Speak the speech

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"Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark.

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The speech itself has played two important roles independent of the play. It has been analyzed as a historical document for clues about the nature of early modern acting practices and it has also been used as a contemporary guide to the performance of Shakespearean drama. [2]

While there is some justification for each of these approaches, they should be distinguished from other, far less valid assertions: on the one hand, that Hamlet expresses the opinions of Shakespeare on the art of acting in a straightforward and unproblematic way; on the other, that the speech offers a proto-Stanislavskian view of the art of acting. [3] The first elides the difference between author and character, while the second ignores the historical specificity of the discourses and meanings attached to theatrical performance. [4]

Notes

  1. Philip Edwards, editor of the New Cambridge Shakespeare edition, argues for mid-1601 as the likely date for the completion of the play (1985, 4-8).
  2. Rodenberg (2002, 63-65) and Hall (2004, 58-61).
  3. See, for example, Merlin (2007, 5).
  4. "[A]ll theatre is 'mimetic' to some degree--but what Shakespeare understood by the requirement (voiced through Hamlet) that the stage "Hold a mirror up to Nature" is very different from the aims of 19th-century naturalistic playwrights" (Innes 2000, 5). Joseph Roach offers a detailed critique of this ahistorical approach to acting theory in The Player's Passion (1985), especially, with reference to the early modern period, the first chapter.

Works cited

Further reading

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