| The Revolution Will Not Be Televised | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | 1974 | |||
| Recorded | 1970–72 | |||
| Genre | Jazz, funk, R&B, proto-rap, spoken word | |||
| Length | 33:01 | |||
| Label | Flying Dutchman | |||
| Producer | Bob Thiele | |||
| Gil Scott-Heron chronology | ||||
| ||||
| Alternative cover | ||||
 1988 reissue cover | ||||
The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name. [1]
The album features recordings previously featured on Scott-Heron's first three records for Flying Dutchman— Small Talk at 125th and Lenox (1970), Pieces of a Man (1971), and Free Will (1972), [2] which were produced by jazz producer Bob Thiele. [3] The music compiled incorporates funk, jazz, and proto-rap styles. [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [3] |
| Christgau's Record Guide | B+ [5] |
| Encyclopedia of Popular Music | [4] |
| Los Angeles Daily News | A [6] |
The Revolution Will Not Be Televised was released in 1974 and charted on Billboard 's Top Jazz Albums. It peaked at number 21 on October 12 of that year after spending five weeks on the chart. [7] In a contemporary review, Ebony magazine's Phyl Garland called the album "mind-blowing" and said Scott-Heron "does not merely posture and pacify, but presses one to consider the uncomfortable truths of contemporary blackness." [8]
Since then, The Revolution Will Not Be Televised has received positive reviews from publications such as The Washington Post and Los Angeles Daily News , [9] which said "the roots of rap run deep through this superb retrospective". [10] Village Voice critic Robert Christgau said the compilation abandons the homophobia that plagued Scott-Heron's 1970 debut Small Talk at 125th and Lenox in favor of songs that show artistic progress, including agitprop that sounds less arrogant but still committed and improved singing that reveals his compassion. [5] In To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic (2007), William Jelani Cobb said of its significance in hip hop music:
While The Last Poets and This Is Madness pre-dated the beginnings of hip hop, Gil Scott-Heron's 1974 album The Revolution Will Not Be Televised was released as the art form took its first breaths of South Bronx air. Primarily a jazz album, Revolution's claim to the hip hop pantheon was anchored in a title track that found Scott-Heron delivering verse over a hypnotic, funk-indebted bassline—an approach that was so distinct at that point as to warrant classic status. [11]
In the Encyclopedia of Popular Music (2002), writer Colin Larkin praised Scott-Heron's anger and passion in his spoken-word performances on "No Knock" and the title track. [4] AllMusic's Alex Henderson recommended the album's "innovative R&B and spoken poetry" to listeners interested in "exploring his artistry for the first time". [3]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "The Revolution Will Not Be Televised" | Gil Scott-Heron | 3:03 |
| 2. | "Sex Education: Ghetto Style" | Scott-Heron, Brian Jackson | 0:48 |
| 3. | "The Get Out of the Ghetto Blues" | Scott-Heron, Jackson | 4:59 |
| 4. | "No Knock" | Scott-Heron | 1:27 |
| 5. | "Lady Day and John Coltrane" | Scott-Heron | 3:32 |
| 6. | "Pieces of a Man" | Scott-Heron, Jackson | 4:59 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Home Is Where the Hatred Is" | Scott-Heron | 3:18 |
| 2. | "Brother" | Scott-Heron | 1:42 |
| 3. | "Save the Children" | Scott-Heron | 4:22 |
| 4. | "Whitey on the Moon" | Scott-Heron | 1:26 |
| 5. | "Did You Hear What They Said?" | Scott-Heron | 3:25 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 12. | "When You Are Who You Are" | Scott-Heron, Jackson | 3:01 |
| 13. | "I Think I'll Call It Morning" | Scott-Heron, Jackson | 3:45 |
| 14. | "A Sign of the Ages" | Scott-Heron, Jackson | 4:05 |
| 15. | "Or Down You Fall" | Scott-Heron, Jackson | 3:08 |
| 16. | "The Needle's Eye" | Scott-Heron, Jackson | 4:01 |
| 17. | "The Prisoner" | Scott-Heron, Jackson | 8:39 |
Billboard Music Charts (North America) – The Revolution Will Not Be Televised
Information regarding the release history of The Revolution Will Not Be Televised is adapted from Discogs. [12]
| Region | Year | Label | Format | Catalog |
|---|---|---|---|---|
| United States | 1974 | Flying Dutchman Records | vinyl LP | BDL 1-0613 |
| Spain | 1975 | RCA Records | vinyl LP, Spanish edition | DBL 1-0613 |
| Germany | 1988 | BMG | remastered CD | 6994-2-RB |
| United States | 1988 | RCA | vinyl LP | NL 86994 |
| United States | 1988 | BMG | vinyl LP | DRL 11798 |
| Germany | 1989 | RCA | CD | ND86994 |
| United States | 1998 | BMG | reissued LP | DRL11798 |
The information regarding sampling of songs from The Revolution Will Not Be Televised is adapted from TheBreaks.com. [13]
Gilbert Scott-Heron was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
"The Revolution Will Not Be Televised" is a poem and song by Gil Scott-Heron. Scott-Heron first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a full band, was the B-side to Scott-Heron's first single, "Home Is Where the Hatred Is", from his album Pieces of a Man (1971). It was also included on his compilation album, The Revolution Will Not Be Televised (1974). All these releases were issued on the Flying Dutchman Productions record label.
The Disposable Heroes of Hiphoprisy were an American hip-hop musical ensemble, active during the early 1990s. The band was formed in 1990 by Michael Franti and Rono Tse, who had worked together in The Beatnigs. They released two albums, the critically acclaimed Hypocrisy Is the Greatest Luxury in 1992, and Spare Ass Annie and Other Tales in 1993.
Follow the Leader is the second studio album by American hip hop duo Eric B. & Rakim. Following their debut album Paid in Full (1987), Eric B. & Rakim left 4th & B'way Records and signed with Uni Records, a subsidiary label of major label MCA Records. They recorded Follow the Leader at Power Play Studios in New York City. The duo produced, composed, and arranged the album with additional contributions from Rakim's brother Stevie Blass Griffin, who contributed with various instruments. Eric B. & Rakim worked with audio engineers Carlton Batts and Patrick Adams on the album. In a similar manner to their first album, a "ghost producer" was brought in for two songs. In a 2007 interview with Unkut.com, The 45 King said he produced both "Microphone Fiend" and "The R". "Microphone Fiend" was originally made for Fab 5 Freddy, until 45 King gave it over to Eric B., the group's "DJ".
Amos Leon Thomas Jr., known professionally as Leon Thomas, was an American jazz and blues vocalist, born in East St. Louis, Illinois, and known for his bellowing glottal-stop style of free jazz singing in the late 1960s and 1970s.
Kamaal the Abstract is the third studio album by American hip hop artist Q-Tip, released September 15, 2009, on Battery Records. Recorded in 2001, the album is a departure from his solo debut album Amplified (1999). Kamaal the Abstract is an eclectic album that features Q-Tip rapping, singing, and exploring his jazz influences. The album contains introspective and life-related lyrical themes.
Lonnie Liston Smith Jr. is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.
From South Africa to South Carolina is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on Saturday Night Live in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records.
Pieces of a Man is the debut studio album by American poet Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
Winter in America is a studio album by American poet Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
Free Will is the second studio album by American poet Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972 at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson. Free Will is also Scott-Heron's final studio album for Flying Dutchman. The album reissued on compact disc in 2001 by Bluebird Records with alternative takes of eight tracks from the original album.
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards.
It's Your World is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in November 1976 by Arista Records. Recording sessions for the album took place in studio and live in July 1976 at Paul's Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former's backing ensemble, The Midnight Band. It's Your World was originally released on vinyl and was later re-released in 2000 on compact disc by Scott-Heron's Rumal-Gia label.
Flying Dutchman Records was an American jazz record label, which was owned by music industry executive, producer and songwriter Bob Thiele.
A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, is the debut album of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, but liner notes included in the 2012 box set The Revolution Begins: The Flying Dutchman Masters, Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, The Vulture. Well received by music critics who found Scott-Heron's material imaginative, Small Talk at 125th and Lenox has been described as "a volcanic upheaval of intellectualism and social critique" by Allmusic editor John Bush.
I'm New Here is the 15th and final studio album by American vocalist and pianist Gil Scott-Heron. It was released on February 8, 2010, by XL Recordings and was his first release of original music in 16 years, following a period of personal and legal troubles with drug addiction.
Secrets is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson.
1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
Real Eyes is an album by the American poet and musician Gil Scott-Heron, released in 1980. It was Scott-Heron's first album since 1970 to be made without input from his musical collaborator Brian Jackson.
