List of Renaissance composers

Last updated

Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works still reigned in popularity. There is no strict division between period, so many earlier medieval and later Baroque composers appear here as well.

Contents

Renaissance composers

Renaissance composers
NameLifetimeNationalityWorks and remarksRef.
Zacara da Teramo 1350/60 – 1413/16Italian
Paolo da Firenze (a.k.a. Paolo Tenorista) c.1355c.1436Italian
Nikola the Serb fl.late 14th centurySerbian
Hugo von Montfort 1357 – 1423German
Giovanni Mazzuoli 1360 – 1426ItalianAlso known as Jovannes de Florentia, Giovanni degli Organi and Giovanni di Niccol
Pycard fl.c.1390-after c. 1410EnglishHas works preserved in the first layer of the Old Hall Manuscript and elsewhere. His identity is unclear; probably English, but possibly from France.
Johannes Tapissier (Jean de Noyers) c.1370 – before 1410French
Leonel Power c.1370 – 1445English
Grazioso da Padova fl.1390?–1407ItalianAlso known as Gratiosus de Padua
Antonio da Cividale fl.1392–1421ItalianAlso known as Antonius de Civitate Austrie
Nicolas Grenon c.1375 – 1456French
Oswald von Wolkenstein 1376/77 – 1445German
Matteo da Perugia fl.1400–1416Italian
Antonius Romanus fl.1400–1432Italian
Pierre Fontaine c.1380c.1450French
Mikołaj Radomski 1380 – 15th centuryPolish
Thomas Fabri 1380 – 1420Franco-Flemish
Baude Cordier c.1380 – before 1440French
Ugolino da Forlì 1380 – 1457ItalianAlso known as Ugolino da Orvieto
Nicolaus Ricii de Nucella Campli died after 1436, fl.1401–1420Italian
Guillaume Legrant (Lemarcherier) fl.1405-after 1449French
Jacobus Vide fl.1405?-after 1433Franco-Flemish
Beltrame Feragut c.1385c.1450FrenchAlso known as Bertrand di Vignone
Bartolomeo da Bologna fl.1405–1427Italian
Johannes Cesaris fl.c.1406–1417French
Roy Henry fl.1410-after 1410EnglishVery likely to be Henry V of England (1387–1422)
Johannes de Limburgia fl.1408–1431Franco-FlemishAlso spelled Lymburgia; also called Johannes Vinandi
John Dunstaple (or Dunstable) c.1390 – 1453English
Byttering possibly Thomas Byttering fl.c.1410-after 1420English
Guillaume Dufay (Guillaume Du Fay) 1397 – 1474French [1]
Estienne Grossin fl.1418–1421French
Johannes Brassart c.1400 – 1455Burgundian
Nicolaus Zacharie c.1400 or before – 1466Italian
Johannes Cornago c.1400 – after 1475Spanish
Gilles Binchois (Gilles de Bins) c.1400 – 1460Burgundian
Richard Loqueville died 1418French
G. Dupoitt fl.c.1420-1430French
Acourt fl.first half of the 15th centuryFrench
Arnold de Lantins fl.1423-1431/1432Franco-Flemishespecially active in German-speaking areas during the early Reformation period
Conrad Paumann c.1410 – 1473German
Johannes de Quadris c.1410 ? 1457Italian
John Plummer c.1410c.1483English
Johannes Ockeghem c.1410 – 1497Franco-Flemish [2]
Clement Liebert fl.1433–1454Franco-Flemish
Johannes Fedé c.1415 – 1477?French
Henry Abyngdon c.1418 – 1497English
Guglielmo Ebreo da Pesaro c.1420 – 1484ItalianDance master
Johannes Legrant fl.c.1420-after 1440French
Hugo de Lantins fl.c.1420-after 1430Franco-Flemish
Biquardus fl.1440–1450French
Gilles Joye 1424/1425 – 1483Franco-Flemish
Reginaldus Libert fl.c.1425-after 1435French
Jean Cousin before 1425 – after 1475French
Petrus de Domarto fl.c.1445–1455Franco-Flemish
Johannes Regis c.1425c.1496Franco-Flemish
Johannes Pullois died 1478Franco-FlemishActive in the Low Countries and Italy
Juan de Urrede c.1430 – after 1482SpanishOr Johannes de Wreede
John Hothby Johannes Ottobi c.1430 – 1487EnglishEnglish theorist and composer mainly active in Italy.
Robert Morton c.1430 – 1479English-Burgundian
Antoine Busnois c.1430 – 1492French [3]
William Hawte William Haute c.1430 – 1497English
Antonio Cornazzano c.1430 – 1484ItalianDancing master
Guillaume le Rouge fl.1450-after 1465Franco-Flemish
Walter Frye fl.c.1450-1474English
William Horwood c.1430 – 1484EnglishSome of his music is collected in the Eton Choirbook.
Eloy d'Amerval fl.1455–1508French
Johannes Tinctoris c.1435 – 1511Franco-Flemish [4]
Richard Hygons c.1435c.1509English
Adrien Basin fl.1457-after 1498Franco-Flemish
Nycasius de Clibano fl.1457–1497Franco-Flemish
Johannes Martini c.1440 – 1497/98Franco-Flemish
Juan de Triana fl.c.1460–1500Spanish
Antonius Janue fl.1460Italian
Firminus Caron fl.c.1460–c. 1475French
Juan Pérez de Gijón fl.c.1460–1500Spanish
Guillaume Faugues fl.c.1460–1475French
Heinrich Finck 1444/1445 – 1527German
Jan z Lublina late 15th century – 1540Polish
Gilbert Banester c.1445 – 1487English
Alexander Agricola 1445/1446 – 1506Franco-Flemish
Johannes de Stokem c.1445 – 1487 or 1501Franco-Flemish
Adam von Fulda c.1445 – 1505German
Gaspar van Weerbeke c.1445 – after 1516Franco-Flemish
Isaiah the Serb fl.later 15th centurySerbian
Hayne van Ghizeghem c.1445 – after 1476Franco-Flemish
Jehan Fresneau fl.1468–1505French
Philippe Basiron c.1449 – 1491French
Colinet de Lannoy died before 1497French
Abertijne Malcourt c.1450c.1510Franco-Flemish
Edmund Turges (possibly the same as Edmund Sturges) 1450 – 1500EnglishHas a number of works preserved in the Eton Choirbook; at least three Magnificat settings and two masses have been lost.
Robert Wilkinson c.1450 – after 1515English
Walter Lambe c.1450 – after 1504EnglishMajor contributor to the Eton Choirbook.
Matthaeus Pipelare c.1450c.1515Franco-Flemish
Arnolt Schlick c.1450c.1525German
Loyset Compère c.1450 – 1518French
Gilles Mureau c.1450 – 1512French
Hans Judenkünig c.1450 – 1526GermanOr Judenkönig
Heinrich Isaac c.1450 – 1517Franco-Flemish
Josquin des Prez c.1450 – 1521Franco-Flemish [5]
Franchinus Gaffurius 1451 – 1522Italian
Jean Japart fl.1474–1481Franco-FlemishActive in Italy
Edmund Sturton fl.late 15th – early 16th centuryEnglishPresumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range
Robert de Févin fl.late 15th–early 16th centuryFrenchBrother of Antoine de Févin
Jacobus Barbireau 1455 – 1491Franco-Flemish
Robert Hacomplaynt c.1456 – 1528EnglishHas a single surviving work, a setting of Salve regina, in the Eton Choirbook; a work known as Haycomplayne's Gaude, dated 1529, has been lost
Jacob Obrecht 1457/58 – 1505Franco-Flemish
Jean Braconnier died 1512, fl.from 1478FrenchAlso known as Lourdault
Jean Mouton c.1459 – 1522French
Paul Hofhaimer 1459 – 1537German
Jheronimus de Clibano c.1459 – 1503Franco-Flemish
Pierre de La Rue c.1460 – 1518Franco-FlemishMost famous composer of the Grande chapelle of the Habsburg court
Marbrianus de Orto c.1460 – 1529Franco-Flemish
Johannes Prioris c.1460?c.1514Franco-Flemish
Antoine Brumel c.1460 – 1512/1513French
Juan de Anchieta 1462 – 1523Spanish
Francisco de la Torre fl.1483–1504Spanish
Robert Fayrfax 1464 – 1521English
Sebastian Virdung born c.1465German
Pedro de Escobar c.1465 – after 1535Portuguese
Richard Davy c.1465c.1507EnglishMajor contributor to the Eton Choirbook
Giacomo Fogliano 1468 – 10 April 1548Italian
William Cornysh the younger c.1468 – 1523EnglishProbably the son of William Cornysh the elder
Juan del Encina 1468 – c.1529Spanish
John Browne fl.c.1490EnglishMajor contributor to the Eton Choirbook
Pierrequin de Thérache c.1470 – 1528FrenchActive in Lorraine
Robert Johnson c.1470 – after 1554Scottish
Francisco de Peñalosa c.1470 – 1528Spanish
Antoine de Févin c.1470 – 1511/12FrenchBrother of Robert de Févin
Bartolomeo Tromboncino c.1470c.1535Italian
Marchetto Cara c.1470 – 1525?Italian
Mathurin Forestier c.1470 – 1535French
Antonius Divitis c.1470c.1530Franco-Flemish
Pierre Alamire c.1470 – 1536GermanActive in the Low Countries
Richard Sampson c.1470 – 1554English
Carpentras c.1470 – 1548French
Johannes Ghiselin fl.1491–1507Franco-Flemish
Bartolomeo degli Organi 1474 – 1539Italian
Vincenzo Capirola 1474 – after 1548Italian
Robert Cowper c.1474 – 1535/1540EnglishRepresented by a work in the Gyffard partbooks and manuscript sources
Filippo de Lurano c.1475c.1520Italian
Philippe Verdelot c.1475 – before 1552FrenchActive in Italy
Nicolas Champion c.1475 – 1533Franco-Flemish
Andreas De Silva c.1475/1480 – after 1520Spanish
Thomas Ashewell c.1478 – after 1513English
Antoine de Longueval fl.1498–1525French
Andrea Antico da Montona c.1480 – after 1538Italian
Hugh Kellyk late 15th century – 16th century?Englishhas two surviving pieces, a five-part Magnificat and a seven-part Gaude flore virginali, in the Eton Choirbook.
Thomas Stoltzer c.1480 – 1526German
Noel Bauldeweyn c.1480 – after 1513Franco-Flemish
Jean Richafort c.1480 – 1547Franco-Flemish
Benedictus Appenzeller 1480 to 1488 – after 1558Franco-FlemishServed Mary, Queen of Hungary for most of his career
Jean l'Héritier c.1480 – after 1551French
Francesco Spinacino late 15th century – after 1507Italian
Marco Dall'Aquila c.1480 – after 1538Italian
Jacotin died 1529Franco-FlemishAlso called Jacob Godebrye
Ninot le Petit fl.c.1500–1520French
Gilles Reingot fl.1501–1530Franco-Flemish
Mateo Flecha the Elder 1481 – 1553SpanishOr Mateu Fletxa el Vell
Hans Buchner 1483 – 1538German
Jacquet of Mantua 1483 – 1559French
Martin Luther 1483 – 1546German
Hans Kotter c.1485 – 1541German
Mikołaj z Chrzanowa 1485 – 1555Polish
Clément Janequin c.1485 – 1558French
Maistre Jhan c.1485 – 1538ItalianEarly madrigalist, active at Ferrara
Hugh Aston c.1485 – 1558English
Robert Carver 1485 – 1570ScottishWrote a mass on L'Homme armé (the only known by a British composer) and a nineteen-part O bone jesu
Nicholas Ludford c.1485 – 1557English
Pierre Moulu c.1485c.1550Franco-FlemishActive in France
Ludwig Senfl c.1486 – 1543SwissActive in Germany
John Redford c.1486 – 1547EnglishOne of the main contributors to The Mulliner Book
Martin Agricola 1486 – 1556German
Thomas Appleby c.1488 – 1563English
Georg Rhau 1488 – 1548German
Joan Ambrosio Dalza fl.1508Italian
Gasparo Alberti c.1489 – 1560Italian
Pierre Passereau fl.1509–1547Franco-FlemishPopular composer of chansons in the 1530s
Franciscus Bossinensis fl.1509–1511Italian
Arnold von Bruck c.1490 – 1554Franco-Flemish-German
John Taverner c.1490 – 1545English
Sebastian z Felsztyna c.1490 – 1543PolishAlso known as Sebastian Herburt
Fridolin Sicher 1490 – 1546Swiss
Sandrin c.1490c.1560FrenchAlso known as Pierre Regnault
Claudin de Sermisy c.1490 – 1562French
Adrian Willaert c.1490 – 1562Franco-Flemishfounder of the Venetian School; active in Italy; influential as a teacher as well as a composer
Bernardo Pisano 1490 – 1548ItalianPossibly the earliest composer of madrigals, though not in name
Sebastiano Festa 1490/1495 – 1524ItalianEarly composer of madrigals; possibly related to Costanzo Festa
Marco Antonio Cavazzoni c.1490c.1560Italian
Henry VIII of England 1491 – 1547English
Francesco de Layolle 1492 – c.1540ItalianIn the employ of the Medici; music teacher to sculptor Benvenuto Cellini
Lupus Hellinck c.1494 – 1541Franco-Flemish
Pierre Attaingnant c.1494 – 1551/1552FrenchBest known as a printer, especially of Parisian chansons
Leonhard Kleber c.1495 – 1556German
Pierre Vermont c.1495 – between 1527–33French
Lorenz Lemlin c.1495c.1549German
Ondřej Chrysoponus Jevíčský 1495 – 1592Czech
Leonhard Päminger 1495 – 1567German
Nicolas Gombert c.1495c.1560Franco-Flemishprominent contrapuntist of generation after Josquin; worked for Charles V, Holy Roman Emperor
Costanzo Festa c.1495 – 1545ItalianEarly composer of madrigals; member of Sistine Chapel choir
Johann Walter 1496 – 1570German
Francesco Canova da Milano 1497 – 1543Italian
Mattio Rampollini 1497 – c.1553Italian
Hans Gerle c.1498 – 1570German
Adrianus Petit Coclico 1499 – after 1562Franco-Flemish
Luis de Milán c.1500 – after 1561Spanish
Juan Vásquez c.1500c.1560Spanish
Enríquez de Valderrábano 1500 – after 1557Spanish
Albert de Rippe c.1500 – 1551Italian
Luis de Narváez c.1500 – between 1550–60Spanish
Cristóbal de Morales c.1500 – 1553Spanish
Jacques Buus c.1500 – 1565Franco-FlemishActive at Venice, and assisted in the development of the instrumental ricercar
Bartolomeo Trosylho c.1500c.1567Portuguese
Philip van Wilder 1500 – 1554Franco-FlemishActive in England
Cornelius Canis c.1500 to 1510 – 1561Franco-FlemishMusic director for Charles V, Holy Roman Emperor, in the 1540s and 1550s, after Nicolas Gombert
Heliodoro de Paiva c.1500 – 1552Portuguese
Nicolaus Cracoviensis died c.1550PolishAlso known as Mikołaj z Krakowa
Miguel de Fuenllana 1500 – 1578Spanish
Hilaire Penet ? 1501 – 15??French
Francesco Corteccia 1502 – 1571Italian
Damião de Góis 1502 – 1574Portuguese
Jacquet de Berchem c.1505 – before 1567Franco-FlemishEarly madrigalist
Bartolomé de Escobedo c.1505 – 1563Spanish
Thomas Tallis c.1505 – 1585English
Thomas Crecquillon c.1505 – 1557Franco-FlemishA member of Charles V's imperial chapel
Christopher Tye c.1505 ? 1572English
Jean de Latre c.1505/1510 – 1569Franco-Flemish
Ambrose Lupo 1505 – 1591ItalianAlso known as Ambrosio Lupo, de Almaliach and Lupus Italus; active in England
Johannes Lupi c.1506 – 1539Franco-Flemish
Jan Simonides Montanus 1507 – 1587CzechActive in Kutná Hora
Bálint Bakfark 1507 – 1576Hungarian
Jacques Arcadelt c.1507 – 1568Franco-FlemishMost famous of the early madrigalists
Paolo Aretino 1508 – 1584ItalianAlso known as Paolo Antonio del Bivi
Alfonso dalla Viola c.1508c.1573ItalianRore Also an instrumentalist; active in Ferrara
Hans Neusiedler 1508 – 1563German
Antonio Gardano 1509 – 1569ItalianMusic printer
Guillaume Morlaye c.1510c.1558French
Loys Bourgeois c.1510 – 1560French
Claudio Veggio c.1510 – 15??Italian
Alonso Mudarra c.1510 – 1580Spanish
Tielman Susato c.1510/15 – after 1570Franco-FlemishAlso spelled Tylman; was also an influential music publisher
Luis Venegas de Henestrosa c.1510 – 1570Spanish
Diego Ortiz c.1510c.1570Spanish
Antonio de Cabezón c.1510 – 1566Spanish
Juan Bermudo c.1510c.1565Spanish
Jan Nasco c.1510 – 1561Franco-FlemishActive in northern Italy
Pierre Certon 1510/1520 – 1572French
Pierre de Manchicourt c.1510 – 1564Franco-FlemishActive in Spain
Vincenzo Ruffo c.1510 – 1587Italian
Guillaume Le Heurteur fl.1530–1545French
Sebestyén Tinódi c.1510 – 1556Hungarian
John Merbecke c.1510c.1585EnglishProduced the first musical setting for the English liturgy, publishing The Booke of Common Praier Noted, 1549; surviving works include a Missa Per arma iustitie; almost burnt as a heretic in 1543
Dominique Phinot c.1510c.1556Franco-Flemishactive in Italy and southern France
Jacob Clemens non Papa c.1510/1515c.1555Franco-FlemishAlso known as Jacques Clément
Luigi Dentice c.1510? – 1566Italian
Georg Forster c.1510 – 1568German
Jean Courtois fl.1530–1545Franco-Flemish
David Peebles fl.c.1530–1579Scottish
Jean Maillard c.1510c.1570French
Ghiselin Danckerts c.1510 – after 1565DutchActive in Rome
Nicola Vicentino c.1511 – 1575/1576Italian
Osbert Parsley 1511 – 1585EnglishAlso spelled Parsely; wrote a set of Lamentations for Holy Week
Jean Guyot de Châtelet c.1512 – 1588French
Nicolas Payen c.1512c.1559Franco-FlemishMaestro di capilla for Philip II of Spain after Cornelius Canis
Domenico Ferrabosco 1513 – 1574ItalianMadrigalist; father of Alfonso Ferrabosco
Hubert Naich c.1513c.1546Franco-Flemishactive in Rome
Nicolao Dorati c.1513 – 1593ItalianAlso a trombonist; active at Lucca
Claude Goudimel c.1514/1520 – 1572French
John Sheppard c.1515 – 1559English
Cypriano de Rore c.1515 – 1565Franco-Flemish
Caspar Othmayr 1515 – 1553German
Josquin Baston c.1515c.1576Dutch
Giandomenico Martoretta c.1515 – 1560sItalianCalabrian madrigalist, active in Sicily
Tomás de Santa María c.1515 – 1570Spanish
Giovanni Domenico da Nola c.1515 – 1592Italian
Jheronimus Vinders fl.1525–1526Franco-FlemishActive at Ghent; influenced by Josquin
Gioseffo Zarlino 1517 – 1590Italian
Hubert Waelrant c.1517 – 1595Franco-Flemish
Francesco Viola died 1568ItalianMaestro di cappella at Ferrara after
Francesco Cellavenia fl.1538–1563Italian
Pierre Cadéac fl.1538–1556French
Francisco Leontaritis 1518 – 1572Greek
Thoinot Arbeau 1519 – 1595French
Giulio Fiesco born 1519?, fl.1550–1570ItalianMadrigalist, active at Ferrara
Pierre Clereau fl.1539–1570French
Giovanni Paolo Paladini fl.c.1540–1560Italian
Edward Kyrton fl.1540 to 1550EnglishMiserere for keyboard in a British Museum MS
Hoste da Reggio c.1520 – 1569ItalianMadrigalist, active at Milan and Bergamo
John Black c.1520 – 1587English
António Carreira c.1520 to 1530 – 1597Portuguese
Firmin Lebel early 16th century – 1573FrenchActive in Rome
Wacław z Szamotuł c.1520c.1560Polish
Severin Cornet c.1520 – 1582Franco-Flemish
Adrian Le Roy c.1520 – 1598French
Lambert Courtois c.1520 – after 1583FrenchActive at Cambrai
Didier Lupi Second c.1520 – after 1559French
Sigmund Hemmel c.1520 – 1565German
Francesco Portinaro c.1520 – after 1577ItalianMadrigalist, native of Padua
Vincenzo Galilei c.1520 – 1591ItalianFather of composer Michelagnolo Galilei and astronomer and physicist Galileo Galilei
Thomas Caustun c.1520/1525 – 1569English
Joan Brudieu c.1520 – 1591Spanish
Perissone Cambio c.1520c.1562Franco-Flemish
Giovanni Animuccia c.1520 – 1571Italian
Philippe de Monte 1521 – 1603Franco-FlemishProlific composer of madrigals
Jan Blahoslav 1523 – 1571Czech
Girolamo Parabosco c.1524 – 1577ItalianMinor member of the Venetian School
Simon Boyleau fl.c.1544–after 1586French
Jean de Bonmarché c.1525 – 1570Franco-Flemish
Giovanni Pierluigi da Palestrina c.1525 – 1594Italian [6]
Baldassare Donato 1525/1530 – 1603Italian
Girolamo Cavazzoni c.1525 – after 1577Italian
Claude Gervaise 1525 – 1583French
John Blitheman c.1525 – 1591English
Richard Edwardes 1525 – 1566English
Rodrigo de Ceballos c.1525 – 1581Spanish
Antonino Barges fl.1546–1565Franco-FlemishActive in Italy
Ippolito Ciera fl.1546–1564ItalianMinor madrigalist, active at Treviso; follower of Willaert
Hermann Finck 1527 – 1558German
Annibale Padovano 1527 – 1575Italian
Thomas Whythorne 1528 – 1595English
Francisco Guerrero 1528 – 1599Spanish
Jiří Rychnovský 1529 – 1616Czech
William Mundy 1529 – 1591EnglishFather of John Mundy; his output includes fine examples of both the large-scale Latin votive antiphon and the short English anthem, as well as Masses and Latin psalm settings; his style is vigorous and eloquent; represented in The Mulliner Book and in the Gyffard partbooks
Costanzo Porta c.1529 – 1601Italian
Jacobus Vaet c.1529 – 1567Franco-Flemish
Guillaume Costeley c.1530 – 1606French
Thomas Preston died c.1563EnglishComposed 12 Offertory settings for keyboard, including the popular Felix namque, and an alternatim organ Mass for Easter, containing the only known sequence setting of the time; his keyboard writing is extremely virtuosic for the period
Elias Nikolaus Ammerbach c.1530 – 1597German
Teodora Ginés c.1530 – 1598Cuban
Vicente Lusitano died after 1561, fl.1550Portuguese
Anthoine de Bertrand c.1530/1540c.1581French
Guillaume Boni c.1530 – 1594French
Agostino Agostini died 1569ItalianFather of Lodovico Agostini
Giorgio Mainerio c.1530/1540 – 1582Italian
Fabritio Caroso c.1530 – after 1600Italian
Claude Le Jeune 1530 – 1600French
Simon Bar Jona Madelka c.1530 – 1550-c. 1598Czech
Nicolas de La Grotte 1530 – c.1600French
Cornelis Symonszoon Boscoop before 1531 – 1573Dutch
Jacobus de Kerle 1531/1532 – 1591Franco-Flemish
Hernando Franco 1532 – 1585SpanishActive in Guatemala and Mexico
Orlande de Lassus c.1532 – 1594Franco-Flemish
Andrea Gabrieli 1532/1533 – 1585ItalianUncle of Giovanni Gabrieli
Gianmatteo Asola c.1532 – 1609Italian
Claudio Merulo 1533 – 1604Italian
Simon Moreau fl.1553–1558Franco-Flemish
Francesco Soto de Langa 1534 – 1619Italian
Lodovico Agostini 1534 – 1590ItalianIllegitimate son of Agostino Agostini
Pietro Taglia fl.c.1555–1565ItalianMadrigalist in Milan; follower of Cipriano de Rore
Robert Parsons c.1535 – 1572EnglishLatin music includes antiphons, Credo quod redemptor, Domine quis habitabit, Magnificat and Jam Christus astra; also three responds from the Office of the Dead, songs (including Pandolpho), In nomine settings for ensemble, and a galliard
Ippolito Chamaterò 1535/1540 – after 1592ItalianActive in several cities in northern Italy; composed both sacred and secular music
Marc'Antonio Ingegneri 1535/1536 – 1592ItalianMadrigalist and teacher of Monteverdi; active at Cremona
Pietro Vinci c.1535 – 1584ItalianMadrigalist; founder of the Sicilian school
Rocco Rodio c.1535 – after 1615Italian
Cyprian Bazylik c.1535c.1600Polish
Annibale Stabile c.1535 – 1595Italian
Mikołaj Gomółka c.1535c.1609Polish
Giaches de Wert 1535 – 1596Franco-FlemishActive in Italy
Cesare Negri 1535 – 1605ItalianDance master
Filippo Azzaiolo fl.1557–1569Italian
Annibale Zoilo c.1537 – 1592Italian
Jehan Chardavoine 1537 – 1580French
Paschal de l'Estocart 1538/1539 – after 1584French
Robert White 1538 – 1574English
Stefano Felis c.1538? – 1603Italian
Johannes Matelart before 1538 – 1607Franco-Flemish
Nicolas Millot fl.1559–1590 or laterFrench
Fabrizio Dentice 1539? – 1581Italian
Alessandro Striggio c.1540 – 1592ItalianMusician to the Medici; composer of the colossal 60-voice Missa sopra Ecco sì beato giorno
Stefano Rossetto fl.1560–1580ItalianActive in Italy and Germany
Nicholas Strogers fl.1560–1575EnglishAlso spelled Strowger, Strowgers; three (probably four) keyboard pieces in a Christ Church, Oxford, manuscript, and a Fantasia in the Fitzwilliam Virginal Book (No. 89); an In nomine exists in a Bodleian manuscript
Giovanni Dragoni c.1540 – 1598Italian
Jacob Regnart 1540s – 1599Franco-Flemish
Vincenzo Bellavere c.1540/1541 – 1587Italian
Jhan Gero fl.1540–1555Franco-FlemishActive in Venice, Italy
Marcin Leopolita c.1540c.1584PolishAlso known as Marcin ze Lwowa
William Byrd c.1540 – 1623English
Maddalena Casulana c.1540c.1590Italian
Clement Woodcock 1540 – 1590EnglishAlso spelled Woodcoke, Woodecock; his Browning my dear is one of several pieces of the period based on a popular tune, also known as The leaves be green
Giovanni Ferretti c.1540 – after 1609Italian
Matthäus Waissel c.1540 – 1602German
Francesco Rovigo 1540/1541 – 1597ItalianComposed liturgical music and madrigals; active at Mantua and Graz
Hernando de Cabezón 1541 – 1602Spanish
Andreas Pevernage 1542/3 – 1591Franco-Flemish
Gioseffo Guami 1542 – 1611ItalianAlso known as Gioseffo da Lucca
Giovanni Maria Nanino 1543/1544 – 1607ItalianAlso spelled Nanini; brother of Giovanni Bernardino Nanino
Alfonso Ferrabosco the elder 1543 – 1588ItalianActive in England
Ascanio Trombetti 1544 – 1590Italian
Antonio Valente fl.1565–1580Italian
Jan Rijspoort fl.late 16th centuryFranco-FlemishFlemish composer in the Spanish Netherlands
Anthony Holborne c.1545 – 1602English
Gioseppe Caimo c.1545 – 1584ItalianActive at Milan; madrigalist and organist
John Johnson c.1545 – 1594English
Ginés de Boluda c.1545c.1606Spanish
Jakub Polak c.1545 – 1605PolishAlso known as Jacob Polonais, Jakub Reys, Jacques le Polonois and Jacob de Reis; active in France
Luzzasco Luzzaschi c.1545 – 1607ItalianLate madrigalist at Ferrara
Bernardo Clavijo del Castillo 1545 – 1626SpanishActive in Palermo, Sicily and later in Salamanca; published motets in 1588
Joachim Thibault de Courville died 1581, fl.from c. 1567French
Manuel Mendes c.1547 – 1605Portuguese
Massimo Troiano died after 1570, fl.1567 to 1570Italian
Balduin Hoyoul 1547/8 – 1594Franco-FlemishActive in Stuttgart and Munich
George de La Hèle 1547 – 1586Franco-FlemishActive in the Habsburg chapels of Spain and the Low Countries
Girolamo Dalla Casa died 1601, fl.from 1568Italian
Francesco Soriano c.1548 – 1621Italian
Ginés Pérez de la Parra c.1548 – 1600Spanish
Tomás Luis de Victoria 1548 – 1611Spanish [7]
Giovanni de Macque c.1549 – 1614Franco-FlemishActive in Italy
Eustache Du Caurroy 1549 – 1609French
Fabrice Caietain fl.1570–1578French
Riccardo Rognoni c.1550c.1620Italian
Cesario Gussago c.1550 – 1612Italian
Orazio Vecchi 1550 – 1605Italian
Pomponio Nenna c.1550 – 1613Italian
Ippolito Baccusi c.1550 – 1609Italian
Emilio de' Cavalieri c.1550 – 1602Italian
Francis Cutting 1550 – 1595/1596English
Sebastián Raval c.1550 – 1604Spanish
David Sacerdote 1550 – 1625ItalianEarliest known Jewish composer of polyphonic music, active at Mantua
Giovanni Battista Conforti fl.c.1550–1570Italian
Charles Tessier c.1550 – after 1604FrenchActive in England and Germany
Ambrosio Cotes c.1550 – 1603Spanish
Jan Trojan Turnovský c.1550 – 1606Czech
Vicente Espinel 1550 – 1624Spanish
Tomasz Szadek c.1550 – 1612Polish
Pedro de Cristo c.1550 – 1618Portuguese
Jacobus Gallus 1550 – 1591SlovenianAlso known as Jacob Handl; active in Moravia and Bohemia
Pavel Spongopaeus Jistebnický c.1550 – 1619Czech
Krzysztof Klabon c.1550 – 1616Polish
Benedetto Pallavicino c.1551 – 1601Italian
Giulio Caccini 1551 – 1618ItalianOne of the founders of opera
Sebastián de Vivanco c.1551 – 1622Spanish
Girolamo Conversi fl.c.1572–1575Italian
Girolamo Belli 1552 – c.1620Italian
Leonhard Lechner c.1553 – 1606German
Johannes Eccard 1553 – 1611German
Edmund Hooper c.1553 – 1621EnglishAlso spelled Hoop; contributed to Michael East's psalter and William Leighton's Teares, and wrote some intensely expressive anthems; has two keyboard pieces in the Fitzwilliam Virginal Book
William Inglott c.1553/54 – 1621EnglishAlso spelled Inglott; two keyboard pieces in the Fitzwilliam Virginal Book; there is also an untitled keyboard piece by 'Englitt' in a MS in the British Museum
Luca Marenzio c.1553 – 1599Italian
Girolamo Diruta c.1554 – after 1610Italian
Cosimo Bottegari 1554 – 1620Italian
Rinaldo del Mel c.1554c.1598Franco-FlemishActive in Italy
Giovanni Gabrieli 1554/1557 – 1612ItalianNephew of Andrea Gabrieli
Paolo Bellasio 1554 – 1594Italian
Emmanuel Adriaenssen 1554 – 1604Franco-Flemish
Giovanni Giacomo Gastoldi c.1554 – 1609Italian
Elway Bevin c.1554 – 1638EnglishPossibly Welsh
Alonso Lobo c.1555 – 1617Spanish
Manuel Rodrigues Coelho c.1555c.1635Portuguese
Paolo Quagliati 1555 – 1628Italian
John Mundy c.1555 – 1630EnglishSon of William Mundy; published a volume of Songs and Psalms in 1594, contributed to the Triumphs of Oriana, composed English and Latin sacred music, and is represented with five pieces in the Fitzwilliam Virginal Book; his Goe from my window variations are a particularly fine example of the genre
Johannes Nucius c.1556 – 1620German
Wojciech Długoraj c.1557 – after 1619Polish
Carolus Luython 1557 – 1620Franco-Flemish
Jacques Mauduit 1557 – 1627French
Thomas Morley 1557/1558 – 1603English
Cornelis Schuyt 1557 – 1616Dutch
Giovanni Croce c.1557 – 1609Italian
Alfonso Fontanelli 1557 – 1622Italian
Nathaniel Giles c.1558 – 1634English
Richard Carlton 1558 – 1638English
Scipione Stella 1558/1559 – 1622Italian
Ferdinando Richardson 1558 – 1618EnglishAlso known as Sir Ferdinando Heybourne; there survives a keyboard Pavan and Galliard, each with variation, in the Fitzwilliam Virginal Book
Philippus Schoendorff 1558 – 1617Franco-Flemish
Giovanni Bassano c.1558 – 1617Italian
Leone Leoni c.1560 – 1627ItalianMaestro di cappella at Vicenza
Dario Castello c.1560c.1658Italian
August Nörmiger c.1560 – 1613German
Thomas Robinson 1560 – 1610English
Peter Philips 1560 – 1628EnglishExiled to Flanders
Felice Anerio c.1560 – 1614ItalianBrother of Giovanni Francesco Anerio
Diomedes Cato c.1560 – after 1618Polish-Lithuanian-ItalianWorked all his life in Poland
William Cobbold 1560 – 1639EnglishOrganist at Norwich Cathedral (from 1594 to 1608); a single piece by him exists in Ravenscroft's 1621 collection
Juan Esquivel Barahona c.1560 – after 1625Spanish
William Brade 1560 – 1630EnglishActive in Denmark and Germany
Richard Allison c.1560/1570 – before 1610English
Giovanni Bernardino Nanino 1560 – 1623ItalianBrother of Giovanni Maria Nanino
Scipione Dentice 1560 – 1635Italian
Ruggiero Giovannelli c.1560 – 1625Italian
Hieronymus Praetorius 1560 – 1629German
Carlo Gesualdo 1560 – 1613Italian
Antonio Il Verso c.1560 – 1621Italian
Lodovico Grossi da Viadana 1560 – 1627Italian
Giulio Belli c.1560c.1621Italian
Nicholas Dáll Pierce c.1561 – 1653Irish
Philippe Rogier c.1561 – 1596Franco-FlemishActive in Spain
Jacopo Peri 1561 – 1633Italian
Francesco Usper c.1561 – 1641ItalianAlso known as Spongia
Elias Mertel c.1561 – 1626German
Sebastián Aguilera de Heredia 1561 – 1627Spanish
John Bull 1562 – 1628EnglishExiled to the Netherlands
Jean Titelouze 1562/1563 – 1633French
Jan Pieterszoon Sweelinck 1562 – 1621Franco-Flemish
Andreas Raselius c.1563 – 1602German
Cornelis Verdonck 1563 – 1625Franco-Flemish
John Dowland 1563 – 1626English
Giles Farnaby c.1563 – 1640English
John Milton c.1563 – 1647EnglishFather of the poet John Milton; composed madrigals, one of which was printed in The Triumphs of Oriana, as well as anthems, Psalm settings, a motet, and some consort music including a six-part In nomine
Kryštof Harant z Polžic a Bezdružic 1564 – 1621Czech
Hans Leo Hassler 1564 – 1612German
John Danyel 1564 – after 1625EnglishAlso spelled Danyell; brother of the poet Samuel Daniel (spellings of the names of the two brothers differ)
Giulio Cesare Martinengo 1564 or 1568 – 1613Italian
Simone Molinaro 1565 – 1615Italian
William Leighton c.1565 – 1622English
John Hilton 1565 – 1609EnglishProbably father of John Hilton 'the younger' (1599–1657)
Gregor Aichinger 1565 – 1628German
Michael Cavendish c.1565 – 1628English
John Farmer c.1565 – 1605English
Francis Pilkington c.1565 – 1638EnglishLutenist
Paola Massarenghi born 1565, fl.1585Italian
George Kirbye c.1565 – 1634English
Erasmo Marotta 1565 – 1641Italian
Ascanio Mayone 1565 – 1627Italian
Duarte Lobo c.1565 – 1647Portuguese
Alessandro Piccinini 1566 – 1638Italian
Gaspar Fernandes 1566 – 1629Portuguese
Manuel Cardoso 1566 – 1650Portuguese
Julien Perrichon 1566 – c.1600FrenchAlso a lutenist
Lucia Quinciani born c.1566, fl.1611Italian
Jean-Baptiste Besard 1567 – 1625Burgundian
Nicolas Formé 1567 – 1638French
Christoph Demantius 1567 – 1643German
Lorenzo Allegri 1567 – 1648Italian
Joachim van den Hove c.1567 – 1620Dutch
Girolamo Giacobbi 1567 – 1629Italian
Giovanni Francesco Anerio c.1567 – buried 1630ItalianBrother of Felice Anerio
Claudio Monteverdi 1567 – 1643Italian [8]
Thomas Campion 1567 – 1620EnglishAlso spelled Campian; the only English composer to experiment with musique mesurée, and the first to imitate the Florentine monodists
Christian Erbach 1568 – 1635German
Bartolomeo Barbarino 1568 – 1617 or laterItalian
Adriano Banchieri 1568 – 1634Italian
Joan Baptista Comes 1568 – 1643Spanish
Philip Rosseter c.1568 – 1623English
Tobias Hume c.1569 – 1645EnglishResponsible for the earliest known use of col legno in Western music
William Tisdale born c.1570English
Orazio Bassani before 1570 – 1615Italian
Peeter Cornet 1570/1580 – 1633Franco-Flemish
Joan Pau Pujol 1570 – 1626Spanish
Melchior Borchgrevinck c.1570 – 1632Dutch-Danish
John Cooper c.1570 – 1626English
Salamone Rossi 1570 – 1630Italian
Claudia Sessa c.1570 – between 1613–19Italian
Pierre Guédron 1570 – 1620French
Giovanni Paolo Cima 1570 – 1622Italian
Paul Peuerl 1570 – 1625German
Thomas Bateson c.1570 – 1630English
Giovanni Picchi 1571 – 1643Italian
Thomas Lupo 1571 – 1627EnglishAlso known as Thomas Lupo The Elder; composer of several works, but solid attribution of many works to him or another of his relatives is difficult
John Ward 1571 – 1638English
Michael Praetorius c.1571 – 1621German
Filipe de Magalhães 1571 – 1652Portuguese
Giovanni Battista Fontana 1571 – 1630Italian
Stefano Venturi del Nibbio fl.1592–1600ItalianActive in Florence. Collaborated with Giulio Caccini on the early opera Il rapimento di Cefalo
Edward Johnson 1572 – 1601EnglishContributed to Michael East's psalter and The Triumphs of Oriana and more
Moritz von Hessen-Kassel 1572 – 1632German
Daniel Bacheler 1572 – 1618English
Thomas Tomkins 1572 – 1656English
Johannes Vodnianus Campanus 1572 – 1622Czech
Erasmus Widmann 1572 – 1634German
Robert Ballard French
Martin Peerson 1572 – 1650EnglishMay be the same person as Martin Pearson; four keyboard pieces in the Fitzwilliam Virginal Book; many works also published
Ellis Gibbons 1573 – 1603EnglishBrother of Orlando Gibbons
Cesarina Ricci born c.1573, fl.1597Italian
Géry de Ghersem 1573/1575 – 1630Franco-FlemishActive in Spain and the Netherlands
Truid Aagesen fl.1593–1625Danish
Andreas Hakenberger 1574 – 1627German
John Wilbye 1574 – 1638English
Claudio Pari 1574 – after 1619Franco-FlemishActive in Italy
Francesco Rasi 1574 – 1621Italian
Vittoria Aleotti c.1575 – after 1620ItalianBelieved to be the same person as Raffaella Aleotti (c. 1570 – after 1646)
John Bennet c.1575 – after 1614English
Estêvão de Brito 1575 – 1641Portuguese
Giovanni Maria Trabaci 1575 – 1647Italian
John Coprario c.1575 – 1626English
Daniel Farrant 1575 – 1671English
William Simmes c.1575c.1625English
Estêvão Lopes Morago c.1575c.1630Portuguese
Ennemond Gaultier 1575 – 1651French
Michelagnolo Galilei 1575 – 1631ItalianActive in Bavaria and Poland; son of composer Vincenzo Galilei; brother of astronomer and physicist Galileo Galilei
Giovanni Priuli 1575 – 1626Italian
Ignazio Donati 1575 – 1638Italian
Alfonso Ferrabosco the younger c.1575 – 1628EnglishIllegitimate son of Alfonso Ferrabosco the elder
Thomas Weelkes 1576 – 1623English
John Maynard c.1577 – between 1614–33EnglishPrimarily known from one published work, The XIII Wonders of the World, published in London in 1611; It contains twelve songs, six duets for lute and viol, and seven pieces for lyra viol with optional bass viol
Sulpitia Cesis born 1577, fl.1619Italian
Antonio Brunelli 1577 – 1630Italian
Stefano Bernardi 1577 – 1637Italian
Robert Jones 1577 – 1617EnglishPublished five volumes of simple and melodious lute songs, and one of madrigals
Agostino Agazzari 1578 – 1640Italian
John Amner 1579 – 1641English
Melchior Franck 1579 – 1639German
John Holmes died 1629, fl.from 1599English
Ruaidrí Dáll Ó Catháin c.1580c.1653Irish
Benjamin Cosyn c.1580c.1653EnglishAlso spelled Cosin, Cosens; compiler of the manuscript Cosyn's Virginal Book
Hans Nielsen 1580 – 1626Danish
Cormac Mac Diarmata died 1618Irish
Richard Dering c.1580 – 1630English
Thomas Ford c.1580 – 1648English
Johann Stobäus 1580 – 1646German
Thomas Vautor born c.1580/90EnglishPublished a volume of five- and six-part madrigals in 1619; his best-known piece is Sweet Suffolk Owl
John Lugg 1580 – 1647/1655EnglishThere survive nine plainsong settings, one hexachord, and three voluntaries for double organ in a Christ Church autograph MS, among others
Vincenzo Ugolini 1580 – 1638Italian
Johannes Hieronymus Kapsberger 1580 – 1651German
Adreana Basile c.1580c.1640Italian
Michael East c.1580 – 1648EnglishProbably the son of Thomas East
Caterina Assandra 1580 – after 1618Italian
Henry Youll born c.1580/90EnglishHis Canzonets to Three Voyces, although clearly the work of an amateur, have charm and individuality
Bellerofonte Castaldi 1581 – 1649Italian
Johann Staden 1581 – 1634German
Johannes Jeep 1581/1582 – 1644German
Sigismondo d'India c.1582 – 1629Italian
Gregorio Allegri 1582 – 1652ItalianBrother of Domenico Allegri
Thomas Ravenscroft c.1582c.1633EnglishPublished a book of psalms amongst others
Severo Bonini 1582 – 1663Italian
Giovanni Valentini 1582 – 1649Italian
Marco da Gagliano 1582 – 1643Italian
Thomas Simpson 1582 – c.1628EnglishActive in Denmark
Robert Johnson c.1583 – 1633EnglishActive in England and Scotland
Girolamo Frescobaldi 1583 – 1643Italian
Orlando Gibbons 1583 – 1625English
Johann Daniel Mylius c.1583 – 1642German
Mogens Pedersøn c.1583 – 1623Danish
Paolo Agostino 1583 – 1629Italian
Nicolas Vallet 1583 – 1642Dutch
Antonio Cifra 1584 – 1629Italian
Daniel Friderici 1584 – 1638German
Michael Altenburg 1584 – 1640German
Nicolò Corradini 1585 – 1646Italian
Domenico Allegri 1585 – 1629ItalianBrother of Gregorio Allegri
Francesco Rognoni c.1585 – after 1626Italian
Johann Grabbe 1585 – 1655German
Andrea Falconieri 1585 – 1656Italian
Peter Hasse 1585 – 1640German
Heinrich Schütz 1585 – 1672German
Alessandro Grandi 1586 – 1630Italian
Paul Siefert 1586 – 1666German
Claudio Saracini 1586 – 1630Italian
Johann Hermann Schein 1586 – 1630German
Jacob Praetorius 1586 – 1651German
Antoine Boësset 1586 – 1643French
Stefano Landi 1586 – 1643Italian
Guillaume Bouzignac 1587 – 1643French
John Adson 1587 – 1640English
Samuel Scheidt 1587 – 1654German
Ivan Lukačić 1587 – 1648Croatian
Nicholas Lanier 1588 – 1666English
Johann Andreas Herbst 1588 – 1666French
Walter Porter c.1588 – 1659EnglishMadrigalist; publications include instrumental toccatas, sinfonias and ritornellos as well as vocal pieces
Giovanni Battista Riccio fl.1609-after 1621Italian
Mikołaj Zieleński fl.1611Polish
George Handford fl.c.1609EnglishBook of Ayresin MS bears a dedication to Prince Henry dated 1609, but was never published
John Bartlet fl.1606 to 1610English
Giovanni Battista Grillo died 1622Italian
Marcantonio Negri died 1624Italian
Johannes Thesselius 1590 – 1643German
Manuel Machado 1590 – 1646Portuguese
Hans Brachrogge c.590 – 1638Danish
Robert Ramsey 1590s – 1644EnglishComposed mythological and biblical dialogues, such as Dives and Abraham, Saul and the Witch of Endor, and Orpheus and Pluto
Andreas Chyliński 1590 – after 1635Polish
Adam Jarzębski 1590 – 1648Polish
Johann Schop 1590 – 1667German
Jacob van Eyck 1590 – 1657Dutch
Richard Mico 1590 – 1661EnglishTwo 18th-century arrangements for viols of keyboard pavans in a MS in the British Museum survive
Robert Dowland 1591 – 1641EnglishSon of John Dowland; only three works are definitely ascribed to him: two lute pieces in the 'Varietie of Lute Lessons' and one in the 'Margaret Board Lutebook'
Jacques Gaultier 1592 – 1652French
John Jenkins 1592 – 1678English
Cornelis Thymenszoon Padbrué c.1592 – 1670Dutch
Melchior Schildt 1592/1593 – 1667German
Gottfried Scheidt 1593 – 1661German
Johann Ulrich Steigleder 1593 – 1635German
Henry Lawes 1595 – 1662English
John Wilson 1595 – 1674English
Heinrich Scheidemann 1595 – 1663German
Constantijn Huygens 1596 – 1687Dutch
Mathieu Gascongne fl.1517–1518French
Charles Racquet 1597 – 1664French
Andreas Düben 1597 – 1662Swedish
Johann Crüger 1598 – 1662German
Thomas Selle 1599 – 1663German
John Hilton the younger 1599 – 1657English
Pierre Gaultier 1599 – 1681French
Étienne Moulinié 1599 – 1676French
Adam Václav Michna z Otradovic c.1600 – 1676Czech
Delphin Strungk 1600/1601 – 1694German
Richard Nicholson died 1639EnglishComposed English and Latin church music, and consort songs, in humorous rather than melancholy vein, and contributed to The Triumphs of Oriana
Simon Ives 1600 – 1662English
Manuel Correia 1600 – 1653Portuguese
Christopher Simpson 1602/1606 – 1669English
William Lawes 1602 – 1645English
John IV of Portugal 1603 – 1656Portuguese
Thomas Greaves fl.1604English
William Child 1606 – 1697English
Juan Arañés died 1649Spanish
William Corkine fl.1610–1617English
William Young 1610 – 1662English
Bartłomiej Pękiel fl.1633 – c. 1670Polish
George Jeffreys 1610 – 1685English
Mlle Bocquet early 17th century – after 1660French

Related Research Articles

<span class="mw-page-title-main">Wagner tuba</span> Brass instrument related to tubas and French horns

The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle Der Ring des Nibelungen, where its purpose was to bridge the acoustical and textural gap between the French horn and trombone.

<i>Ars nova</i> Musical style of the Late Middle Ages

Ars nova refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance, the term "Italian ars nova" is sometimes used to denote the music of Francesco Landini and his compatriots, although Trecento music is the more common term for the contemporary 14th-century music in Italy. The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today. Musicologist Johannes Wolf first applied to the term as description of an entire era in 1904.

Gustave Reese was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications Music in the Middle Ages (1940) and Music in the Renaissance (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source.

Abū Isḥāq Ibrāhīm al-Mawṣilī was an Arab musician of Persian origin who was among the greatest composers of the early Abbasid period. After Arab and Persian musical training in Ray, he was called to the Abbasid capital of Baghdad where he served under three successive Abbasid caliphs: Al-Mahdi, Al-Hadi and Harun al-Rashid. He became particularly close with the latter and emerged as the leading musician of his time. He championed the conservative school of Arab music against progressives such as Ibn Jami. His son and student Ishaq al-Mawsili would succeed him as the leader of the conservative tradition and his other pupils included the musicians Mukhariq, Zalzal and Ziryab. He appears in numerous stories of One Thousand and One Nights.

<span class="mw-page-title-main">Baude Cordier</span> French composer (fl. early 15th century)

Baude Cordier was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.

James William McKinnon was an American musicologist most known for his work in the fields of Western plainchant, medieval and renaissance music, Latin liturgy and musical iconography.

Manṣūr Zalzal al-Ḍārib or simply Zalzal, was an Iranian musician during the early Abbasid period. The renowned musician Ishaq al-Mawsili was his student; he declared Zalzal to be the most outstanding lutenist of his time.

Claude Victor Palisca was an American musicologist. An internationally recognized authority on early music, especially opera of the Renaissance and Baroque periods, he was the Henry L. and Lucy G. Moses Professor Emeritus of Music at Yale University. Palisca is best known for co-writing the standard textbook A History of Western Music, as well as for his substantial body of work on the history of music theory in the Renaissance, reflected in his editorship of the Yale Music Theory in Translation series and in the book Humanism in Italian Renaissance Musical Thought (1985). In particular, he was the leading expert on the Florentine Camerata. His 1968 book Baroque Music in the Prentice-Hall history of music series ran to three editions.

Carl Michael Alfred Steinberg was an American music critic and author who specialized in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the New Grove Dictionary of Music and Musicians, wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings.

<span class="mw-page-title-main">Noël Goodwin</span> English arts critic and author (born 1927–2013)

Trevor Noël Goodwin was an English music critic, dance critic and author who specialized in classical music and ballet. Described as having a "rare ability to write about music and dance with equal distinction", for 22 years Goodwin was Chief music and dance critic for the Daily Express. He held criticism posts at many English newspapers, including the News Chronicle, Truth and The Manchester Guardian among others; from 1978 to 1998 he also reviewed performances for The Times. Goodwin wrote an early history of the Scottish Ballet and was coauthor for two books: London Symphony: Portrait of an Orchestra with Hubert J. Foss and a Knight at the Opera with Geraint Evans.

Jacob J. Sawyer (1856–1885) was an American composer, pianist, songwriter, and conductor. His Welcome to the Era March (1877) was included in James Monroe Trotter's Music and Some Highly Musical People (1878).

Josquin Dor was a Franco-Flemish singer and composer of Renaissance music.

Thomas James Mathiesen is an American musicologist, whose research focuses on Ancient music and the music theory of ancient and early periods. A leading scholar of the music of Ancient Greece, Mathiesen has written four monographs and numerous articles on the topic.

References

Citations

  1. Planchart, Alejandro Enrique (2004) [2001]. "Du Fay [Dufay; Du Fayt], Guillaume" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.08268. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  2. Perkins, Leeman L. (2009) [2001]. "Ockeghem [Okeghem, Hocquegam, Okegus etc.], Jean de" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.20248. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  3. Higgins, Paula (2001). "Busnoys [Busnois, Bunoys, de Busnes], Antoine" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.04437. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  4. Woodley, Ronald (2010) [2001]. "Tinctoris, Johannes" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.27990. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  5. Macey, Patrick; Noble, Jeremy; Dean, Jeffrey; Reese, Gustave (2011) [2001]. "Josquin (Lebloitte dit) des Prez" . Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.14497. ISBN   978-1-56159-263-0 . Retrieved 17 January 2022.(subscription or UK public library membership required)
  6. Lockwood, Lewis; O'Regan, Noel; Owens, Jessie Ann (2001). "Palestrina [Prenestino, etc.], Giovanni Pierluigi da" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.20749. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  7. Stevenson, Robert (2001). "Victoria, Tomás Luis de" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.29298. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)
  8. Carter, Tim; Chew, Geoffrey (2001). "Monteverdi [Monteverde], Claudio" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.44352. ISBN   978-1-56159-263-0 . Retrieved 9 July 2023.(subscription or UK public library membership required)

Sources