List of fictional Scots

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Disbanded by John Pettie was used to illustrate the 1893 edition of Waverley by Sir Walter Scott. The novel is set in the Jacobite uprising of 1745 and the picture shows a returning Highland warrior. Disbanded.jpg
Disbanded by John Pettie was used to illustrate the 1893 edition of Waverley by Sir Walter Scott. The novel is set in the Jacobite uprising of 1745 and the picture shows a returning Highland warrior.

This is a list of Scottish characters from fiction.

Contents

Authors of romantic fiction have been influential in creating the popular image of Scots as kilted Highlanders, noted for their military prowess, bagpipes, rustic kailyard and doomed Jacobitism. Sir Walter Scott's Waverley novels were especially influential as they were widely read and highly praised in the 19th century. The author organised the pageantry for the visit of King George IV to Scotland which started the vogue for tartanry and Victorian Balmoralism which did much to create the modern Scottish national identity. [2] [3]

Fictional Scottish characters

Real and apocryphal Scots who have been extensively fictionalised or mythologised

The Execution of Mary Stuart was the first movie to use a special effect. (click ▶ to play)

See also

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<span class="mw-page-title-main">William McIlvanney</span> Scottish novelist, short story writer, and poet (1936-2015)

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<span class="mw-page-title-main">Alasdair Gray</span> Scottish writer and artist (1934–2019)

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<span class="mw-page-title-main">Annie S. Swan</span> Scottish journalist and fiction writer, 1859–1943

Annie Shepherd Swan, CBE was a Scottish journalist and fiction writer. She wrote mainly in her maiden name, but also as David Lyall and later Mrs Burnett Smith. A writer of romantic fiction for women, she had over 200 novels, serials, stories and other fiction published between 1878 and her death. She has been called "one of the most commercially successful popular novelists of the later nineteenth and early twentieth centuries". Swan was politically active in the First World War, and as a suffragist, a Liberal activist and founder-member and vice-president of the Scottish National Party.

<span class="mw-page-title-main">Novel in Scotland</span> Aspect of literature in Scotland

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<span class="mw-page-title-main">Literature in modern Scotland</span>

Literature in modern Scotland is literature written in Scotland, or by Scottish writers, since the beginning of the twentieth century. It includes literature written in English, Scottish Gaelic and Scots in forms including poetry, novels, drama and the short story.

<span class="mw-page-title-main">Scots-language literature</span>

Scots-language literature is literature, including poetry, prose and drama, written in the Scots language in its many forms and derivatives. Middle Scots became the dominant language of Scotland in the late Middle Ages. The first surviving major text in Scots literature is John Barbour's Brus (1375). Some ballads may date back to the thirteenth century, but were not recorded until the eighteenth century. In the early fifteenth century Scots historical works included Andrew of Wyntoun's verse Orygynale Cronykil of Scotland and Blind Harry's The Wallace. Much Middle Scots literature was produced by makars, poets with links to the royal court, which included James I, who wrote the extended poem The Kingis Quair. Writers such as William Dunbar, Robert Henryson, Walter Kennedy and Gavin Douglas have been seen as creating a golden age in Scottish poetry. In the late fifteenth century, Scots prose also began to develop as a genre. The first complete surviving work is John Ireland's The Meroure of Wyssdome (1490). There were also prose translations of French books of chivalry that survive from the 1450s. The landmark work in the reign of James IV was Gavin Douglas's version of Virgil's Aeneid.

Robina Forrester Hardy, known professionally as Robina F. Hardy, was a Scottish Victorian author, poet and Christian missionary.

George Blake (1893–1961) was a Scottish journalist, literary editor and novelist. His The Shipbuilders (1935) is considered a significant and influential effort to write about the Scottish industrial working class. "At a time when the idea of myth was current in the Scottish literary world and other writers were forging theirs out of the facts and spirit of rural life, Blake took the iron and grease and the pride of the skilled worker to create one for industrial Scotland." As a literary critic, he wrote a noted work against the Kailyard school of Scottish fiction; and is taken to have formulated a broad-based thesis as cultural critic of the "kailyard" representing the "same ongoing movement in Scottish culture" that leads to "a cheapening, evasive, stereotyped view of Scottish life." He was well known as a BBC radio broadcaster by the 1930s.

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