Tomorrow Never Dies: Music from the Motion Picture | ||||
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Soundtrack album by | ||||
Released | November 27, 1997 | |||
Recorded | 1997 | |||
Label | A&M | |||
James Bond soundtrack chronology | ||||
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Singles from Tomorrow Never Dies | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Filmtracks | [2] |
Tomorrow Never Dies:Music from the Motion Picture is the soundtrack of the 18th James Bond film of the same name.
David Arnold composed the score of Tomorrow Never Dies,his first full Bond soundtrack. Arnold came to the producers' attention due to his successful cover interpretations in Shaken and Stirred:The David Arnold James Bond Project —which featured major artists performing classic James Bond title songs.
The theme tune was chosen through a competitive process. There were approximately twelve submissions;including songs from Swan Lee,Pulp,Saint Etienne,Marc Almond,and Sheryl Crow. [3] According to Nina Persson of Swedish pop group The Cardigans,they were also asked to submit a theme song candidate,but rejected the request due to exhaustion that would be exacerbated by the potential added workload;Persson has called her decision to turn down the offer "one of my biggest mistakes." [4]
Crow's theme was eventually picked by Metro-Goldwyn-Mayer. In the meantime,a bold,brassy number in the classic John Barry/Shirley Bassey vein that Arnold himself wrote with David McAlmont and lyricist Don Black with the intent of being a theme,was relegated to the end credits with the title "Surrender". While McAlmont recorded the demo,"Surrender" was eventually recorded by k.d. lang after an extensive selective process. [5] [6]
The score itself follows Barry's classical style in both composition and orchestration,together with modern electronic rhythms present in most cues. Because the title song was changed so close to the film's release date,there was no time to work Crow's melody into any of the score. As a result,melody patterns from "Surrender" appear prominently many times in the score,mainly in the action cues,but it can also be heard in the dramatic "All in a Day's Work" track. [7]
The DVD version of the film has an "isolated music track" allowing the viewer to watch the film with just the background music.
Scoring of the film had not been completed when the soundtrack was released so on January 11, 2000 a second album was released by Chapter III Records which removed the theme songs,Moby's Bond theme remake and "Station Break",and had additional music,as well as an interview with David Arnold. [8]
In 2022,La-La Land Records released a two-disc limited and expanded edition of the complete score by Arnold.
All music was composed by David Arnold,except where noted. Cues in bold contain Monty Norman's James Bond Theme.
The Cardigans is a Swedish rock band formed in Jönköping, Sweden, in 1992 by guitarist Peter Svensson, bassist Magnus Sveningsson, drummer Bengt Lagerberg, keyboardist Lars-Olof Johansson and lead singer Nina Persson. Post-hiatus shows since 2012 have been with Oskar Humlebo on guitar instead of Svensson.
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated four times in 1999, 2002, 2008, and 2012. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was a British composer and conductor of film music.
Tomorrow Never Dies is a 1997 spy film, the eighteenth in the James Bond series produced by Eon Productions and the second to star Pierce Brosnan as fictional MI6 agent James Bond. Directed by Roger Spottiswoode from a screenplay by Bruce Feirstein, it follows Bond as he attempts to stop Elliot Carver, a power-mad media mogul, from engineering world events to initiate World War III.
James Roy Horner was an American composer. He was known for the integration of choral and electronic elements, and for his frequent use of motifs associated with Celtic music.
David Arnold is a British film composer whose credits include scoring five James Bond films, as well as Stargate (1994), Independence Day (1996), Godzilla (1998) and the television series Little Britain and Sherlock. For Independence Day he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television and for Sherlock he, and co-composer Michael Price, won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold scored the BBC / Amazon Prime series Good Omens (2019) adapted by Neil Gaiman from his book Good Omens, written with Terry Pratchett. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors.
Propellerheads were an English electronic music duo, formed in 1995 in Bath and consisting of Will White and Alex Gifford.
Mitchell Froom is an American musician and record producer. He was a member of the bands Gamma and Latin Playboys, and is currently the keyboardist for Crowded House. He has produced albums for several artists, including Richard Thompson, Los Lobos, Suzanne Vega, and Vonda Shepard.
The James Bond film series from Eon Productions has featured numerous musical compositions since its inception 1962, many of which are now considered classic pieces of British film music. The best known of these pieces is the "James Bond Theme" by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by several notable British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "Goldeneye" also become identified with the series; Madonna's "Die Another Day" became a dance hit around the world, while A View to a Kill becomes the first and only James Bond song to have reached number one on the US Billboard Hot 100. Three Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele, "Writing's on the Wall" by Sam Smith and "No Time to Die" by Billie Eilish, with Writing's on the Wall also became the first Bond theme to reach number one on the UK Singles Chart.
The "James Bond Theme" is the main signature theme music of the James Bond films and has featured in every Eon Productions Bond film since Dr. No, released in 1962. Composed by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Bond film besides the 2006 reboot Casino Royale.
"The World Is Not Enough" is the theme song for the 1999 James Bond film The World Is Not Enough, performed by American rock band Garbage. The song was written by composer David Arnold and lyricist Don Black, previously responsible for four other Bond songs, and was produced by Garbage and Arnold. "The World Is Not Enough" was composed in the style of the series' title songs, in contrast with the post-modern production and genre-hopping of Garbage's first two albums. The group recorded most of "The World Is Not Enough" while touring Europe in support of their album Version 2.0, telephoning Arnold as he recorded the orchestral backing in London before travelling to England. Garbage later finished recording and mixing the song at Armoury Studios in Canada. The lyrics reflect the film's plot, with themes of world domination and seduction.
"Tomorrow Never Dies" is a song by American singer-songwriter Sheryl Crow that serves as the theme song to the 1997 James Bond film of the same name and its video game adaptation. The song was co-written by Crow and the song's producer Mitchell Froom, and became her fifth UK top-20 hit, peaking at No. 12 in December 1997.
The World Is Not Enough is the 1999 soundtrack of the 19th James Bond film of the same name and the second Bond soundtrack composed by David Arnold. The score features more instances of electronic music, which Arnold included to "make the thing a little more contemporary". To add an ethnic flavor to tracks that conveyed the film's Turkey and Central Asia setting, Arnold brought in percussionist Pete Lockett, qanun player Abdullah Chhadeh, and singer Natacha Atlas.
"You Know My Name" is the theme song of the 2006 James Bond film Casino Royale, performed by American musician Chris Cornell, who wrote and produced it jointly with David Arnold, the soundtrack's composer. The film producers chose Cornell because they wanted a strong male singer. Cornell and Arnold tried to make the song a replacement theme for the character instead of the "James Bond Theme" reflecting the agent's inexperience in Casino Royale, as well as an introduction to Daniel Craig's grittier and more emotional portrayal of Bond.
Shaken and Stirred: The David Arnold James Bond Project is an album of cover versions of James Bond film themes organized and produced by David Arnold. Featuring contemporary rock and electronic artists of the time, it was compiled by Arnold in 1997 and released on East West Records in the United Kingdom and Sire Records in the United States. Following this project, Arnold would go on to compose the music for a number of Bond films.
Casino Royale: Original Motion Picture Soundtrack. The soundtrack to the 2006 film Casino Royale was released by Sony Classical on November 14, 2006. The music was composed by David Arnold and is Arnold's fourth soundtrack for the popular James Bond movie series. Frequent collaborator Nicholas Dodd orchestrated and conducted the score.
From Russia with Love is the soundtrack for the second James Bond film, From Russia With Love. This is the first series film with John Barry as the primary soundtrack composer.
Die Another Day is the soundtrack for the 20th James Bond film of the same name, and was released by Warner Bros. Records on November 12, 2002.
Maleficent: Mistress of Evil is the score album to the 2019 film Maleficent: Mistress of Evil directed by Joachim Rønning, a sequel to Maleficent (2014). Geoff Zanelli, who previously collaborated with Rønning on Pirates of the Caribbean: Dead Men Tell No Tales (2017), scored music for the film, replacing James Newton Howard, who composed for the predecessor. The soundtrack was released by Walt Disney Records on October 18, 2019. It features 22 score cues composed by Zanelli, and a theme song "You Can't Stop the Girl" by Bebe Rexha, released earlier as a single on September 20, 2019. The score received positive critical response, with Zanelli's composition being considered as an improvement over Howard's score from the predecessor.