Patrick deWitt | |
---|---|
Born | 1975 (age 47–48) Sidney, British Columbia |
Occupation | Writer |
Citizenship |
|
Period | 2000s-present |
Notable works | The Sisters Brothers (2011) French Exit (2018) |
Children | 1 |
Patrick deWitt (born 1975) is a Canadian novelist and screenwriter. Born on Vancouver Island, deWitt lives in Portland, Oregon and has acquired American citizenship. As of 2023, he has written five novels: Ablutions (2009), The Sisters Brothers (2011), Undermajordomo Minor (2015), French Exit (2018) and The Librarianist (2023).
DeWitt was born on Vancouver Island at Sidney, British Columbia. [1] The second of three brothers, he spent his childhood moving back and forth across the west coast of North America. He credits his father, a carpenter, with giving him his "lifelong interest in literature." [2] DeWitt dropped out of high school to become a writer. [3] [4] He moved to Los Angeles, working at a bar. [5] He left Los Angeles to move back in with his parents in the Seattle area, [6] on Bainbridge Island. [2] When he sold his first book Ablutions (2009), deWitt quit his job as a construction worker to become a writer, and moved to Portland, Oregon. [6]
Although born a Canadian citizen, deWitt was raised primarily in Southern California, and later became a United States citizen. [7] He married screenwriter Leslie Napoles, [8] an American, [9] with whom he has a son named Gustavo. [10] He is separated from his wife, but they are amicable and share the care of their son. [2]
His first book, Ablutions: Notes for a Novel (2009), was named a New York Times Editors' Choice book. His second, The Sisters Brothers (2011), was shortlisted for the 2011 Man Booker Prize, the 2011 Scotiabank Giller Prize, [11] the Rogers Writers' Trust Fiction Prize, [12] and the 2011 Governor General's Award for English-language fiction. [13] He was one of two Canadian writers, alongside Esi Edugyan, to make all four award lists in 2011. [11] On November 1, 2011, he was announced as the winner of the Rogers Prize, [14] and on November 15, 2011, he was announced as the winner of Canada's 2011 Governor General's Award for English-language fiction. [15] On April 26, 2012, the novel won the 2012 Stephen Leacock Award. Alongside Edugyan, The Sisters Brothers was also a shortlisted nominee for the 2012 Walter Scott Prize for historical fiction. [16] The Sisters Brothers was adapted as a film of the same name released in 2018.
His third novel, Undermajordomo Minor , was published in 2015. [17] The novel was longlisted for the 2015 Scotiabank Giller Prize. [18]
His fourth novel, French Exit , was published in August 2018 by Ecco Press, an imprint of HarperCollins. [19] [20] The book was named as a shortlisted finalist for the 2018 Giller Prize. [21] He wrote the screenplay for the 2020 film of the same name. [22]
DeWitt's most recent novel, The Librarianist , was published on July 4, 2023, by Ecco Press. It follows a retired librarian named Bob Comet and is billed as a "wide-ranging and ambitious document of the introvert's condition." [23]
The Giller Prize, is a literary award given to a Canadian author of a novel or short story collection published in English the previous year, after an annual juried competition between publishers who submit entries. The prize was established in 1994 by Toronto businessman Jack Rabinovitch in honour of his late wife Doris Giller, a former literary editor at the Toronto Star, and is awarded in November of each year along with a cash reward with the winner being presented by the previous year's winning author.
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The Sisters Brothers is a 2011 Western novel by Canadian-born author Patrick deWitt. The darkly comic story takes place in Oregon and California in 1851. The narrator, Eli Sisters, and his brother Charlie are assassins tasked with killing Hermann Kermit Warm, an ingenious prospector who has been accused of stealing from the Sisters' fearsome boss, the Commodore. Eli and Charlie experience a series of misadventures while tracking down Warm which resemble the narrative form of a picaresque novel, and the chapters are, according to one review, "slightly sketched-in, dangerously close to a film treatment."
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