Palace Theatre, London

Last updated

Palace Theatre
Royal English Opera House
Palace Theatre of Varieties
Palace Theatre - London.jpg
The Palace Theatre
Open street map central london.svg
Red pog.svg
Palace Theatre
Location within Central London
Address Shaftesbury Avenue
London, W1
United Kingdom
Coordinates 51°30′47″N00°07′47″W / 51.51306°N 0.12972°W / 51.51306; -0.12972
Public transit Underground no-text.svg Leicester Square
Owner Nimax Theatres
Designation Grade II*
Type West End theatre
Capacity 1,400 (4 levels)
Production Harry Potter and the Cursed Child
Construction
OpenedJanuary 1891;133 years ago (1891-01)
Rebuilt1892 (conversion by Walter Emden)
Architect Thomas Edward Collcutt
Website
Palace Theatre official website

The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400.

Contents

Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the Royal English Opera House in January 1891 with a lavish production of Arthur Sullivan's opera Ivanhoe . Although this ran for 160 performances, followed briefly by André Messager's La Basoche , Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the Palace Theatre of Varieties, managed successfully first by Sir Augustus Harris and then by Charles Morton. In 1897, the theatre began to screen films as part of its programme of entertainment. In 1904, Alfred Butt became manager and continued to combine variety entertainment, including dancing girls, with films. Herman Finck was musical director at the theatre from 1900 until 1920.

In 1925, the musical comedy No, No, Nanette opened at the Palace Theatre, followed by other musicals, for which the theatre became known. The Marx Brothers appeared at the theatre in 1931, performing selections from their Broadway shows. The Sound of Music ran for 2,385 performances at the theatre, opening in 1961. Jesus Christ Superstar ran from 1972 to 1980, and Les Misérables played at the theatre for nineteen years, beginning in 1985. In 1983, Andrew Lloyd Webber purchased the theatre and by 1991 had refurbished it. Monty Python's Spamalot played there from 2006 until January 2009, and Priscilla Queen of the Desert opened in March 2009 and closed in December 2011. Between February 2012 and June 2013, the Palace hosted a production of Singin' in the Rain .

From June 2016, the play Harry Potter and the Cursed Child ran at the theatre until performances were suspended in March 2020 owing to the COVID-19 pandemic. The play returned to the stage on 14 October 2021, after a 19-month break.

History

Early years

Ivanhoe programme cover from the theatre's first night Ivanhoe premiere - Arthur Sullivan.jpg
Ivanhoe programme cover from the theatre's first night

Commissioned by impresario Richard D'Oyly Carte in the late 1880s, the theatre was designed by Thomas Edward Collcutt. Carte intended it to be the home of English grand opera, much as his Savoy Theatre had been built as a home for English light opera, beginning with the Gilbert and Sullivan series. The foundation stone, laid by his wife Helen in 1888, can still be seen on the façade of the theatre, almost at ground level to the right of the entrance. The theatre's design was considered to be novel. The upper levels are supported by heavy steel cantilevers built into the back walls, removing the need for supporting pillars that impede the view of the stage. The tiers, corridors, staircases, landings are all constructed of concrete to reduce the risk and damage that might be done by fire. [1]

The theatre opened as the Royal English Opera House in January 1891 with Arthur Sullivan's Ivanhoe . No expense was spared to make the production a success, including a double cast and "every imaginable effect of scenic splendour". [2] It ran for 160 performances, but when Ivanhoe finally closed in July, Carte had no new work to replace it, and the opera house had to close. One opera is not enough to sustain an opera house venture. It was, as the critic Herman Klein observed, "the strangest comingling of success and failure ever chronicled in the history of British lyric enterprise!" [3] Sir Henry Wood, who had been répétiteur for the production, recalled in his autobiography that "[if] Carte had had a repertory of six operas instead of only one, I believe he would have established English opera in London for all time. Towards the end of the run of Ivanhoe I was already preparing the Flying Dutchman with Eugène Oudin in the name part. He would have been superb. However, plans were altered and the Dutchman was shelved." [4]

The theatre re-opened in November 1891, with André Messager's La Basoche (with David Bispham in his first London stage performance) at first alternating in repertory with Ivanhoe, and then La Basoche alone, closing in January 1892. Carte had no other works ready, and so he leased the theatre to Sarah Bernhardt for a season, and after months of negotiation he sold the opera house at a loss to the new Palace Theatre Company, headed by Sir Augustus Harris. [5] The architect Walter Emden converted the opera house into a grand and ornate music hall, which was renamed the Palace Theatre of Varieties. [6] Harris's opening programme included a lavish and highly praised ballet, with music by Gaston Serpette; [5] [7] he engaged some of the best variety turns then available, [7] before handing over the day-to-day running of the theatre to Charles Morton, known as the "Father of the Music Halls", whose biographers record:

Eschewing the heavier kind of variety and theatrical fare ... the new manager found means to present programmes of extraordinary diversity. In addition to engaging many of the leading variety stars ... he also secured many a distinguished singer who had hitherto confined his, or her, services to the concert platform. In due course, Morton added to the Palace programme a series of very beautiful and very striking tableaux vivants, which became the talk of London. [7]

Denied permission by the London County Council to construct a promenade, which was a popular feature of adult entertainment at the Empire and Alhambra theatres, [n 1] the Palace countered with its tableaux vivants, which featured apparently nude women (though patrons were reassured that they were actually wearing flesh toned body stockings). [9] In March 1897, the theatre began to screen films from the American Biograph Company as part of its programme of entertainment. These films pioneered the 70 mm format which helped give an exceptionally large and clear image filling the proscenium arch. The performances included early newsreels from around the world, many of them made by film pioneer William Kennedy Laurie Dickson, including film of the Boer War (1900). The Palace continued to show films as part of its variety and musical programmes. [10]

20th century

In 1904, Morton was succeeded as manager by his deputy, Alfred Butt. Butt introduced many innovations, including dancers such as Maud Allan, who created something of a sensation with her Vision of Salome, [11] and Anna Pavlova, and the elegant pianist-singer Margaret Cooper. [12] Oliver G Pike premièred his first film, In Birdland, at the theatre in August 1907. This was the first British wildlife film to be screened to a paying audience. [13] On 26 February 1909, the general public first saw Kinemacolor in a programme of 21 short films shown at the theatre. [14]

The name of the theatre was finally changed to The Palace Theatre in 1911. Herman Finck was musical director from 1900 until 1920, [15] and made many recordings with the theatre's orchestra. The theatre was famous not only for its orchestra, but also for the beautiful Palace Girls, for whom Finck composed many dances. In 1911, the Palace Girls performed a song and dance number, which was originally called Tonight but became very popular as a romantic instrumental piece In The Shadows. In 1912, the theatre hosted the first Royal Variety Performance in Britain, commanded by King George V, and produced by Butt. [16] During the First World War, the theatre presented revues, and Maurice Chevalier became known to British audiences. After the war, the theatre was used mostly for films for a few years. [17]

On 11 March 1925, the musical comedy No, No, Nanette opened at the Palace Theatre starring Binnie Hale and George Grossmith Jr. The run of 665 performances made it the third longest-running West End musical of the 1920s. Princess Charming ran for 362 performances beginning in 1926. The Palace Theatre was also the venue for Rodgers and Hart's The Girl Friend (1927) and Fred Astaire's final stage musical Gay Divorce (1933). The Marx Brothers appeared at the theatre in 1931, performing selections from their Broadway shows. [18] The theatre was twice threatened with demolition in the early 1930s; offers of £400,000 and £450,000 were made for the site: one offer was from an American chain which proposed to build a department store on the site, but the directors, led by C. B. Cochran refused to sell. [19]

In 1939–1940, Cicely Courtneidge and Jack Hulbert appeared at the Palace in Under Your Hat, a comedy spy story co-written by Hulbert, with music and lyrics by Vivian Ellis, which ran for 512 performances. [20] [21] Later musical theatre works that played with success at the theatre included Song of Norway (1946, 525 performances), [21] King's Rhapsody (1949, 841 performances), [22] Where's Charley? (1958, 380 performances), [23] and Flower Drum Song (1960) [24] among others. [25] The Entertainer , starring Laurence Olivier, transferred to the theatre from the Royal Court Theatre in 1957. [25] In the 1960s, The Sound of Music ran for 2,386 performances, from 1961, [26] and Cabaret followed in 1968 (336 performances). [27] The Danny La Rue revue Danny at the Palace (1970) ran for 811 performances. [27] The theatre was Grade II*listed by English Heritage in June 1960. [28]

Les Miserables played at the Palace Theatre from 1985 to 2004 PalaceTheatre.jpg
Les Misérables played at the Palace Theatre from 1985 to 2004

Two exceptional runs took place at the Palace during the last decades of the 20th century: Jesus Christ Superstar (3,358 performances from 1972 to 1980) and Les Misérables , which played at the theatre for nineteen years after moving from the Barbican Centre on 4 December 1985. The production moved to the Queen's Theatre in April 2004 to continue its record-setting run. In between, Song and Dance played from 1982 to 1984. In 1983, Andrew Lloyd Webber purchased the theatre for £1.3 million and began a series of renovations to the auditorium. He restored the theatre's facade, later commenting: "I removed the huge neon sign that defaced the glorious terracotta exterior, much to the chagrin of West End producers who told me I had removed the greatest theatre advertising sight in London." [29]

21st century

Singin' in the Rain at the Palace Theatre, London Palace Theatre, London 20130324 163.jpg
Singin' in the Rain at the Palace Theatre, London

After Les Misérables left the theatre in 2004, Lloyd Webber refurbished and restored the auditorium and front of the house, removing the paint that covered the onyx and Italian marble. [29] Lloyd Webber premiered his musical The Woman in White at the Palace later in 2004, which ran for 19 months. Monty Python's Spamalot opened in 2006 and ran until 2009. It was replaced by Priscilla Queen of the Desert , which played through 2011, and Singin' in the Rain played from 2012 to 2013. [30] In 2012, it was one of the 40 theatres featured in the DVD documentary series Great West End Theatres , presented by Donald Sinden. [31] In April 2012, Lloyd Webber's Really Useful Group sold the building to Nimax Theatres (Nica Burns and Max Weitzenhoffer). Nimax purchased the Apollo, Duchess, Garrick and Lyric Theatres from Really Useful in 2005. [29] The next show was The Commitments from 2013 to 2015. [32]

Harry Potter and the Cursed Child , a two-part play written by Jack Thorne based on an original story by Thorne, J. K. Rowling and John Tiffany, [33] began previews at the theatre on 7 June 2016, [34] Both parts opened officially on 30 July. [35] The production was suspended in March 2020 due to the COVID-19 pandemic. [36] 14 October 2021 marked the reopening night for the play, after a 19-month break. [37]

In the 1977 Doctor Who serial The Talons of Weng-Chiang , the villain Li H'sen Chang masquerades as magician and ventriloquist performing at the Palace Theatre when the Doctor brings Leela there to discover the customs of her Victorian ancestors. [38] In the 2004 novel Full Dark House, by Christopher Fowler, a series of gruesome murders take place in the Palace during the London Blitz amid a production of Orpheus in the Underworld . [39]

Nearby tube stations

Notes, references and sources

Notes

  1. The Oxford English Dictionary defines such a promenade as "An area without seats at a theatre or concert venue; specifically a gallery at a music hall, commonly thought to be frequented by prostitutes and their clients". [8]

Related Research Articles

<span class="mw-page-title-main">Arthur Sullivan</span> British composer (1842–1900)

Sir Arthur Seymour Sullivan was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".

<span class="mw-page-title-main">Richard D'Oyly Carte</span> English theatre manager and producer (1844–1901)

Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day.

<span class="mw-page-title-main">Savoy Theatre</span> Theatre in London

The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Palace. Its intended purpose was to showcase the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas.

<span class="mw-page-title-main">Opera Comique</span> 19th-century theatre in London

The Opera Comique was a 19th-century theatre constructed in Westminster, London, located between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway.

<i>The Gondoliers</i> 1889 comic opera by Gilbert & Sullivan

The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances, closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan.

<span class="mw-page-title-main">Shaftesbury Theatre</span> Theatre in London, England

The Shaftesbury Theatre is a West End theatre, located in Shaftesbury Avenue, in the London Borough of Camden. It opened in 1911 as the New Prince's Theatre, with a capacity of 2,500. The current capacity is 1,416. The title "Shaftesbury Theatre" belonged to another theatre lower down the avenue between 1888 and 1941. The Prince's adopted the name in 1963.

<span class="mw-page-title-main">Augustus Harris</span> British actor and impresario (1852–1896)

Sir Augustus Henry Glossop Harris was a British actor, impresario, and dramatist, a dominant figure in the West End theatre of the 1880s and 1890s.

<span class="mw-page-title-main">D'Oyly Carte Opera Company</span> British theatre company

The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera.

<i>Ivanhoe</i> (opera)

Ivanhoe is a romantic opera in three acts based on the 1819 novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, a record for a grand opera. Later that year it was performed six more times, making a total of 161 performances. It was toured by Carl Rosa Opera Company in 1894–1895 but has rarely been performed since. The first complete, fully professional recording was released in 2010 on the Chandos Records label.

<span class="mw-page-title-main">Leonora Braham</span> English singer and actress (1853–1931)

Leonora Braham was an English opera singer and actress primarily known as the creator of principal soprano roles in the Gilbert and Sullivan comic operas.

<span class="mw-page-title-main">Princess Theatre (Melbourne)</span> Theatre in Melbourne, Victoria, Australia

The Princess Theatre, originally Princess's Theatre, is a 1452-seat theatre in Melbourne, Victoria, Australia. Established in 1854 and rebuilt in 1886 to a design by noted Melbourne architect William Pitt, it is the oldest surviving entertainment site on mainland Australia. Built in an elaborate Second Empire style, it reflects the opulence of the "Marvellous Melbourne" boom period, and had a number of innovative features, including state of the art electric stage lighting and the world's first sliding ceiling, which was rolled back on warm nights to give the effect of an open-air theatre.

<span class="mw-page-title-main">Bridget D'Oyly Carte</span> British opera company manager and hotel owner

Dame Bridget D'Oyly Carte DBE was head of the D'Oyly Carte Opera Company from 1948 until 1982. She was the granddaughter of the impresario Richard D'Oyly Carte and the only daughter of Rupert D'Oyly Carte.

<span class="mw-page-title-main">François Cellier</span> English conductor and composer

François Arsène Cellier, often called Frank, was an English conductor and composer. He is known for his tenure as musical director and conductor of the D'Oyly Carte Opera Company during the original runs and early revivals of the Savoy operas.

<span class="mw-page-title-main">John Le Hay</span> English singer and actor (1854–1926)

John Le Hay was the stage name of John Mackway Healy, an English singer and actor known for his portrayal of the comic baritone roles in the Savoy Operas. He also appeared in non-musical plays, adaptations of French comic operas and opérettes, and in Edwardian musical comedy, usually in comic roles, though sometimes in more serious character parts. As a skilled ventriloquist he appeared before royalty, and periodically he presented his own one-man entertainment during his half-century long stage career.

<span class="mw-page-title-main">Geoffrey Toye</span> English conductor, composer and opera producer

Edward Geoffrey Toye, known as Geoffrey Toye, was an English conductor, composer and opera producer.

<span class="mw-page-title-main">Globe Theatre (Newcastle Street)</span>

The Globe was a Victorian theatre built in 1868 and demolished in 1902. It was the third of five London theatres to bear the name, following Shakespeare’s Bankside house, which closed in 1642, and the former Rotunda Theatre in Blackfriars Road, which for a few years from 1833 was renamed the Globe. The new theatre was also known at various times as the Royal Globe Theatre or Globe Theatre Royal. Its repertoire consisted mainly of comedies and musical shows.

<span class="mw-page-title-main">Charles Kenningham</span> English opera singer and actor

Charles Kenningham was an English opera singer and actor best remembered for his roles in the 1890s with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Novelty Theatre</span>

The Novelty Theatre was a London theatre. It opened in 1882 in Great Queen Street and was accessed off Little Queen Street until 1905, and from the new Kingsway road from 1905 onwards. It hosted the London premiere of A Doll's House in 1889. The theatre closed in 1941 and was demolished in 1959.

<span class="mw-page-title-main">Sylvia Cecil</span> Singer and actress

Sylvia Cecil was an English singer and actress. She began her career in the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company, with whom she performed, off and on, from 1918 until 1937. She also performed in musical theatre, concerts, music hall and variety from 1921, and broadcast on radio. In the 1940s and 1950s she starred in several musicals by Ivor Novello and Noël Coward.

<i>La Basoche</i>

La Basoche is an opéra comique in three acts, with music by André Messager and words by Albert Carré. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the Basoche, is mistaken for King Louis XII of France.

References

  1. Arthurlloyd.co.uk feature on the theatre Archived 13 October 2006 at the Wayback Machine , p. 5. Retrieved 18 October 2011
  2. Pearson, p. 88
  3. Hermann Klein's 1903 description of Ivanhoe Archived 6 October 2014 at the Wayback Machine , Gilbert and Sullivan Archive, 3 October 2003. Retrieved 12 April 2012
  4. Wood, p. 43
  5. 1 2 "Palace Theatre", The Times, 12 December 1892, p. 7
  6. "Palace Theatre of Varieties", The Morning Post , 10 December 1892, p. 3
  7. 1 2 3 Morton and Newton, p. 181
  8. "promenade, n.", OED Online, Oxford University Press, March 2020. Retrieved 11 May 2020)
  9. Weightman, pp. 94–95
  10. "Features: Victorian 'Cinemas'". British Film Institute. 1996. Retrieved 11 April 2012.
  11. Mander and Mitchenson, p. 124
  12. Palace Theatre, ArthurLloyd.co.uk. Retrieved 18 October 2011
  13. "In Birdland (1907)". WildFilmHistory. Retrieved 25 September 2010.
  14. McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925. University of Exeter Press. ISBN   978-0859892964.
  15. Palace Theatre Feature Archived 13 October 2006 at the Wayback Machine
  16. "Page about the Royal Command Performance". Archived from the original on 7 September 2008. Retrieved 8 January 2008.
  17. Ellacott, Vivyan. "Palace Theatre, Cambridge Circus", London Theatres Encyclopaedia, Over the Footlights: A History. Retrieved 18 June 2014
  18. Bader, p. 447
  19. "An Offer of Purchase", The Times, 27 May 1930, p. 12
  20. Pepys-Whiteley, D. "Courtneidge, Dame (Esmerelda) Cicely (1893–1980)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, January 2011. Retrieved 8 August 2011 (subscription required)
  21. 1 2 Herbert, p. 1282
  22. Herbert, p. 1281
  23. Gaye, p. 1540
  24. Gaye, p. 1531
  25. 1 2 Mander and Mitchenson, p. 125
  26. Herbert, p. 1280
  27. 1 2 Herbert, p. 1313
  28. "Details for IoE Listing 208945". historicengland.org.uk. Retrieved 11 April 2012.
  29. 1 2 3 Andrew Gans (11 April 2012). "Andrew Lloyd Webber Sells London's Palace Theatre". Playbill. Playbill.com. Archived from the original on 14 April 2012. Retrieved 11 April 2012.
  30. "Singing in the Rain Extends Booking through February 2013". Palace Theatre. Retrieved 12 July 2012.
  31. Fisher, Philip. "Great West End Theatres", British Theatre Guide, 19 February 2012
  32. "The Commitments to close in November", Whatsonstage.com, 21 May 2015
  33. "Harry Potter and the Cursed Child". Harry Potter The Play. harrypottertheplaylondon.com. 2016. Retrieved 26 July 2016.
  34. "'Harry Potter and the Cursed Child' Begins Previews in London, as Magic Continues". The New York Times. 7 June 2016. Retrieved 29 June 2016.
  35. "How to get tickets to Harry Potter and the Cursed Child". whatsonstage.com. 23 October 2015. Retrieved 23 October 2015.
  36. Lefkowitz, Andy. "All Theaters in London's West End to Close Due to COVID-19", Broadway.com, 16 March 2020
  37. "Harry Potter and the Cursed Child". Twitter. 14 October 2021. Retrieved 16 October 2021.
  38. Mento, Charles. "The Talons of Weng-Chiang". Doctor Who Reference Guide. Retrieved 30 August 2008.
  39. Girvan, Ray. "Full Dark House", JSBookReader, 4 May 2012

Sources