Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Raymond Quevedo, better known as Atilla the Hun, was a calypsonian from Trinidad. He began singing in 1911 and was at his most prominent in the 1930s and 1940s. He was one of the pioneers in spreading awareness of calypso beyond its birthplace in Trinidad and Tobago. Together with the Roaring Lion he brought calypso to the United States for the first time in 1934. One of his popular calypsos was "FDR in Trinidad", commemorating U.S. President Franklin Delano Roosevelt's 1936 trip to Trinidad.
Frederick Wilmoth Hendricks, best known as Wilmoth Houdini, was a prominent calypsonian.
Lord Invader was a prominent calypsonian with a very distinctive, gravelly voice.
Aldwyn Roberts HBM DA, better known by the stage name Lord Kitchener, was a Trinidadian calypsonian. He has been described as "the grand master of calypso" and "the greatest calypsonian of the post-war age".
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
The Growler was a Trinidadian calypsonian. Growler recorded 36 record sides (78-rpm) during the 1930s and 1940s, making him among the most prolific recording artists in the golden age of calypso, with only Roaring Lion, Growling Tiger, King Radio, Attila the Hun and Wilmoth Houdini exceeding his output during this period. Lord Kitchener, one of the most important figures in the later development of calypso, acknowledged Growler as one of his influences.
Neville Marcano, known as the Growling Tiger, was a Trinidadian calypsonian.
Hollis Urban Lester Liverpool, better known as Chalkdust or Chalkie, is a leading calypsonian from Trinidad and Tobago. He has been singing calypso since 1967 and has recorded more than 300 calypsos.
George Browne, better known as the Young Tiger, was a Trinidadian calypso musician.
The Calypso Monarch contest is one of the two major annual calypso competitions held in Trinidad and all English speaking Caribbean islands, as part of the annual carnival celebrations.
Trinidadian and Tobagonian British people are citizens or residents of the United Kingdom whose ethnic origins lie fully or partially in Trinidad and Tobago.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Rufus Callender (1910–1976), better known as Lord Caresser, was a Trinidadian calypsonian. He is best known for his 1937 recording of "Edward the VIII", a calypso about the 1936 Abdication of Edward VIII of England. This was one of the best-selling records in the golden age of calypso of the 1930s and early 1940s, and generated further hits for Jamaican singer Lord Flea and American singer Harry Belafonte when they covered it in the 1950s.
Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".
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