Rapsodia satanica

Last updated
Rapsodia Satanica
Rapsodiasatanica fotodiscena.jpg
Directed byNino Oxilia
Based onPoems by Fausto Maria Martini
StarringLyda Borelli

Andrea Habay Ugo Bazzini

Giovanni Cini
Music byPietro Mascagni
Release date
1915
CountryItaly
LanguageSilent (Italian intertitles)
Rapsodia satanica

Rapsodia Satanica is a 1915 Italian silent film directed by Nino Oxilia featuring Lyda Borelli in a female version of Faust based on poems by Fausto Maria Martini. Pietro Mascagni wrote his only film music for the film and conducted the first performance in July 1917. [1] Mascagni was keen to take commission for the film music due to the financial burden of supporting two sickening brothers. [2] [3]

Contents

The French-German TV channel Arte restored the film in 2006 and Staatsphilharmonie Rheinland-Pfalz, conducted by Frank Strobel recorded Mascagni's score.

Cast

Related Research Articles

<span class="mw-page-title-main">Pietro Mascagni</span> Italian composer (1863–1945)

Pietro Mascagni was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, L'amico Fritz and Iris have remained in the repertoire in Europe since their premieres.

<span class="mw-page-title-main">Riccardo Zandonai</span> Italian composer

Riccardo Zandonai was an Italian composer and conductor.

Guglielmo Ratcliff is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play Wilhelm Ratcliff (1822) by Heinrich Heine. Mascagni had substantially finished the composition of Ratcliff before the success of his first opera, Cavalleria rusticana.

Silvano is a dramma marinaresco or opera in two acts by Pietro Mascagni from a libretto by Giovanni Targioni-Tozzetti, based on a novel by Alphonse Karr. It received its first performance on 25 March 1895 at La Scala, Milan. Although rarely performed today, the music is of some technical accomplishment, and when revived, Silvano has been favourably received. The barcarolle from Silvano features prominently in a montage during the Martin Scorsese film Raging Bull.

Nerone (Nero) is an opera in three acts by Pietro Mascagni from a libretto by Giovanni Targioni-Tozzetti, based on the 1872 play Nerone by Pietro Cossa. Most of Mascagni's music was drawn from a failed project Vistilia – the music made to 'fit' a wholly unconnected libretto.

<i>Amica</i> (opera) Opera by Pietro Mascagni

Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.

<i>Le maschere</i> Opera by Pietro Mascagni

Le maschere is an opera in a prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica.

<span class="mw-page-title-main">Lyda Borelli</span> Italian actress (1884–1959)

Lyda Cini, Countess of Monselice was an Italian actress of cinema and theatre. Her career in theatre started when she was a child, acting on stage with Paola Pezzaglia in the French drama I due derelitti.

Domenico Monleone was an Italian composer of operas, most noted for his opera Cavalleria rusticana of 1907, which for a while rivalled the success of Mascagni's work of the same name which was from the same source. The work was the third opera to be based on Verga's 1884 theatrical adaptation of his own short story, Cavalleria rusticana, Stanislao Gastaldon’s Mala Pasqua (1888) being the first, and Mascagni's famous opera (1890) being the second. Mascagni and his lawyers intervened and Monleone changed the opera ‘beyond recognition’ setting the music to a new libretto. In this form it was presented as La giostra dei falchi in 1914.

<i>Mese mariano</i>

Mese mariano is an opera in one act by Umberto Giordano. Its Italian libretto by Salvatore Di Giacomo was adapted from his play 'O Mese Mariano, which was in turn adapted from his novella, Senza vederlo. It premiered at the Teatro Massimo in Palermo on 17 March 1910. The opera is described as a bozzetto lirico and has a running time of 35 minutes. It tells the story of a woman who visits an orphanage to see her child. Racked with guilt at having abandoned him, she is unaware that he had died the night before.

<i>Cavalleria rusticana</i> 1890 opera by Pietro Mascagni

Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.

Pinotta is an idillio or opera in 2 acts by Pietro Mascagni from an Italian libretto by Giovanni Targioni-Tozzetti. The opera received its first performance on 23 March 1932 at the Teatro del Casinò in San Remo.

<span class="mw-page-title-main">Conservatorio Statale di Musica "Gioachino Rossini"</span>

The Conservatorio Statale di Musica "Gioachino Rossini" is a music conservatory in Pesaro, Italy. Founded in 1869 with a legacy from the composer Gioachino Rossini, the conservatory officially opened in 1882 with 67 students and was then known as the Liceo musicale Rossini. By 2010 it had an enrollment of approximately 850 students studying for higher diplomas in singing, instrumental performance, composition, musicology, choral conducting, jazz or electronic music. The conservatory also trains music teachers for secondary schools and holds regular master classes. Its seat is the 18th century Palazzo Olivieri–Machirelli on the Piazza Oliveri in Pesaro. Amongst its past Directors are the composers Carlo Pedrotti, Pietro Mascagni, Riccardo Zandonai and Franco Alfano. Mascagni's opera Zanetto had its world premiere at the conservatory in 1896.

<i>Flower of Evil</i> (film) 1915 film

Flower of Evil is a 1915 silent Italian drama film directed by Carmine Gallone. The film was shown as part of the Silent Divas of the Italian Cinema programme at the 38th New York Film Festival in 2000.

The Thirteenth Man is a 1917 silent Italian drama film directed by Carmine Gallone.

Gaston Louis Christopher Borch was a French composer, arranger, conductor, cellist and author. His works include orchestral music, opera and music for silent films. He played and conducted with orchestras in Europe and the USA.

<i>Sì</i> (operetta)

is an operetta in three acts composed by Pietro Mascagni to a libretto by Carlo Lombardo with verses by Arturo Franci. The libretto is based on Lombardo's operetta La duchessa del Bal Tabarin and Felix Dörmann's libretto for Majestät Mimi set by Bruno Granichstaedten in 1911. Mascagni's only venture into operetta, it premiered on 13 December 1919 at the Teatro Quirino in Rome. The operetta takes its name from its central character, Sì, an actress at the Folies Bergère, so called because she could never say no.

<i>Love Everlasting</i> (1913 film) 1913 Italian film

Love Everlasting is a 1913 Italian silent drama film directed by Mario Caserini and starring Lyda Borelli, Mario Bonnard and Gianpaolo Rosmino. With the possible exception of Cabiria (1914), it is the most famous of early Italian silent films. It was made in Turin by Gloria Film. Borelli's appearance in the film led to her being considered the first diva of the cinema.

Satanica or La Satánica may refer to:

<span class="mw-page-title-main">Marco Attura</span> Italian musical artist

Marco Attura is an Italian composer, pianist and conductor.

References

  1. Alessandra Campana Opera and Modern Spectatorship in Late Nineteenth-Century 1107051894 2015 "a peculiar experiment involving a “diva film” and an opera composer: the silent film Rapsodia satanica (1914–17), interpreted by the famous actress Lyda Borelli, with an orchestral score by Pietro Mascagni"
  2. Mascagni e il cinema: la musica per Rapsodia satanica 1987
  3. Alan Mallach Pietro Mascagni and His Operas 2002 1555535240 -Page 214 "With few other immediate sources of income at hand, the forty-five thousand lire from Cines for Rapsodia satanica, as well as the fifty thousand promised for a second film score, were much on his mind."