Malian literature

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Malian literature is the literature of the modern country of Mali.

Contents

Early Malian literature

The ruler of the Songhai Empire at the time, Askia the Great was a patron of literature. According to the 16th-century Moroccan explorer Leo Africanus, writing in 1510 CE,

In Timbuktu there are numerous judges, doctors and clerics, all receiving good salaries from the king. He pays great respect to men of learning. There is a big demand for books in manuscript, imported from Barbary (North Africa). More profit is made from the book trade than from any other line of business.

Modern Malian literature

Though Mali's literature is less famous than its music, [1] Mali has always been one of Africa's liveliest intellectual centers. [2] Mali's literary tradition is largely oral, with jalis reciting or singing histories and stories from scared texts. [2] [3] Amadou Hampâté Bâ, Mali's best-known historian, spent much of his life recording the oral traditions of his own Fula teachers, as well as those of Bambara and other Mande neighbors. [3]

The best-known novel by a Malian writer is Yambo Ouologuem's Le devoir de violence, which won the 1968 Prix Renaudot but whose legacy was marred by accusations of plagiarism. It is a dark history of a loosely disguised Bambara Empire, focused on slavery, injustice and suffering. [2] [3]

Massa Makan Diabaté, a descendant of griots, is known in the Francophone world for his work on The Epic of Sundiata as well as his "Kouta trilogy," a series of realist novels loosely based on contemporary life in his hometown of Kita. A griot is a traditional story-teller. Other well-known Malian writers include Modibo Sounkalo Keita, Maryse Condé (a native of the French Antilles, has made a career writing about the Bamabara people from whom she descends), Moussa Konaté, and Fily Dabo Sissoko. [2] [3]

Ousmane Sembène, a Wolof Senegalese novelist, set half of his novel God's Bits of Wood in Bamako.

See also

Related Research Articles

Bambara, also known as Bamana or Bamanankan (ߓߡߊߣߊ߲ߞߊ߲), is a lingua franca and national language of Mali spoken by perhaps 15 million people, natively by 5 million Bambara people and about 10 million second-language users. It is estimated that about 80 percent of the population of Mali speak Bambara as a first or second language. It has a subject–object–verb clause structure and two lexical tones.

<span class="mw-page-title-main">Mali</span> Country in West Africa

Mali, officially the Republic of Mali, is a landlocked country in West Africa. Mali is the eighth-largest country in Africa, with an area of over 1,240,000 square kilometres (480,000 sq mi). The population of Mali is 21.9 million. 67% of its population was estimated to be under the age of 25 in 2017. Its capital and largest city is Bamako. The sovereign state of Mali consists of eight regions and its borders on the north reach deep into the middle of the Sahara Desert. The country's southern part is in the Sudanian savanna, where the majority of inhabitants live, and both the Niger and Senegal rivers pass through. The country's economy centres on agriculture and mining. One of Mali's most prominent natural resources is gold, and the country is the third largest producer of gold on the African continent. It also exports salt.

<span class="mw-page-title-main">Balafon</span> Type of wooden xylophone originating in Mali

The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name bala with the word fôn 'to speak' or the Greek root phono.

<span class="mw-page-title-main">Music of Mali</span> Aspect of Mali culture

The Music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates; that of the ancient Mali Empire of the Mandinka. Mande people make up 50% of the country's population, other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%) and another 5%, including Europeans. Mali is divided into eight regions; Gao, Kayes, Koulikoro, Mopti, Ségou, Sikasso, Tombouctou and Bamako.

<span class="mw-page-title-main">Griot</span> Storyteller, singer, or musician of oral tradition in West Africa

A griot is a West African historian, storyteller, praise singer, poet, or musician. The griot is a repository of oral tradition and is often seen as a leader due to their position as an advisor to royal personages. As a result of the former of these two functions, they are sometimes called bards.

<span class="mw-page-title-main">Mandinka people</span> West African ethnic group

The Mandinka are a West African ethnolinguistic people present mainly in Mali, Guinea, Senegal, Gambia, Ivory coast, Ghana and Guinea-Bissau. The Mandinka are also present to a lesser extent in Sierra Leone and far north of Liberia, where they are very much in the minority. In terms of population, the Mandinka are estimated to number over 11 million. Etymologically speaking the term “Mandinka” or “Manding” is a deformation of the word mandenka, that is to say "inhabitant of Manden”, the historic centre of the Mali Empire. The term Malinké of Fulani origin is synonymous with Manding. The Mandinka or Manding are in several sub-groups as to which the Malinke gave birth to the Bambara, Dioula, Diakhanke and the Malinke themselves who constitute towards the Mandinka people. The Mandinka who speak Manding Languages are the largest subgroup of the Mande speaking peoples, which is one of the largest language groups in Africa. Over 99% of the Mandinka adhere to Islam. Their largest urban centre is Bamako, the capital of Mali.

Sundiata Keita was a prince and founder of the Mali Empire. He is also the great-uncle of the Malian ruler Mansa Musa, known for being the wealthiest person of all time.

<span class="mw-page-title-main">Ségou</span> Commune and town in Ségou, Mali

Ségou is a town and an urban commune in south-central Mali that lies 235 kilometres (146 mi) northeast of Bamako on the right bank of the River Niger. The town is the capital of the Ségou Cercle and the Ségou Region. With 130,690 inhabitants in 2009, it is the fifth-largest town in Mali.

The Mandé peoples are ethnic groups who are speakers of Mande languages. Various Mandé speaking ethnic groups are found particularly toward the west of West Africa. The Mandé Speaking languages are divided into two primary groups: East Mandé and West Mandé.

<span class="mw-page-title-main">Massa Makan Diabaté</span> Malian historian, author, and playwright

Massa Makan Diabaté was a Malian historian, author, and playwright.

<span class="mw-page-title-main">Soninke people</span> West African ethnic group

The Soninke people are a West African Mande-speaking ethnic group found in Mali, Fouta Djallon, southern Mauritania, eastern Senegal, Guinea and The Gambia. They speak the Soninke language, also called the Serakhulle or Azer language, which is one of the Mande languages. Soninke people were the founders of the ancient empire of Ghana or Wagadou c. 300–1240 CE, Subgroups of Soninke include the Maraka and Wangara. When the Ghana empire was destroyed, the resulting diaspora brought Soninkes to Mali, Mauritania, Senegal, Gambia, Burkina Faso, Côte d'Ivoire, Guinée-Conakry, modern-day Republic of Ghana, and Guinea-Bissau where some of this trading diaspora was called Wangara.

Sunjata [] is an epic poem of the Malinke people that tells the story of the hero Sundiata Keita, the founder of the Mali Empire. The epic is an instance of oral tradition, going back to the 13th century and narrated by generations of griot poets or jeliw (djeli). There is no single or authoritative version. Material pertaining to the epic first began to be collected during the early 20th century in French Sudan, notably by the French elite school École William Ponty, resulting in the "modern" version of the tale as considered standard today, as published in "novelistic" form in French translation by Djibril Tamsir Niane in 1960.

<span class="mw-page-title-main">Yambo Ouologuem</span> Malian writer (1940–2017)

Yambo Ouologuem was a Malian writer. His first novel, Le devoir de violence, won the Prix Renaudot. He later published Lettre à la France nègre (1969), and Les mille et une bibles du sexe (1969) under the pseudonym Utto Rodolph. Le devoir de violence was initially well-received, but critics later charged that Ouologuem had plagiarized passages from Graham Greene and other established authors. Ouologuem turned away from the Western press as a result of the matter, and remained reclusive for the rest of his life.

<span class="mw-page-title-main">Habib Koité</span> Musical artist

Habib Koité is a Malian musician, singer, songwriter and griot based in Mali. His band, Bamada, was a supergroup of West African musicians, which included Kélétigui Diabaté on balafon.

<span class="mw-page-title-main">Culture of Mali</span>

The culture of Mali derives from the shared experience, as a colonial and post-colonial polity, and the interaction of the numerous cultures which make up the Malian people. What is today the nation of Mali was united first in the medieval period as the Mali Empire. While the current state does not include areas in the southwest, and is expanded far to the east and northeast, the dominant roles of the Mandé people is shared by the modern Mali, and the empire from which its name originates from?

<span class="mw-page-title-main">Football in Mali</span>

In Mali, football is played widely and followed avidly, football is the most popular sport in Mali. Large professional clubs and international competition draw much popular attention, and the sport is played as a pastime.

<span class="mw-page-title-main">Senegalese literature</span>

Senegalese literature is written or literary work which has been produced by writers born in the West African state. Senegalese literary works are mostly written in French, the language of the colonial administration. However, there are many instances of works being written in Arabic and the native languages of Wolof, Pulaar, Mandinka, Diola, Soninke and Serer. Oral traditions, in the form of Griot storytellers, constitute a historical element of the Senegalese canon and have persisted as cultural custodians throughout the nation’s history. A form of proto-Senegalese literature arose during the mid 19th century with the works of David Abbé Boilat, who produced written ethnographic literature which supported French Colonial rule. This genre of Senegalese literature continued to expand during the 1920s with the works of Bakary Diallo and Ahmadou Mapaté Diagne. Earlier literary examples exist in the form of Qur’anic texts which led to the growth of a form African linguistic expressionism using the Arabic alphabet, known as Ajami. Poets of this genre include Ahmad Ayan Sih and Dhu al-nun.

<span class="mw-page-title-main">Cheick Hamala Diabaté</span> Malian musician

Cheick Hamala Diabate is a musician from Mali, West Africa, who has been nominated for a Grammy award. Using Adelphi, Maryland, as his home he travels all over the United States, Canada, Europe, and Asia. He has performed at the Kennedy Center, the United States Senate, and the Smithsonian Institution. Cheick Hamala was born into a griot family in Kita, Mali. From a young age, he learned to play the ngoni, a stringed instrument related to the American banjo. In addition, Cheick has learned the history of Mali passed down for over 800 years. Cheick has performed internationally.

<span class="mw-page-title-main">Oral history in modern Mali</span>

Circa 1230s-1600s, the MaliEmpire was created in Western Africa along the Niger River. Often associated with being founded by Sunjata Keita, the history of Mali is extremely based on oral history. The story of the founder of Mali, Sunjata Keita, is largely based on oral history. Oral history may be defined as the preservation and interpretation of historical, cultural or personal experiences by way of a speaker. In Mali, such a speaker can be described as a poet, a storyteller, a praise singer or a musician. A large amount of Mali's history is transferred via oral historians. Such oral historians in Mali are known as griots, Jalis, and Jelis. The origins of oral history in Mali may be traced back to the story of Sunjata Keita. Modern-day oral history in Mali has transformed from the history based griots to a more contemporary musical and negotiator based griots. The current state of oral history in Mali has travelled to other realms like popular culture and politics.

Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.

References

  1. Velton, p29.
  2. 1 2 3 4 Milet & Manaud, p128.
  3. 1 2 3 4 Velton, p28.