Burt Freeman Bacharach is an American composer, songwriter, record producer, and pianist who composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. As of 2014, he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music.
Focus is a jazz album recorded in 1961, featuring Stan Getz on tenor saxophone with a string orchestra. The album is a suite which was originally commissioned by Getz from composer and arranger Eddie Sauter. Widely regarded as a high point for both men's careers, Getz later described Focus as his favorite among his own records. The pair would next collaborate on their soundtrack to the 1965 film Mickey One.
The Steamer is an album by saxophonist Stan Getz, recorded in 1956 and first released on the Verve label.
"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and sung by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in the 1967 spoof James Bond film Casino Royale. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination in the 1968 Academy Awards.
"Wives and Lovers" is a 1963 song by Burt Bacharach and Hal David. It has been recorded by numerous male and female vocalists, instrumentalists and ensembles, most notably by Jack Jones in 1963. That recording earned the 1964 Grammy Award for Best Vocal Performance, Male, and peaked at number fourteen on the Hot 100 and number nine on the Easy Listening chart.
Jazz Samba Encore! is a bossa nova album by Stan Getz and Luiz Bonfá, released on the Verve label. It is bossa nova in a slower groove. It contains a mix of Jobim standards as well as originals from Bonfá. Performers also include Antonio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife. Some songs are subdued but substantial in tone, while "Um Abraco No Getz", features a blistering solo from Stan with Maria totally silent as she is on the superior track O Morro Nao Tem Vez. The painting on the cover is a piece by the influential New York based abstract expressionist Olga Albizu from Puerto Rico.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Beginnings: Greatest Hits & New Songs is the fifteenth solo studio album by Cilla Black. The project featured eleven all-new studio recordings produced by Ted Carfrae alongside nine of her own hit singles produced by George Martin. Also included as a hidden track was a club remix of a re-recording of "Step Inside Love" produced by DJ Tommy Sandhu.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
From the Hot Afternoon is an album by American jazz saxophonist Paul Desmond featuring performances recorded in 1969 and released on the CTI label.
Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label.
Brothers-4 is an album by organist Don Patterson with saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features guitarist Grant Green, who was credited as Blue Grant for contractual reasons, being then signed to Blue Note Records. The 2001 CD release added 6 bonus tracks recorded at the same session but issued on other albums.
Presenting Cissy Houston is the debut album by American soul singer/backing vocalist Cissy Houston, originally released on Major Minor Records in 1970 in the United Kingdom. Her contract was sold to Janus Records the same year. They released the album in the United States as Cissy Houston in 1970. The 2012 CD re-release on Cherry Red Records incorporates bonus tracks from later recordings.
Bossa Antigua is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label. The album title is a word play on bossa nova, the genre of Brazilian music that inspired the album. "Bossa Antigua" loosely translates in English to "old thing", though "antigua" is a Spanish word rather than Portuguese. Antigua is also the name an island in the West Indies popular with North American tourists.
The Soft Swing is an album by saxophonist Stan Getz and recorded in 1957 and first released on the Verve label. Per the liner notes by Stewart Clay on a 2016 CD re-release, it was the only studio session in which Getz collaborated with Mose Allison, although some Mutual broadcasts from the Village Vanguard and the Red Hill Inn are included as bonus tracks of the re-release.
Gerry Mulligan Meets Stan Getz is an album by American jazz saxophonists Gerry Mulligan and Stan Getz featuring performances recorded in 1957 released on the Verve label.
Stan Getz Plays is an album by saxophonist Stan Getz, recorded in 1952 and first released on the Norgran label in 1955. The album features tracks that were previously released on two 10-inch LPs on Clef Records.
Stan Getz at Large is an album by saxophonist Stan Getz which was released on the Verve label as a 2LP set in 1960 Since both albums ran slightly over 40 minutes a exact 2CD replica with the shown cover art was created without bonus tracks, which were added to a later edition.
Marrakesh Express is an album by saxophonist Stan Getz and orchestra arranged and conducted by Richard Hewson which was released on the MGM label in 1970.
Stan Getz Quartets is an album by saxophonist Stan Getz recorded at sessions in 1949 and 1950 and first released as an LP on the Prestige label in 1955.
