The Tuareg people are a large Berber ethnic group that principally inhabit the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina Faso. Traditionally nomadic pastoralists, small groups of Tuareg are also found in northern Nigeria.
Matador Records is an independent record label, with a roster of mainly indie rock, but also punk rock, experimental rock, alternative rock, and electronic acts.
Spoon is an American rock band from Austin, Texas, consisting of members Britt Daniel, Jim Eno (drums), Alex Fischel, Gerardo Larios and Ben Trokan. The band was formed in Austin in October 1993 by Daniel and Eno. Critics have described the band's musical style as rock and roll, post-punk, and art rock.
The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.
Tinariwen is a collective of Tuareg musicians from the Sahara region of northern Mali. Considered pioneers of desert blues, the group's guitar-driven style combines traditional Tuareg and African music with Western rock music. They have released nine albums since their formation and have toured internationally.
Agadez, formerly spelled Agadès, is the fifth largest city in Niger, with a population of 110,497 based on the 2012 census. The capital of Agadez Region, it lies in the Sahara desert, and is also the capital of Aïr, one of the traditional Tuareg–Berber federations. The historic centre of the town has been designated a World Heritage Site by UNESCO.
Amassakoul is a 2004 album by the Tuareg band Tinariwen. In a review of the album, Chris Nickson of AllMusic stated, "This is angry and passionate; it's dangerous music in the very best sense. Western bands might have forgotten how to rock as if their lives depended on it; Tinariwen can teach them." Jon Lusk of the BBC noted, "you'll be happy to discover that this music has a similar power to transport you to the heats of the Sahara." In a review of the album, PopMatters concluded that "this is a band whose music is not only mesmerizing but is destined to find wide appeal to many listeners of all ages."
The Cinema of Niger began in the 1940s with the ethnographical documentary of French director Jean Rouch, before growing to become one of the most active national film cultures in Francophone Africa in the 1960s-70s with the work of filmmakers such as Oumarou Ganda, Moustapha Alassane and Gatta Abdourahamne. The industry has slowed somewhat since the 1980s, though films continue to be made in the country, with notable directors of recent decades including Mahamane Bakabe, Inoussa Ousseini, Mariama Hima, Moustapha Diop and Rahmatou Keïta. Unlike neighbouring Nigeria, with its thriving Hausa and English-language film industries, most Nigerien films are made in French with Francophone countries as their major market, whilst action and light entertainment films from Nigeria or dubbed western films fill most Nigerien theatres.
Tishoumaren or assouf, internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. Various other terms are used to describe it including desert rock, Saharan rock, Takamba, Mali blues, Tuareg rock or simply "guitar music". The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali, Niger, Libya, Western Sahara, Algeria, Burkina Faso and others.
Omara "Bombino" Moctar is a Tuareg singer-songwriter and guitarist from Niger. His music is sung in Tamasheq and often addresses Tuareg geopolitical concerns. Bombino is the subject of the documentary film Agadez, the Music and the Rebellion.
Parquet Courts is an American rock band from New York City. The band consists of Andrew Savage, Austin Brown, Sean Yeaton, and Max Savage (drums).
Les Filles de Illighadad are a Tuareg band founded by Fatou Seidi Ghali in Illighadad, a village in the Sahara Desert in Niger. Ghali, it is claimed, is the first Tuareg woman to play guitar professionally.
Sahel Sounds is an American record label, based in Portland, Oregon which specializes in music from the southern part of the Sahara desert.
Ahmed Ag Kaedy is a Malian guitarist, singer and songwriter. He is the leader of the group Amanar de Kidal. Originally from Kidal, he is a member of the nomadic Tuareg people, whose distinct style of rhythm and use of the guitar is often referred to as Tishoumaren, or desert blues. He is one of the main characters in the 2016 documentary Mali Blues.
Akounak Tedalat Taha Tazoughai,, is a 2015 Niger drama musical film directed by Christopher Kirkley and co–produced by Sahel Sounds, L'Improbable and Tenere Films. It is the world's first Tuareg-language fiction film. The film is based on the real life incidents of famous musician Mdou Moctar.
Abdallah Oumbadougou was a guitarist from Niger. He was one of the founders of the ishumar genre of the desert blues, a politicized, guitar-driven musical genre of the Kel Tamasheq people of North Africa's Sahel.
Afrique Victime is the sixth album by Tuareg musician Mdou Moctar. It was released on 21 May 2021 as the artist's first album with Matador Records and received positive reviews from international publications including Rolling Stone, Paste, Pitchfork, and The Guardian. The album is sung almost entirely in Tamasheq, though parts are in French.
Music from Saharan Cellphones is a compilation album released by Sahel Sounds of different songs by various musicians from Western and Sub-Saharan Africa.
Funeral for Justice is a 2024 studio album by Nigerien desert blues band Mdou Moctar, released on Matador Records. It has received positive reviews from critics and was supported by a concert tour. The album explores cultural and political themes, including the impact of foreign interference in Nigerien affairs and the replacement of indigenous languages with colonial ones.
Ilana (The Creator) is a 2019 studio album by Nigerien desert blues band Mdou Moctar. The album was the first where the guitarist Mdou Moctar converted his solo musical project into a full band and has received positive reviews by critics.
