Robert Storr (born 1949) is an American curator, critic, painter, and writer.
Robert Storr (born 1949) is an American curator, critic, painter, and writer.
Storr received his B.A. in History and French from Swarthmore College in 1972, and earned an M.F.A. in Art from the School of the Art Institute of Chicago in 1978. [1]
From 1990 to 2002 Storr was curator, then senior curator, in the Department of Painting and Sculpture at the Museum of Modern Art. As a curator, Storr made his mark early with a number of major exhibitions at the museum and elsewhere, which enhanced the public prominence of such artists as Elizabeth Murray, Gerhard Richter, Max Beckmann, Tony Smith and Robert Ryman. He also organized a number of reinstallations of MoMA's permanent collection, covering such topics as abstraction and the modern grotesque. From 2002 to 2006 he was the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. In 2006, New York magazine listed him as of the most influential Americans in the art world. [2]
Storr has been described as "an artist who's logged enough studio time to have a special regard for painters' painters ... and a gifted writer who can make us appreciate them, too." and a "vital link between the museum world and academia." [3]
Over the years, Storr has written for the following publications: Art in America , Artforum , Art Press , Corriere della sera , Frieze , New York Times , Washington Post , Village Voice , The Brooklyn Rail , Art & Design , and Interview . [4] Until April 2011 his regular column 'View from the Bridge' appeared in Frieze magazine.
Storr was the first American Director of Visual Arts of the Venice Biennale in 2007. He has taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School and Harvard University, and has been a frequent lecturer in this country and abroad. Storr was reappointed Dean of the Yale School of Art for a second five-year period beginning July 2011. After completing his second term as Dean, Storr continues to teach at the Yale School of Art as a tenured Professor in the Department of Painting/Printmaking. [ failed verification ]
Storr was succeeded as Dean by Marta Kuzma in 2016. [5]
Storr has been awarded a Penny McCall Foundation Grant for painting, a Norton Family Foundation Curator Grant, a Guggenheim Fellowship, in 2016, and has been the recipient of honorary doctorates from the School of the Art Institute of Chicago, the Maine College of Art, Swarthmore College, the University of the Arts London, the Nova Scotia College of Art and Design, and Montserrat College of Art.
He also received awards from the American Chapter of the International Association of Art Critics, a special AICA award for Distinguished Contribution to the Field of Art Criticism, an ICI Agnes Gund Curatorial Award, and the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History from the Smithsonian Institution's Archives of American Art. In June 2017 his book, "Intimate Geometries: The Art and Life of Louise Bourgeois" was awarded the FILAF D'OR at the Festival International du Livre d'Art et du Film, Pergignan, France. [6] In 2000 the French Ministry of Culture presented him with the medal of Chevalier des Arts et des Lettres and in 2010 promoted him to Officier of the same order.
In addition to his curatorial and academic accomplishments Storr is also himself a practicing visual artist. In a 2012 Seattle Times interview regarding an exhibition of his paintings at Seattle’s Francine Seders Gallery he was quoted as saying, "I started out as a painter more than 35 years ago, and I’ve never stopped. I’ve never become an ex-painter. [...] I certainly know how difficult it is to make art. [...] Making art has made me a better curator. Whether or not being a curator has made me a better artist remains to be seen.” [7] The four paintings made by Storr featured in this exhibition were titled S.P. #1, 2, 3, and 4, and were geometric abstractions featuring horizontal divisions between black and white space with pairs of smaller red dots occupying the white space. The show paired Storr's work with paintings by Denzil Hurley. [7] In December 2022 an exhibition of new paintings by Storr opened at Kingfish Gallery, Buffalo, NY (https://kingfishbuffalo.com/storr).
Complementing his career as a curator, writer, painter and teacher, he serves on the Art Advisory Council of the International Foundation for Art Research (IFAR). [8]
A comprehensive bibliography of Storr's published writing from 1980 through April 2020 has been compiled by Francesca Pietropaolo in Robert Storr Writings on Art 1980-2005, Heni Publishing, 2020. Storr's published writings encompass 928 works in 1983 publications in 12 languages and 32,500 library holdings. [9]
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Robert Motherwell was an American abstract expressionist painter, printmaker, and editor of The Dada Painters and Poets: an Anthology. He was one of the youngest of the New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko.
Philip Guston was a Canadian American painter, printmaker, muralist and draftsman. "Guston worked in a number of artistic modes, from Renaissance-inspired figuration to formally accomplished abstraction," and is now regarded as one of the "most important, powerful, and influential American painters of the last 100 years." He frequently depicted racism, antisemitism, fascism and American identity, as well as, especially in his later most cartoonish and mocking work, the banality of evil. In 2013, Guston's painting To Fellini set an auction record at Christie's when it sold for $25.8 million.
Robert Ryman was an American painter identified with the movements of monochrome painting, minimalism, and conceptual art. He was best known for abstract, white-on-white paintings. He lived and worked in New York City.
Stephen W. Hannock is an American painter known for his atmospheric landscapes––compositions of flooded rivers, nocturnes and large vistas––which often incorporate text inscriptions that relate to family, friends or events of daily life. The artist is known for creating a unique luminosity using a signature technique that involves building up layers of paint on the canvas, sandpaper-polishing it, applying new layers of paint and polishing again. Some of his work is thought to be inspired by the Hudson River School.
The Brooklyn Rail is a publication and platform for the arts, culture, humanities, and politics. The Rail is based in Brooklyn, New York. It features in-depth critical essays, fiction, poetry, as well as interviews with artists, critics, and curators, and reviews of art, music, dance, film, books, and theater.
Rackstraw Downes is a British-born realist painter and author. His oil paintings are notable for their meticulous detail accumulated during months of plein-air sessions, depictions of industry and the environment, and elongated compositions with complex perspective.
Lawrence M. "Larry" Poons is an American abstract painter. Poons was born in Tokyo, Japan, and studied from 1955 to 1957 at the New England Conservatory of Music, with the intent of becoming a professional musician. After seeing Barnett Newman's exhibition at French and Company in 1959, he gave up musical composition and enrolled at the School of the Museum of Fine Arts, Boston. He also studied at the Art Students League of New York. Poons taught at The Art Students League from 1966 to 1970 and currently teaches at the League.
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Sir Brian Clarke is a British painter, architectural artist and printmaker, known for his large-scale stained glass and mosaic projects, symbolist paintings, set designs, and collaborations with major figures in Modern and contemporary architecture.
Irving Sandler was an American art critic, art historian, and educator. He provided numerous first hand accounts of American art, beginning with abstract expressionism in the 1950s. He also managed the Tanager Gallery downtown and co-ordinated the New York Artists Club of the New York School from 1955 to its demise in 1962 as well as documenting numerous conversations at the Cedar Street Tavern and other art venues. Al Held named him, "Our Boswell of the New York scene," and Frank O'Hara immortalized him as the "balayeur des artistes" because of Sandler's constant presence and habit of taking notes at art world events. Sandler saw himself as an impartial observer of this period, as opposed to polemical advocates such as Clement Greenberg and Harold Rosenberg.
William Henry Gerdts Jr. was an American art historian and professor of Art History at the CUNY Graduate Center. Gerdts was the author of over twenty-five books on American art. An expert in American Impressionism, he was also well known for his work on nineteenth-century American still life painting.
Robin Warwick Gibson was a British gallery curator and art historian best known for his work at the National Portrait Gallery in London between 1968 and 2001, including eight years as Chief Curator. He was responsible for many innovations in the management of the gallery and published a number of significant academic works on the gallery's collections during his career.
Sabine Moritz is a German painter and graphic designer. She is married to Gerhard Richter.
Joachim Pissarro is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007.
Wand (Wall) is an oil painting by Gerhard Richter executed in 1994. It was in Richter's private collection for over 15 years before he sold it to the Wako Works of Art gallery in Tokyo in 2010. It was sold at Sotheby's, London, on 12 February 2014 for £17,442,500.
Elena Sisto is an American painter based in New York.
Gavin Delahunty is an Irish curator and was the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art. Delahunty joined the DMA staff in May 2014 and resigned in November 2017, citing 'allegations of inappropriate behavior'.
Jill Lloyd is a writer and curator specializing in twentieth-century art, with particular expertise for German and Austrian art. She has organised many critically acclaimed exhibitions for leading museums and has published widely, including her book German Expressionism, Primitivism and Modernity, which was awarded the first National Art Book Prize.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which was described by ARTnews as one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
