Movie gimmick

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A movie gimmick is an unusual idea intended to enhance the viewing experience of a film, and thus increase box office sales. Many of these have been used for just a few films, proving unpopular with either audiences or cinema owners. Smell-o-vision, which involved releasing relevant odors during the film, only appeared in the film Scent of Mystery as audiences did not enjoy the experience. Sensurround, a method for enhancing sound pioneered for the 1974 film Earthquake , was abandoned as it sometimes resulted in damage to movie theatres. [1] Other 'gimmicks' have gradually become more common in cinema, as technology has improved. Examples include 3-D film and the use of split screen, which was originally achieved through the use of dual projectors in cinemas.

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William Castle

Horror film director William Castle had a particular reputation for gimmicks, being termed 'King of the Gimmicks' by John Waters. [2] For the 1959 film The Tingler , which concerns a creature growing at the base of the spine that can only be killed by screaming, some cinemas installed vibrating devices in the seats which were activated at random during one of the film's scenes, with a voice encouraging the audience to "Scream - scream for your lives." [3] For the 1960 film 13 Ghosts , the onscreen ghosts could either be seen or hidden by the viewer through the use of different coloured cellophane. [4]

Table of gimmick films

3-D and widescreen films have been omitted. For 3-D films, see List of 3D films pre-2005 and List of 3D films. For widescreen films, see Early widescreen feature filmography, Fox Grandeur, CinemaScope, VistaVision, Cinerama, Todd-AO, and IMAX.

FilmYearGimmick
Napoleon 1927 Polyvision triptych
Macabre 1958$1,000 life insurance policies given to audience members against "death by fright"
My World Dies Screaming (Terror In the Haunted House)1958 Psychorama subliminal images
Behind the Great Wall1959 AromaRama
A Date With Death1959Psychorama subliminal images
Horrors of the Black Museum 1959HypnoVista prologue
House on Haunted Hill 1959"Emergo" flying skeleton
The Tingler 1959Percepto! seat vibrators
13 Ghosts 1960Illusion-o cellophane filters
The Hypnotic Eye 1960HypnoMagic audience participation
Psycho 1960"No late admissions" policy
Scent of Mystery 1960Smell-o-vision
Homicidal 1961"Fright break" prior to climax and "Coward's Corner" money-back guarantee
Mr. Sardonicus 1961"Punishment poll": audience vote for alternate ending
Witchcraft 1964"Witch deflector": small badge to grip during moments of terror
I Saw What You Did 1965advertised an audience seat belt "shock section"
Chelsea Girls 1966Two-projector split screen
Mark of the Devil 1970"Rated V for Violence", sick bags distributed to audience
Wicked, Wicked 1973Duo-Vision split-screen
Earthquake 1974Sensurround
Midway 1976Sensurround
Snuff 1976marketed as an actual snuff film
Rollercoaster 1977Sensurround
Battlestar Galactica (Saga of a Star World) 1978Sensurround
Polyester 1981Odorama scratch and sniff cards
Basket Case 1982"free surgical masks - to keep the blood off your face"
Clue 1985One of three endings would be shown depending on the theater it was screened in.
I'm Your Man 1992At various points in the film, audiences were given 10 seconds to vote on three different outcomes using joysticks mounted on their seat's armrests. The winning outcome would be the one shown.
Mr. Payback: An Interactive Movie 1995
Ride For Your Life1998
Rugrats Go Wild 2003Odorama scratch and sniff cards
Fast & Furious 2009 D-Box Technologies' motorized, vibrating seats
Kurt Josef Wagle og legenden om Fjordheksa2010scratch and sniff cards
Spy Kids: All the Time in the World 2011Aroma-Scope scratch and sniff cards
100 Years 2115Postponed release date reflects the 100 years it takes for a bottle of Louis XIII Cognac to be produced.

See also

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References

  1. 'Top 10 Movie Gimmicks Archived 2011-09-29 at the Wayback Machine ', Time .
  2. John Waters, "Whatever Happened To Showmanship?", American Film, December 1983.
  3. John Waters, Crackpot (1983), p. 17.
  4. Waters, Crackpot, p. 18.