Small Talk at 125th and Lenox | ||||
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Live album by | ||||
Released | 1970 | |||
Venue | 125th & Lenox Nightclub (New York, New York) | |||
Genre | Jazz poetry, proto-rap, spoken word | |||
Length | 44:01 | |||
Label | Flying Dutchman/RCA FD-10143 | |||
Producer | Bob Thiele | |||
Gil Scott-Heron chronology | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
Billboard | (favorable) [2] |
Virgin Encyclopedia | [3] |
Uncut | 7/10 [4] |
A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, [5] is a live album and the first release of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. [6] Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, [5] but liner notes included in the 2012 box set The Revolution Begins: The Flying Dutchman Masters, Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. [7] By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, The Vulture. [8] Well received by music critics who found Scott-Heron's material imaginative, [2] [3] Small Talk at 125th and Lenox has been described as "a volcanic upheaval of intellectualism and social critique" by AllMusic editor John Bush. [1]
All tracks are written by Gil Scott-Heron.
No. | Title | Length |
---|---|---|
1. | "Introduction/The Revolution Will Not Be Televised" | 3:17 |
2. | "Omen" | 1:45 |
3. | "Brother" | 2:35 |
4. | "Comment #1" | 4:26 |
5. | "Small Talk at 125th & Lenox" | 1:20 |
6. | "The Subject Was Faggots" | 3:10 |
7. | "Evolution (And Flashback)" | 3:20 |
No. | Title | Length |
---|---|---|
1. | "Plastic Pattern People" | 2:50 |
2. | "Whitey on the Moon" | 1:57 |
3. | "The Vulture" | 2:00 |
4. | "Enough" | 8:37 |
5. | "Paint It Black" | 0:30 |
6. | "Who'll Pay Reparations on My Soul?" | 4:20 |
7. | "Everyday" | 4:20 |
Leon Bridges performed a new rendition of "Whitey on the Moon" in the 2018 Damien Chazelle film First Man , which was also included on the film's soundtrack album. [9]
Gilbert Scott-Heron was an American jazz poet, singer, musician, and author known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues, and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
Giant Steps is the fifth studio album by jazz musician John Coltrane as leader. It was released in February 1960 on Atlantic Records. This was his first album as leader for Atlantic Records, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It attained gold record status in 2018, having sold 500,000 copies.
Porgy and Bess is a studio album by jazz musician Miles Davis, released in March 1959 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's 1935 opera of the same name. The album was recorded in four sessions on July 22, July 29, August 4, and August 18, 1958, at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by some music critics as the best of their collaborations. Jazz critics have regarded the album as historically important.
Malcolm Cecil was a British jazz bassist, record producer, engineer and electronic musician. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
From South Africa to South Carolina is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on Saturday Night Live in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records.
Pieces of a Man is the debut studio album by American poet Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
Winter in America is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
Free Will is the second studio album by American poet Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972 at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson. Free Will is also Scott-Heron's final studio album for Flying Dutchman. The album reissued on compact disc in 2001 by Bluebird Records with alternative takes of eight tracks from the original album.
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards.
It's Your World is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in November 1976 by Arista Records. Recording sessions for the album took place in studio and live in July 1976 at Paul's Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former's backing ensemble, The Midnight Band. It's Your World was originally released on vinyl and was later re-released in 2000 on compact disc by Scott-Heron's Rumal-Gia label.
Flying Dutchman Records was an American jazz record label, which was owned by music industry executive, producer and songwriter Bob Thiele.
"Rivers of My Fathers" is a song by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was written and composed by Scott-Heron and Jackson for their first collaborative album, Winter in America (1974). The song was recorded on October 15, 1973 at D&B Sound Studio in Silver Spring, Maryland and produced by Scott-Heron and Jackson with assistance from engineer Jose Williams.
The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name.
I'm New Here is the 15th and final studio album by American vocalist and pianist Gil Scott-Heron. It was released on February 8, 2010, by XL Recordings and was his first release of original music in 16 years, following a period of personal and legal troubles with drug addiction.
Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1963 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
Secrets is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson.
There Comes a Time is an album by the jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1975 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper and Ryo Kawasaki. The album was re-released with an altered tracklist on CD in 1988.
1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
"Whitey on the Moon" is a 1970 spoken word poem by Gil Scott-Heron. It was released as the ninth track on Scott-Heron's debut album Small Talk at 125th and Lenox. Recorded over a simple drum accompaniment, it tells of medical debt, high taxes and poverty experienced at the time of the Apollo Moon landings. The poem critiques the resources spent on the space program while Black Americans were experiencing social and economic disparities at home. "Whitey on the Moon" was prominently featured in the 2018 biographical film about Neil Armstrong, First Man. It was also featured in the second episode of HBO's Lovecraft Country. It received renewed interest in 2021 following spaceflights by billionnaires Jeff Bezos and Richard Branson, which were seen as emblematic of the inequities highlighted by the poem.