with judging the souls of the dead in the afterlife by joining the judgment of Osiris in the Weighing of the Heart.
