Julia Kristeva is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and novelist who has lived in France since the mid-1960s. She has taught at Columbia University, and is now a professor emerita at Université Paris Cité. The author of more than 30 books, including Powers of Horror, Tales of Love, Black Sun: Depression and Melancholia, Proust and the Sense of Time, and the trilogy Female Genius, she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.
Post-structuralism is a philosophical movement that questions the objectivity or stability of the various interpretive structures that are posited by structuralism and considers them to be constituted by broader systems of power. Although post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media within pre-established, socially constructed structures.
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Hélène Cixous is a French writer, playwright and literary critic. During her academic career, she was primarily associated with the Centre universitaire de Vincennes, which she co-founded in 1969 and where she created the first centre of women's studies at a European university. Known for her experimental writing style and great versatility as a writer and thinker, she has written more than seventy books dealing with multiple genres: theater, literary and feminist theory, art criticism, autobiography and poetic fiction.
Luce Irigaray is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst, and cultural theorist who examines the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum of the Other Woman (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, and in The Forgetting of Air in Martin Heidegger (1999), Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.
Écriture féminine, or "women's writing", is a term coined by French feminist and literary theorist Hélène Cixous in her 1975 essay "The Laugh of the Medusa". Cixous aimed to establish a genre of literary writing that deviates from traditional masculine styles of writing, one which examines the relationship between the cultural and psychological inscription of the female body and female difference in language and text. This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, Chantal Chawaf, Catherine Clément and Julia Kristeva, and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger. who emerged in this field in the early 1990s,
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Monique Wittig was a French author, philosopher and feminist theorist who wrote about abolition of the sex-class system and coined the phrase "heterosexual contract". Her groundbreaking work is titled The Straight Mind and Other Essays. She published her first novel, L'Opoponax, in 1964. Her second novel, Les Guérillères (1969), was a landmark in lesbian feminism.
Gender Trouble: Feminism and the Subversion of Identity is a book by the post-structuralist gender theorist and philosopher Judith Butler in which the author argues that gender is performative, meaning that it is maintained, created or perpetuated by iterative repetitions when speaking and interacting with each other.
Postmodern feminism is a mix of post-structuralism, postmodernism, and French feminism that rejects a universal female subject. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through opposing essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all women of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
Feminists have long struggled with Sigmund Freud's classical model of gender and identity development, which centers on the Oedipus complex. Freud's model, which became integral to orthodox psychoanalysis, suggests that because women lack the visible genitals of the male, they feel they are "missing" the most central characteristic necessary for gaining narcissistic value—therefore developing feelings of gender inequality and penis envy. In his late theory on the feminine, Freud recognized the early and long lasting libidinal attachment of the daughter to the mother during the pre-oedipal stages. Feminist psychoanalysts have confronted these ideas and reached different conclusions. Some generally agree with Freud's major outlines, modifying it through observations of the pre-Oedipal phase. Others reformulate Freud's theories more completely.
Barbara Creed is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism.
Feminism in France is the history of feminist thought and movements in France. Feminism in France can be roughly divided into three waves: First-wave feminism from the French Revolution through the Third Republic which was concerned chiefly with suffrage and civic rights for women. Significant contributions came from revolutionary movements of the French Revolution of 1848 and Paris Commune, culminating in 1944 when women gained the right to vote.
Susan Sellers is a British author, translator, editor and novelist. She was the first woman to be made a Professor in the field of English literature as well as creative writing at the University of St Andrews, and is co-General Editor of the Cambridge University Press edition of the writings of Virginia Woolf.
Naomi Schor was an American literary critic and theorist. A pioneer of feminist theory for her generation, she is regarded as one of the foremost scholars of French literature and critical theory of her time. Naomi's younger sister is the artist and writer Mira Schor.
Kathleen O'Grady is a Canadian author and academic. She has published two children's books, but is more widely known as a feminist scholar who investigates women's health issues through a cultural lens and whose work addresses the under-researched intersection between feminism and the study of religion. She is also a past Editor of Network, the national, bilingual health magazine for Canadian women, and has published several books addressing feminist theory and methodology.
Feminist metaphysics aims to question how inquiries and answers in the field of metaphysics have supported sexism. Feminist metaphysics overlaps with fields such as the philosophy of mind and philosophy of self. Feminist metaphysicians such as Sally Haslanger, Ásta, and Judith Butler have sought to explain the nature of gender in the interest of advancing feminist goals.
Archaic mother is the mother of earliest infancy, whose continuing influence is traced in psychoanalysis, and whose (repressed) presence is considered to underlie the horror film.
"The Laugh of the Medusa" is an essay by French feminist critic Hélène Cixous. Originally written in French as "Le Rire de la Méduse" in 1975, it was translated into English by Paula Cohen and Keith Cohen in 1976. In the essay, Cixous issues an ultimatum: that women can either read and choose to stay trapped in their own bodies by a language that does not allow them to express themselves, or they can use the body as a way to communicate. She describes a writing style, écriture féminine, that she says attempts to move outside of the conventional rules found in patriarchal systems. She argues that écriture feminine allows women to address their needs by building strong self-narratives and identity. This text is situated in a history of feminist conversations that separated women in terms of their gender and women in terms of authorship. The "Laugh of the Medusa" addresses this rhetoric, writing on individuality and commanding women to use writing and the body as sources of power and inspiration.
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