A strapless dress or top is a garment that stays put around the upper body without shoulder straps or other visible means of support. It is usually supported by an internal corset and/or brassiere, with the tightness of the bodice preventing the dress from slipping out of position. [1]
According to Richard Martin and Harold Koda, the modern strapless dress first appeared in the 1930s, where it was popularised by designers such as Mainbocher and from the late 1940s, Christian Dior. [1] The July 18, 1938, issue of Life claimed that the "absolutely strapless, sleeveless evening dress" was a 1937–38 invention. [2] However, that was predated in 1930 by the actress Libby Holman, who had been photographed in an apparently strapless dress that year. [3] Holman became associated with the strapless dress and is regularly credited with inventing it, [4] [5] [6] or at least being one of its first high-profile wearers. [7]
In 1934, Mainbocher produced his first strapless gown, a black satin design which has been described as the first strapless evening dress. [8] Along with Holman and Mainbocher, the heiress Brenda Frazier is also credited with popularising the style when she wore a strapless debutante dress for her debut and famously appeared in it on the November 14, 1938, cover of Life. [9] [10] [11]
Strapless dresses remained popular after the Second World War, with the style sometimes being described as the "naked look". [12] One of the most famous strapless dresses of this period was the black satin gown worn by Rita Hayworth for a song and dance routine in Gilda . [13] Hayworth's performance demonstrated to viewers that strapless dresses could be secure enough to move around and dance in without risk of indecent exposure. [13] Despite this, more conservative customers might add shoulder straps to their new strapless dresses. [12] The style was also problematic for those who objected to its perceived immodesty. During the 1940s and 1950s, Catholic campaigners in the United States protested against "immodest" clothing, including two-piece and strapless swimsuits and dresses. [14] In 1954, the United States Army tried to ban Army wives and daughters in Germany from wearing shorts, jeans, and strapless dresses, "except at appropriate social functions." [15]
During the 1950s, notable strapless dress designers included Madame Grès, whose flowing Grecian dresses were mounted upon custom-designed interior corsets by Alice Cadolle. [16]
In the 1970s, Halston designed an unstructured strapless dress. [17] The knitted tube top was worn as a casual strapless option, [18] and by the 1980s, strapless dresses were made in stretchy, elastic fabrics which did not require boning or interior structure. [19]
In 2012, the strapless dress was described as the most widely requested style for Western wedding dresses. [20] Vera Wang is sometimes credited with introducing this style of bridal dress in the first decade of the 21st century, [20] although strapless dresses were an increasingly valid option from the 1990s onwards with the growing popularity of formal civil weddings from the 1990s. [21] [22] However, for religious weddings, strapless and shoulder-baring styles are potentially controversial, [21] and despite the popularity of the strapless wedding dress it is considered by some to be a "rejection of the virginal ideal". [23]
The strapless dress is also a very popular style for red carpet fashion. [13]
Since their introduction, strapless garments have proved problematic in many contexts. In the early 21st century, many schools and workplaces specifically forbid strapless garments as part of their dress code. An Adecco survey published in The Wall Street Journal in 2012 indicated that 72% of Americans thought strapless tops were inappropriate office wear. [24]
Strapless garments may be singled out for particular censure by preachers and clerics. In 2005, a Muslim cleric declared strapless garments "satanic", along with other revealing garments such as miniskirts and see-through clothing. [25] Spencer W. Kimball, the 12th President of the Church of Jesus Christ of Latter-day Saints (LDS church), declared that strapless gowns were neither righteous nor approved, and that no Latter-day Saint woman should wear one at any time, [26] while other Latter-day Saints declared them an "abomination in the sight of the Lord". [27] Such views may not necessarily reflect those of the majority of their associated religion, although a rule of thumb is that strapless garments are only acceptable in religious contexts, such as Catholic churches or Jewish bat mitzvahs, if the shoulders and arms are covered. [28] [ self-published source? ] [29]
A wedding dress or bridal gown is the dress worn by the bride during a wedding ceremony. The color, style and ceremonial importance of the gown can depend on the religion and culture of the wedding participants. In Western cultures and Anglo-Saxon cultural spheres, the wedding dress is most commonly white, a fashion made popular by Queen Victoria when she married in 1840. In Eastern cultures, brides often choose red to symbolize auspiciousness.
A crinoline is a stiff or structured petticoat designed to hold out a skirt, popular at various times since the mid-19th century. Originally, crinoline described a stiff fabric made of horsehair ("crin") and cotton or linen which was used to make underskirts and as a dress lining. The term crin or crinoline continues to be applied to a nylon stiffening tape used for interfacing and lining hemlines in the 21st century.
Madeleine Vionnet was a French fashion designer. Vionnet trained in London before returning to France to establish her first fashion house in Paris in 1912. Although it was forced to close in 1914 at the outbreak of the First World War, it re-opened after the war and Vionnet became one of the leading designers of 1920s-30s Paris. Vionnet was forced to close her house in 1939 and retired in 1940.
Fashion in the 1890s in European and European-influenced countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing.
A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with an opera-length white gloves, vintage jewelry or couture, and a stole, cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.
Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
Mainbocher is a fashion label founded by the American couturier Main Rousseau Bocher, also known as Mainbocher. Established in 1929, the house of Mainbocher successfully operated in Paris (1929–1939), and then in New York (1940–1971).
Jeanne-Marie Lanvin was a French haute couture fashion designer. She founded the Lanvin fashion house and the beauty and perfume company Lanvin Parfums.
See-through clothing is any garment of clothing made with lace, mesh or sheer fabric that allows the wearer's body or undergarments to be seen through its fabric. See-through fabrics were fashionable in Europe in the eighteenth century. There was a "sheer fashion trend" starting with designer clothing from 2008. See-through or sheer fabric, particularly in skintone colours, is sometimes called illusion, as in 'illusion bodice' due to giving the impression of exposed flesh, or a revealing ensemble.
A wrap dress is generic term for a dress with a front closure formed by wrapping one side across the other, and is fastened at the side or tied at the back. This forms a V-shaped neckline. A faux wrap dress resembles this design, except that it comes already fastened together with no opening in front, but instead is slipped on over the head. A wrap top is a top cut and constructed in the same way as a wrap dress, but without a skirt. The design of wrap-style closure in European garments was the results of the heavy influences of Orientalism which was popular in the 19th century.
History of fashion design refers specifically to the development of the purpose and intention behind garments, shoes, accessories, and their design and construction. The modern industry, based around firms or fashion houses run by individual designers, started in the 19th century with Charles Frederick Worth who, beginning in 1858, was the first designer to have his label sewn into the garments he created.
In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
Main Rousseau Bocher, also known as Mainbocher, was an American couturier best known for the eponymous fashion label he founded in 1929. Although often pronounced "Man-bo-shay," his name is pronounced "Maine-Bocker."
In the 1946 film Gilda, Rita Hayworth wore a black dress made by American costume designer Jean Louis. It was used in a scene in which the character of Gilda sings the song "Put the Blame on Mame", improvising a quick striptease, choreographed by Jack Cole. The dress has helped consolidate the image of the femme fatale, as well as being universally recognized as an icon of fashion and cinema. The Independent named it as one of the Ten Best Fashion Moments in Film.
A bouffant gown is a women's dress silhouette made of a wide, full skirt resembling a hoop skirt. It may be tea length or floor length.
Sheridan Barnett is a British former fashion designer who worked with London boutique Quorum and launched the brand Barnett and Brown with Sheilagh Brown during the late 1970s. He went on to combine own-brand design with freelance work for names such as Jaeger, Norman Hartnell and Reldan, also working as a university academic. Barnett won Bath Museum of Costume's Dress of the Year award in 1983.
Popover is a type of dress originally designed by Claire McCardell in 1942. The outfit type became the basis for a variety of wrap-around dresses.
Louella Ballerino was an American fashion designer, best known for her work in sportswear.
The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Casual attire is commonly worn but formal and traditional styles are also worn depending on the occasion. Clothing incorporates a variety of colors, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.
Libby Holman was a Jewish American who invented the strapless gown and was a celebrated torch singer.
Then there was the scandalous Libby Holman, whose accomplishments ranged from challenging race and gender stereotypes to popularizing the strapless evening gown.
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