The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
The Messa da Requiem is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired. The first performance, at the San Marco church in Milan on 22 May 1874, marked the first anniversary of Manzoni's death.
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791.
Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.
Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
The Armed Man is a Mass by Welsh composer Karl Jenkins, subtitled "A Mass for Peace". The piece was commissioned by the Royal Armouries Museum for the Millennium celebrations, to mark the museum's move from London to Leeds, and it was dedicated to victims of the Kosovo crisis. Like Benjamin Britten's War Requiem before it, it is essentially an anti-war piece and is based on the Catholic Mass, which Jenkins combines with other sources, principally the 15th-century folk song "L'homme armé" in the first and last movements. It was written for SATB chorus with soloists and a symphonic orchestra. Guy Wilson, then master of the museum, selected the texts for the mass.
The Grande Messe des morts, Op. 5, by Hector Berlioz was composed in 1837. The Grande Messe des Morts is one of Berlioz's best-known works, with a tremendous orchestration of woodwind and brass instruments, including four antiphonal offstage brass ensembles. The work derives its text from the traditional Latin Requiem Mass. It has a duration of approximately ninety minutes, although there are faster recordings of under seventy-five minutes.
The Requiem, Op. 9, is a 1947 setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. The Requiem was first published in 1948 by Durand in an organ version.
Paul Miles-Kingston, is a British singer who achieved fame as a boy soprano classical singer.
"Pie Jesu" is a text from the final couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "blessed Jesus" in the vocative.
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years.
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. It is scored for soprano, mixed choir and orchestra or chamber ensemble.
Hans Werner Henze composed the nine Sacred Concertos that comprise his Requiem over the course of three years from 1991 to 1993 on commissions from the London Sinfonietta, Suntory Corporation for the NHK Philharmonic, and Westdeutscher Rundfunk, Cologne. The first movement, Introitus: Requiem Aeternam was commissioned by the London Sinfonietta as part of a memorial concert for Artistic Director Michael Vyner who died on 20 October 1989. In addition to Henze, the London Sinfonietta also commissioned seven other prominent composers to write works in Vyner's memory to make up the program which was performed on the 6 May 1990.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Giovanni Benedetto Platti was an Italian Baroque composer and oboist.
The Requiem in C minor for mixed chorus was written by Luigi Cherubini in 1816 and premiered 21 January 1817 at a commemoration service for Louis XVI of France on the twenty-fourth anniversary of his beheading during the French Revolution.
Requiem for a Tribe Brother is a choral work by the Australian-born composer Malcolm Williamson.
The Messa da requiem in D minor (1835) is a musical setting of the Catholic funeral mass (Requiem) by Italian opera composer Gaetano Donizetti. It is scored for five soloists, mixed chorus and orchestra. A performance lasts about 62–75 minutes.
Duruflé: Complete Choral Works is the seventh release by the choral group Houston Chamber Choir performing the unabridged choral works of composer Maurice Duruflé. Conducted by Artistic Director Robert Simpson and performed by organist Ken Cowan, the project is their first to be released under the Signum Classics label. The album won the 2020 Grammy Award for Best Choral Performance.
Requiem is a setting of the Latin Mass for the dead for four soloists, mixed choir, orchestra and organ by Frank Martin. Composed in 1971 and 1972, it was premiered at Lausanne Cathedral on 4 May 1973, with the composer conducting the Orchestre de la Suisse Romande. It has been described as the composer's masterpiece.
