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Grace Robertson was a British photographer who worked as a photojournalist, and published in Picture Post and Life. Her photographic series, including "Mother's Day Off" (1954) and "Childbirth" (1955), mainly recorded ordinary women in postwar Britain.
The following outline is provided as an overview of and topical guide to photography:
Mary Olive Edis, later Edis-Galsworthy, was a British photographer and successful businesswoman who, throughout her career, owned several studios in London and East Anglia.
John Ruskin is a portrait of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
Women Surrealists are women artists, photographers, filmmakers and authors connected with the surrealist movement, which began in the early 1920s.
The participation of women in photography goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography, opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.
Sarah Angelina "Angie" Acland was an English amateur photographer, known for her portraiture and as a pioneer of colour photography. She was credited by her contemporaries with inaugurating colour photography "as a process for the travelling amateur", by virtue of the photographs she took during two visits to Gibraltar in 1903 and 1904.
Helen Messinger Murdoch was an American photographer who pioneered the use of Autochromes in travel photography.
Marilyn Jean Stafford was a British photographer. Born and raised in the United States, she moved to Paris as a young woman, where she began working as a photojournalist. She settled in London, but travelled and worked across the world, including in Tunisia, India, and Lebanon. Her work was published in The Observer and other newspapers. Stafford also worked as a fashion photographer in Paris, where she photographed models in the streets in everyday situations, rather than in the more usual opulent surroundings.
Mary Elizabeth Greenwood was a New Zealand photographer. She was an early promoter of the autochrome photographic process in New Zealand. Her work is held by the Museum of New Zealand Te Papa Tongarewa and by the National Library of New Zealand.
This is a timeline of women in photography tracing the major contributions women have made to both the development of photography and the outstanding photographs they have created over the 19th, 20th and 21st centuries.
Photography in Sudan refers to both historical as well as to contemporary photographs taken in the cultural history of today's Republic of the Sudan. This includes the former territory of present-day South Sudan, as well as what was once Anglo-Egyptian Sudan, and some of the oldest photographs from the 1860s, taken during the Turkish-Egyptian rule (Turkiyya). As in other countries, the growing importance of photography for mass media like newspapers, as well as for amateur photographers has led to a wider photographic documentation and use of photographs in Sudan during the 20th century and beyond. In the 21st century, photography in Sudan has undergone important changes, mainly due to digital photography and distribution through social media and the Internet.
References
- ↑ Hammer, Mike (3 May 2013), "Deborah Anderson's book and film 'Aroused' looks at the people behind the porn industry", New York Daily News, archived from the original on 6 May 2013, retrieved 1 November 2020
- ↑ Kang, Inkoo (2 May 2013), "Porn Doc Aroused Is Deep as Tube of Lipstick", The Village Voice , archived from the original on 14 June 2013, retrieved 31 October 2020
- ↑ Scheck, Frank (2 May 2013), "Aroused: Film Review", The Hollywood Reporter , archived from the original on 5 June 2013, retrieved 31 October 2020