Slide whistle

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Slide whistle
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Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe. Lotusflote Funktione.svg
Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe.

A slide whistle (variously known as a swanee or swannee whistle, lotus flute, [1] piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodwinds, but varies the pitch with a slide. The construction is rather like a bicycle pump. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic. "A whistle made out of a long tube with a slide at one end. An ascending and descending glissando is produced by moving the slide back and forth while blowing into the mouthpiece." [2] "Tubular whistle with a plunger unit in its column, approximately 12 inches long. The pitch is changed by moving the slide plunger in and out, producing ascending and descending glisses." [3]

Contents

History

Piston flutes, in folk versions usually made of cane or bamboo, existed in Africa, Asia, and the Pacific as well as Europe before the modern version was invented in England in the nineteenth century. The latter, which may be more precisely referred to as the slide or Swanee whistle, is commonly made of plastic or metal. [4]

The modern slide whistle is familiar as a sound effect (as in animated cartoon sound tracks, when a glissando can suggest something rapidly ascending or falling, or when a player hits a "Bankrupt" on Wheel of Fortune ), but it is also possible to play melodies on a slide whistle.

The swanee whistle dates back at least to the 1840s, when it was manufactured by the Distin family and featured in their concerts in England. Early slide whistles were also made by the English J Stevens & Son and H A Ward. By the 1920s the slide whistle was common in the US, and was occasionally used in popular music and jazz as a special effect. For example, it was used on Paul Whiteman's early hit recording of "Whispering" (1920). [5] Even Louis Armstrong switched over from his more usual cornet to the slide whistle for a chorus on a couple of recordings with King Oliver's Creole Jazz Band, [6] such as Sobbin' Blues (1923). [7] At that time, slide saxophones, with reeds rather than a fipple, were also built. The whistle was also widely used in Jug band music of the 1920s such as Whistler's Jug Band. Gavin Gordon uses a slide whistle in his ballet The Rake's Progress (1935). [8]

Uses

Slide whistle side top and front.svg
Three views of a plastic slide whistle. The front end view shows the mouthpiece in dark gray with the rectangular mouthpiece aperture in white.

The slide whistle is often thought of as a toy instrument, especially in the West, though it has been and still is used in various forms of "serious" music. Its first appearance in notated European classical music may have been when Maurice Ravel called for one in his opera L'enfant et les sortilèges . [4] More modern uses in classical music include Paul Hindemith's Kammermusik No. 1, op. 24 no. 1 (1922), Luciano Berio's Passaggio, which uses five, and the Violin Concerto of György Ligeti, as well as pieces by Cornelius Cardew, Alberto Ginastera, Hans Werner Henze, Peter Maxwell Davies, and Krzysztof Penderecki (De Natura Sonoris II, 1971 [9] ). John Cage's Music of Changes (1951) and Water Music (1952) both feature slide whistle and duck calls. [10] The slide whistle is also used in many of the works of P. D. Q. Bach.

In the 1930s through the 1950s it was played with great dexterity by Paul 'Hezzie' Trietsch, one of the founding members of the Hoosier Hot Shots. They made many recordings.[ citation needed ]

Roger Waters played two notes on the slide whistle in the song Flaming, from Pink Floyd's debut album The Piper at the Gates of Dawn .

A more recent appearance of the slide whistle can be heard in the 1979 song "Get Up" by Vernon Burch. The slide whistle segment of this song was later sampled by Deee-Lite in their 1990 hit "Groove Is in the Heart". Fred Schneider of The B-52's plays a plastic toy slide whistle in live performances of the song "Party Out of Bounds" as a prop for the song's drunken partygoer theme, in place of the trumpet thus used in the studio for the Wild Planet song.

On the popular BBC Radio 4 comedy panel game show "I'm Sorry I Haven't A Clue" the swanee whistle has been paired for comic effect with the kazoo in a musical round called "Swanee-Kazoo" which has been played for over forty years.

See also

Related Research Articles

In music, a glissando is a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep, bend, smear, rip, lip, plop, or falling hail. On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure.

<span class="mw-page-title-main">Musical ensemble</span> Instrumental and/or vocal music group

A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.

<span class="mw-page-title-main">Woodwind instrument</span> Family of musical wind instruments

Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments. The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas.

<span class="mw-page-title-main">Tin whistle</span> Six-holed woodwind instrument

The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.

<span class="mw-page-title-main">Orchestration</span> Study or practice of writing music for an orchestra

Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.

<span class="mw-page-title-main">Kazoo</span> American musical instrument

The kazoo is an American musical instrument that adds a "buzzing" timbral quality to a player's voice when the player vocalizes into it. It is a type of mirliton, one of a class of instruments which modifies its player's voice by way of a vibrating membrane of goldbeater's skin or material with similar characteristics.

<span class="mw-page-title-main">Aerophone</span> Musical instruments that are played by vibration of air

An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.

<span class="mw-page-title-main">Ocarina</span> Ceramic wind instrument

The ocarina is a wind musical instrument; it is a type of vessel flute. Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone.

<span class="mw-page-title-main">Mute (music)</span> Device attached to musical instrument to change its sound

A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound.

The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, Riverdance, Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music.

<span class="mw-page-title-main">Fipple</span> Musical instrument

The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself.

<span class="mw-page-title-main">Flexatone</span> Modern percussion instrument

The flexatone or fleximetal is a modern percussion instrument consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. Used in classic cartoons for its glissando effect, its sound is comparable to the musical saw.

<span class="mw-page-title-main">Quarter tone</span> Musical interval

A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.

<span class="mw-page-title-main">End-blown flute</span> Woodwind musical instrument

The end-blown flute is a woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube. Unlike a recorder or tin whistle, there is not a ducted flue voicing, also known as a fipple. Most rim-blown flutes are "oblique" flutes, being played at an angle to the body's vertical axis. A notched flute is an end-blown flute with a notch on the blowing surface. A lip-valley flute is a type of notched flute.

<span class="mw-page-title-main">Multi-instrumentalist</span> Musician who plays multiple musical instruments

A multi-instrumentalist is a musician who plays two or more musical instruments at a professional level of proficiency.

The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.

<i>American Stonehenge</i> (album) 1978 studio album by Robin Williamson and his Merry Band

American Stonehenge is a folk album released in 1978 by Robin Williamson and his Merry Band. This album was produced by Robin Williamson and engineered by Dirk Dalton at Dirk Dalton Recording, Santa Monica, California, in December 1977.

<span class="mw-page-title-main">Wind instrument</span> Class of musical instruments with air resonator

A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.

<span class="mw-page-title-main">Vessel flute</span> Vessel-shaped flute

A vessel flute is a type of flute with a body which acts as a Helmholtz resonator. The body is vessel-shaped, not tube- or cone-shaped; that is, the far end is closed.

The trombone is a musical instrument from the brass instrument family. Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop. The trombone has since grown to be featured in standard big band group setups with 3 to 5 trombones depending on the arrangement. A person who plays the trombone is called a trombone player or a trombonist.

References

  1. Karl Peinkofer and Fritz Tannigel, Handbook of Percussion Instruments, (Mainz, Germany: Schott, 1976), 78.
  2. Adato, Joseph and Judy, George (1984). The Percussionist's Dictionary: Translations, Descriptions, and Photographs of Percussion Instruments from Around the World, p.32. Alfred Music. ISBN   9781457493829.
  3. Beck, John H. (2013). Encyclopedia of Percussion, p.83. Routledge. ISBN   9781317747680.
  4. 1 2 Hugh Davies. "Swanee whistle." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/47634 (accessed October 10, 2009).
  5. Berrett, Joshua (2004). Louis Armstrong & Paul Whiteman: Two Kings of Jazz, p. 62. Yale University Press. ISBN   0-300-10384-0.
  6. Louis Armstrong's discography: Early years - 1901 1925
  7. (1990). Jazz Journal International . Billboard.
  8. Anthony Baines; Adrian Boult (1967). Woodwind Instruments and Their History. p. 35. ISBN   9780486268859 . Retrieved 2017-03-01.
  9. Beck (2013), p. 29.
  10. Iddon, Martin (2013). John Cage and David Tudor: Correspondence on Interpretation and Performance, p. 91. Cambridge University. ISBN   9781107310889.