Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
Gershwin's World is a studio album by the American jazz pianist Herbie Hancock.
The Michael Nyman Band, formerly known as the Campiello Band, is a group formed as a street band for a 1976 production of Carlo Goldoni's 1756 play, Il Campiello directed by Bill Bryden at the Old Vic. The band did not wish to break up after the production ended, so its director, Michael Nyman, began composing music for the group to perform, beginning with "In Re Don Giovanni", written in 1977. Originally made up of old instruments such as rebecs, sackbuts and shawms alongside more modern instruments like the banjo and saxophone to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, double bass, clarinet, three saxophones, horn, trumpet, bass trombone, bass guitar, and piano. This lineup has been variously altered and augmented for some works.
À la folie is a 1994 French drama film by Diane Kurys with music by Michael Nyman. It entered the competition at the 51st Venice International Film Festival.
The Michael Nyman Songbook is a collection of art songs by Michael Nyman based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare and Arthur Rimbaud. It was recorded as an album with Ute Lemper in 1991, and again as a concert film in 1992, under the direction of Volker Schlöndorff, again with Ute Lemper, though many of the musicians had changed. The songs have been recorded by others and as instrumentals, and are published by Chester Music. The album has been issued by both London Records and Argo Records, though the covers are the same except for the logo.
Love Counts is a 2005 opera in two acts by Michael Nyman to a libretto by Michael Hastings.
The Essential Michael Nyman Band is a studio album featuring a collection of music by Michael Nyman written for the films of Peter Greenaway and newly performed by the Michael Nyman Band. It is the seventeenth album release by Nyman. The album features liner notes by Annette Morreau, who describes the album as "a summation and digest of ten years of progress in the performance of music by a composer -- a composer with whom, so evidently, a group of friends and expert musicians intimately identify their total commitment, virtuosity, and joyous enthusiasm."
After Extra Time is a 1996 album by Michael Nyman with the Michael Nyman Band containing three tributes to Nyman's fandom of Association football: After Extra Time, the soundtrack to The Final Score, and Memorial. The latter is described as a remix, but is simply the 1992 recording from The Essential Michael Nyman Band. It was included in order to put it together with his two other football-inspired works. The album lists only three tracks, which has caused it to be erroneously reported that Memorial is track 3 and the others are all hidden tracks, but Memorial is track 26. Therefore, a track listing, as the individual portions of the pieces are not named, is not useful. The three pieces were recorded at separate times and thus have separate personnel lists.
The Suit and the Photograph is a 1998 album by Michael Nyman with the Michael Nyman Band, recorded in 1995. On this album, Nyman is the composer, conductor, and producer, and wrote the liner notes. The album contains two works, String Quartet No. 4 and 3 Quartets. The album is named for its cover photograph by August Sander, which Nyman had associated with the Michael Nyman Band since its inception in 1977. He cites a description of the photograph by John Berger, in an essay of the same title, describing that the suits deform the working class rural men just enough to "undermine physical dignity." Both of the pieces on the album originated in Japan. It is Nyman's second release on EMI and his 33rd in general, but is not designated part of a series, as EMI had done with Concertos. Said Nyman of EMI, "I didn't excite them, and they didn't excite me." Nyman's only further releases on EMI would be the UK edition of Ravenous, featuring remixes by William Orbit, and The Actors, both film scores.
The Composer's Cut Series Vol. I: The Draughtsman's Contract is the 51st album by Michael Nyman, recorded in 2005 with the Michael Nyman Band and released in 2006. It is the first in an unprecedented series in which Nyman began rerecording some of his film music independently of the needs of film production, and the culmination and refinement of 23 years of performances of the work since the recording of the original 1982 recording of The Draughtsman's Contract.
Mozart 252 is a 2008 album by Michael Nyman with the Michael Nyman Band, Hilary Summers, and Andrew Slater, celebrating the 250th anniversary of Wolfgang Amadeus Mozart's birth. Although "Revisiting the Don," one of only two newly written works on the album, was commissioned and performed in 2006, the album's title is a joke on its lateness as an album, released 252 years after Mozart's birth. The album also includes "In Re Don Giovanni," Nyman's first composition for the band, which is based on the first fifteen bars of "Madamina, il catalogo è questo" from Don Giovanni, six selections from Peter Greenaway's film, Drowning by Numbers, in which he was instructed to base the music on the slow movement of Mozart's Sinfonia Concertante K. 364, and two duets and an aria from Nyman's television opera, Letters, Riddles and Writs, in this recording featuring bass Andrew Slater as Leopold Mozart and contralto Hilary Summers as Wolfgang.
The Cook The Thief His Wife & Her Lover is the twelfth album release by Michael Nyman and the ninth to feature the Michael Nyman Band. It is the soundtrack to the eponymous film by Peter Greenaway. The album includes the first commercially released recording of Memorial, and this is the only piece discussed in the liner notes, to the point that the lyric sheet for "Miserere", the song which Pup the kitchen boy sings, is misidentified "Memorial." "Book Depository" is one of Nyman's many waltzes.
The Piano Concerto/MGV is the 23rd album by Michael Nyman, released in 1994. It contains two compositions, The Piano Concerto and MGV. The first is performed by Kathryn Stott and the Royal Liverpool Philharmonic Orchestra conducted by Michael Nyman, and the second is performed by the Michael Nyman Band and Orchestra with Michael Nyman at the piano.
The Composer's Cut Series Vol. III: The Piano is the third in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, Jane Campion's The Piano, and his 53rd release overall. The collection is more streamlined and has fewer tracks than the soundtrack album, starting and ending with the popular "The Heart Asks Pleasure First."
Six Celan Songs • The Ballad of Kastriot Rexhepi is the 54th album released by Michael Nyman, who composed and conducted both the works on the album. The first, a setting of poetry by Paul Celan, was originally recorded by Ute Lemper and the Michael Nyman Band on The Michael Nyman Songbook in 1991, and here the band is joined by Hilary Summers. The Ballad of Kastriot Rexhepi is a new work created with the artist Mary Kelly. This is performed by the soprano Sarah Leonard with The Nyman Quartet: Gabrielle Lester, Catherine Thompson, Kate Musker and Tony Hinnigan.
Sangam: Michael Nyman Meets Indian Masters is the 46th album by Michael Nyman. It is a collaboration with musicians from India including U. Shrinivas and the Misra Brothers. It was released in 2003 and quickly cut out by its U.S. distributor. It was the last non-soundtrack Michael Nyman album to be released on any but his own label, MN Records, founded shortly thereafter. MN Records reissued the album in 2012.
24 Heures de la vie d'une femme is a 2002 film by Laurent Bouhnik, based on the 1927 novel 24 Stunden aus dem Leben einer Frau by Stefan Zweig. The music is by Michael Nyman, and the accompanying soundtrack album is his 45th.
The Composer's Cut Series Vol. II: Nyman/Greenaway Revisited is the second in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, films of Peter Greenaway, and his 52nd release overall. The album is similar to The Essential Michael Nyman Band, although a number of tracks are on only one album or the other. In spite of being recorded in 1992, with the same lineup, Memorial is not the same performance as the one that appears on The Essential Michael Nyman Band or After Extra Time, which was recorded in Tokyo. This performance was recorded in London and is slightly less aggressively performed.
Wonderland is the 38th album release by British composer Michael Nyman and the soundtrack to the 1999 film Wonderland. It is the first of many collaborations of Nyman with director Michael Winterbottom. For Winterbottom, Nyman would later perform excerpts of this score in 9 Songs, provide a score for The Claim, and arrangements and re-used tracks for A Cock and Bull Story. Nyman's daughter, Molly, has continued the family working relationship with Winterbottom, scoring The Road to Guantanamo with Harry Escott.
La Sept is a 1989 promotional album of music for the French TV network La Sept written by Michael Nyman and performed by the Michael Nyman Band. It is Nyman's fourteenth release. Gabrielle Lester makes her debut with the band on this album. After a 13-year hiatus with the band, she would replace the departing Alexander Balanescu as concertmaster for The Michael Nyman Band during the recording of Facing Goya, and, as of 2008, remains in that position. Musical passages created for La Sept were later re-used for the piece The Final Score which is featured in the album After Extra Time.
