Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Louie Bellson, often seen in sources as Louis Bellson, although he himself preferred the spelling Louie, was an American jazz drummer. He was a composer, arranger, bandleader, and jazz educator, and is credited with pioneering the use of two bass drums.
Charles James Shavers was an American jazz trumpeter who played with Dizzy Gillespie, Nat King Cole, Roy Eldridge, Johnny Dodds, Jimmie Noone, Sidney Bechet, Midge Williams, Tommy Dorsey, and Billie Holiday. He was also an arranger and composer, and one of his compositions, "Undecided", is a jazz standard.
Porgy and Bess is a studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, released on Verve Records in 1959. The third and final of the pair's albums for the label, it is a suite of selections from the George Gershwin opera Porgy and Bess. Orchestral arrangements are by Russell Garcia, who had previously arranged the 1956 jazz vocal recording The Complete Porgy and Bess.
Whisper Not is a 1966 studio album by American jazz singer Ella Fitzgerald, with the Marty Paich Orchestra. She had previously recorded with Marty Paich and his more familiar Dek-tette on the 1957 album Ella Swings Lightly.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
These are the Blues is a 1963 studio album by the American jazz singer Ella Fitzgerald featuring trumpeter Roy Eldridge and organist Wild Bill Davis. Sleeve artwork was painted by David Stone Martin. This is Fitzgerald's only example of recording an entire album of blues songs.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Ella Fitzgerald Sings the Jerome Kern Song Book is a 1963 studio album by the American jazz singer Ella Fitzgerald accompanied by an orchestra arranged and conducted by Nelson Riddle. The album focuses on the songs of the composer Jerome Kern.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
The Complete Ella Fitzgerald & Louis Armstrong on Verve is a compilation album released on Verve Records in 1997. It comprises three compact discs containing the three studio albums made for the label by Ella Fitzgerald and Louis Armstrong, released during 1956 through 1958.
Soul on Top is the 28th studio album by American musician James Brown. The album was released in April 1970, by King. Brown and saxophonist Maceo Parker worked with arranger/conductor Oliver Nelson to record a big band, funk and jazz vocal album. It was recorded with Louie Bellson and his 18-piece jazz orchestra at United Western Recorders in Hollywood, California in November 1969, and features jazz standards, show tunes, and middle of the road hits, as well as a new arrangement of Brown's funk hit "Papa's Got a Brand New Bag".
Louis Armstrong Meets Oscar Peterson is a 1959 studio album by Louis Armstrong, accompanied by Oscar Peterson.
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels-Henning Ørsted Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
Trumpet Kings at Montreux '75 is a 1975 live album featuring the jazz trumpeters Roy Eldridge, Dizzy Gillespie and Clark Terry recorded at the 1975 Montreux Jazz Festival. The rhythm section is led by Oscar Peterson.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.
