| Oscar Peterson Plays Count Basie | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1956 | |||
| Recorded | December 27, 1955 | |||
| Genre | Jazz | |||
| Length | 44:45 | |||
| Label | Clef | |||
| Producer | Norman Granz | |||
| Oscar Peterson chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   |
Oscar Peterson Plays Count Basie is a 1956 album by Oscar Peterson, of music associated with Count Basie. [2]
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra.
Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the genre was commonly known as "jazz".
Lester Willis Young, nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Jonathan David Samuel Jones was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Jimmy Dorsey & his Orchestra, Arthur Tracy, Eddy Duchin, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Big Joe Turner, Lester Young, Dean Martin, Gene Ammons, The Skyliners, Legion of Mary, Guy Mitchell, and Harry James.
Irving Conrad Ashby was an American jazz guitarist.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
Night Rider is a 1978 album by Oscar Peterson and Count Basie.
Satch and Josh...Again is a 1977 album by Oscar Peterson and Count Basie.
Count Basie Meets Oscar Peterson – The Timekeepers is a 1978 album by Oscar Peterson and Count Basie.
Satch and Josh is a 1974 album by Oscar Peterson and Count Basie.
Yessir, That's My Baby is a 1978 album by Oscar Peterson and Count Basie.
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
John Heard is a bass player and artist. He has worked with Pharoah Sanders, playing on his Heart is a Melody album, George Duke playing on the Jean-Luc Ponty Experience with the George Duke Trio album and Oscar Petersons The London Concert album. he also played on the Night Rider by Oscar Peterson and Count Basie.
Count Basie Story is a double album by pianist, composer and bandleader Count Basie featuring tracks originally performed by his orchestra in the 1930s and 1940s rerecorded in 1960 as a celebration of its 25th anniversary and first released on the Roulette label. Selections from the 2-LP set were also released as Roulette's The Best of Basie in 1962 and The Best of Basie Vol. 2 in 1964. The album was rereleased with bonus tracks in 2004 to commemorate Basie's 100th birthday.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
The Swinging Count! is an album by jazz pianist Count Basie in small group sessions recorded in 1952 and released in 1956 on the Clef label. Selections from this album were released on the 1954 Clef LP Basie Jazz.
Pres and Sweets is an album by American jazz saxophonist Lester Young and trumpeter Harry Edison recorded in 1955 and originally released on the Norgran label.