| Stan Getz With Guest Artist Laurindo Almeida | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | November 1966 [1] | |||
| Recorded | March 21–22, 1963 | |||
| Studio | Webster Hall, New York City | |||
| Genre | Latin jazz | |||
| Length | 32:12 | |||
| Label | Verve V6-8665 | |||
| Producer | Creed Taylor | |||
| Stan Getz With Laurindo Almeida chronology | ||||
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Stan Getz With Guest Artist Laurindo Almeida is an album by American saxophonist Stan Getz and guitarist Laurindo Almeida, recorded in 1963 and issued on Verve as V/V6-8665.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Tracks 2, 5, 6 recorded on March 21, 1963; tracks 1, 3, 4 on March 22, 1963.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world; this increased popularity helped to renew samba and contributed to the modernization of Brazilian music in general.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova".
Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961.
Laurindo Almeida was a Brazilian guitarist and composer in classical, jazz, and Latin music. He and Bud Shank were pioneers in the creation of bossa nova. Almeida was the first guitarist to receive Grammy Awards for both classical and jazz performances. His discography encompasses more than a hundred recordings over five decades.
Getz/Gilberto #2 is a live album by Stan Getz and João Gilberto, released in 1966. It was recorded at a live concert at Carnegie Hall in October 1964. The previous album Getz/Gilberto won the 1965 Grammy Awards for Best Album of the Year and Best Jazz Instrumental Album - Individual or Group amongst others. The painting on the cover is by Olga Albizu.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
"How Insensitive" is a bossa nova and jazz standard song composed by Brazilian musician Antônio Carlos Jobim. The lyrics were written in Portuguese by Vinícius de Moraes and in English by Norman Gimbel. Jobim recorded the song in 1994 with Sting on lead vocals for his album, Antônio Brasileiro.
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Jazz Samba Encore! is a bossa nova album by Stan Getz and Luiz Bonfá, released on the Verve label. It is bossa nova in a slower groove. It contains a mix of Jobim standards as well as originals from Bonfá. Performers also include Antonio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife. The painting on the cover is a piece by the influential New York based abstract expressionist Olga Albizu from Puerto Rico.
Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto. It was recorded during two concerts in 1964 and released on Verve the same year as V6-8600.
Latin Impressions is an album by American jazz guitarist Charlie Byrd featuring tracks recorded in 1962 and released on the Riverside label.
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.
The Stan Getz Quartet in Paris is a live album by saxophonist Stan Getz recorded at the Salle Pleyel which was first released on the French Verve label.
Getz/Gilberto '76 is a live album by saxophonist Stan Getz and guitarist/vocalist João Gilberto which was recorded at Keystone Korner in 1976 and released on the Resonance label in 2016.
Edison dos Santos Machado was a self-taught Brazilian drummer and composer. Through his creation of the samba no prato and his early recordings, he helped shape Brazilian samba and bossa nova. Throughout his life, he collaborated frequently with a variety of musicians including Chet Baker and Ron Carter and was recorded in over 50 albums until his sudden death in 1990. Despite the impact he made as one of the founders of bossa nova his name has been largely forgotten.
"O Morro Não Tem Vez", also known as "Favela", "O Morro", and "Somewhere in the Hills", is a bossa nova jazz standard composed by Antônio Carlos Jobim with lyrics written by Vinicius de Moraes. The English lyrics were written by Ray Gilbert.
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