The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated four times in 1999, 2002, 2008, and 2012. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was a British composer and conductor of film music.
David Arnold is a British film composer whose credits include scoring five James Bond films, as well as Stargate (1994), Independence Day (1996), Godzilla (1998) and the television series Little Britain and Sherlock. For Independence Day he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television and for Sherlock he, and co-composer Michael Price, won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold scored the BBC / Amazon Prime series Good Omens (2019) adapted by Neil Gaiman from his book Good Omens, written with Terry Pratchett. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors.
Propellerheads were an English electronic music duo, formed in 1995 in Bath and consisting of Will White and Alex Gifford.
Decksandrumsandrockandroll is the only studio album by English electronic music duo Propellerheads. It was originally released by Wall of Sound on 26 January 1998 in the United Kingdom. In the United States, it was released by DreamWorks Records with a different track listing.
The James Bond film series from Eon Productions has featured numerous musical compositions since its inception 1962, many of which are now considered classic pieces of British film music. The best known of these pieces is the "James Bond Theme" by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by several notable British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "Goldeneye" also become identified with the series; Madonna's "Die Another Day" became a dance hit around the world, while A View to a Kill becomes the first and only James Bond song to have reached number one on the US Billboard Hot 100. Three Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele, "Writing's on the Wall" by Sam Smith and "No Time to Die" by Billie Eilish, with Writing's on the Wall also became the first Bond theme to reach number one on the UK Singles Chart.
The "James Bond Theme" is the main signature theme music of the James Bond films and has featured in every Eon Productions Bond film since Dr. No, released in 1962. Composed by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Bond film besides the 2006 reboot Casino Royale.
"The World Is Not Enough" is the theme song for the 1999 James Bond film The World Is Not Enough, performed by American rock band Garbage. The song was written by composer David Arnold and lyricist Don Black, previously responsible for four other Bond songs, and was produced by Garbage and Arnold. "The World Is Not Enough" was composed in the style of the series' title songs, in contrast with the post-modern production and genre-hopping of Garbage's first two albums. The group recorded most of "The World Is Not Enough" while touring Europe in support of their album Version 2.0, telephoning Arnold as he recorded the orchestral backing in London before travelling to England. Garbage later finished recording and mixing the song at Armoury Studios in Canada. The lyrics reflect the film's plot, with themes of world domination and seduction.
"We Have All the Time in the World" is a James Bond theme and popular song sung by Louis Armstrong. Its music was composed by John Barry and the lyrics by Hal David. It is a secondary musical theme in the 1969 Bond film On Her Majesty's Secret Service, the title theme being the instrumental "On Her Majesty's Secret Service", also composed by Barry. The song title is taken from Bond's final words in both the novel and the film, spoken after the death of Tracy Bond, his wife. As Armstrong was too ill to play his trumpet, it was therefore played by another musician. Barry chose Armstrong because he felt he could "deliver the title line with irony".
"Shaken, not stirred" is how Ian Fleming's fictional British Secret Service agent James Bond prefers his martini cocktail.
On Her Majesty's Secret Service is a 1969 spy film and the sixth in the James Bond series produced by Eon Productions. It is based on the 1963 novel by Ian Fleming. Following Sean Connery's decision to retire from the role after You Only Live Twice, Eon selected George Lazenby, a model with no prior acting credits, to play the part of James Bond. During filming, Lazenby announced that he would play the role of Bond only once.
You Only Live Twice is the soundtrack for the fifth James Bond film of the same name. It was composed by Bond veteran John Barry. At the time, this was his fourth credited Bond film. The theme song, "You Only Live Twice", was sung by Nancy Sinatra, the first non-British vocalist of the series, with music by Barry and lyrics by Leslie Bricusse. The soundtrack has previously been available in two versions on CD – the first, a straight reissue of the LP soundtrack, and the second, an expanded reissue including several previously unreleased tracks. The film soundtrack was recorded at CTS Studios, London. It debuted on the top 40 Billboard 200 album chart on August 19, 1967, and went up to 27.
"Goldfinger" is the title song from the 1964 James Bond film Goldfinger. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
Live and Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings.
Tomorrow Never Dies: Music from the Motion Picture is the soundtrack of the 18th James Bond film of the same name.
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
On Her Majesty's Secret Service ("OHMSS") is the soundtrack for the James Bond film. It was composed, arranged, and conducted by John Barry; his fifth in the series.
The following outline is provided as an overview of and topical guide to James Bond:
"You Only Live Twice", performed by Nancy Sinatra, is the theme song to the 1967 James Bond film of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs, and has become one of Nancy Sinatra's best known hits. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.
The Incredibles is the soundtrack album to the 2004 Disney-Pixar film of the same name composed by Michael Giacchino. The Incredibles is the first Pixar film to be scored by Giacchino. Director Brad Bird was looking for a specific sound as inspired by the film's design — the future as seen from the 1960s. John Barry was the first choice to do the film's score with a trailer of the film given a rerecording of Barry's theme to On Her Majesty's Secret Service. However, Barry did not wish to duplicate the sound of some of his earlier soundtracks; the assignment was instead given to Giacchino.
