Florence Vidor was an American silent film actress.
Old Ironsides is a 1926 American silent historical war film directed by James Cruze and starring Charles Farrell, Esther Ralston, Wallace Beery, and George Bancroft. It was produced and distributed by Paramount Pictures.
The Nickel-Hopper is a 1926 American short silent comedy film starring Mabel Normand and featuring Oliver Hardy and Boris Karloff in minor uncredited roles.
His Hour is a 1924 American silent drama film directed by King Vidor. This film was the follow-up to Samuel Goldwyn's Three Weeks, written by Elinor Glyn, and starring Aileen Pringle, one of the biggest moneymakers at the time of the Metro-Goldwyn-Mayer amalgamation.
The Gentleman from America is a 1923 American silent comedy film directed by Edward Sedgwick and featuring Hoot Gibson and Louise Lorraine. It also featured a young Boris Karloff in an uncredited bit part. The screenplay was written by George C. Hull, based on a story by Raymond L. Schrock. The film's tagline was "This might be called the story of a fighting American in sunny Spain - with flashing senoritas and romance in the background! It's something new for Hoot Gibson - but you'll like it, and so will your patrons!" It is considered a lost film.
Perils of the Wild is a 1925 American silent adventure film serial directed by Francis Ford. The film is considered to be lost. This serial was based on the 1812 novel The Swiss Family Robinson by Johann David Wyss.
Without Benefit of Clergy is a 1921 American silent drama film directed by James Young and featuring Virginia Brown Faire, Thomas Holding and Boris Karloff. It is based on the story by Rudyard Kipling. A print of the film still exists at the UCLA Film and Television Archives and at Archives Du Film Du CNC.
The Altar Stairs is a 1922 American silent drama film directed by Lambert Hillyer and featuring Frank Mayo, Louise Lorraine, Lawrence Hughes and Boris Karloff in an early role. The screenplay was written by Doris Schroeder, George Hively and George Randolph Chester, based on the novel of the same name by G. B. Lancaster. It is considered today a lost film.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
The Greater Glory is a 1926 American silent drama film directed by Curt Rehfeld. The film starred Conway Tearle and Boris Karloff. The Greater Glory is sometimes listed as The Viennese Medley, the title of Edith O'Shaughnessy's novel of which the film is based.
The Man in the Saddle is a lost 1926 American silent Western film directed by Lynn Reynolds and Clifford Smith, starring Hoot Gibson and featuring Boris Karloff. It is considered a lost film.
The Bells is a 1926 American silent crime film directed by James Young, starring Lionel Barrymore and Boris Karloff. It was based on an 1867 French stage play called Le Juif Polonais by Erckmann-Chatrian. The play was translated to English in 1871 by Leopold Lewis at which time it was retitled The Bells. The English version of the play was performed in the U.S. in the 19th century by Sir Henry Irving. Le Juif Polonais was also adapted into an opera of the same name in three acts by Camille Erlanger, composed to a libretto by Henri Cain.
The Golden Web is a lost 1926 American silent mystery film directed by Walter Lang and starring Lillian Rich, Huntley Gordon and Lawford Davidson. The cast also features Boris Karloff before he established himself as a horror star. It is based on the 1910 novel The Golden Web by the British writer E. Phillips Oppenheim. A previous British film adaptation of the novel was produced in 1920.
Valencia, also known as The Love Song, is a 1926 American silent romance film directed by Dimitri Buchowetzki, who came over from Paramount to direct. The film stars Mae Murray and features Boris Karloff in an uncredited role. The film is presumed lost. The film was a box office hit and the title song, Valencia, was the top song in the U.S. for the year.
The Meddlin' Stranger is a lost 1927 American silent Western film directed by Richard Thorpe and featuring Boris Karloff.
George Beranger, also known as André Beranger, was an Australian silent film actor and director in Hollywood. He is also sometimes credited under the pseudonym George André de Beranger.
The Grand Duchess and the Waiter is a 1926 American silent romantic comedy film directed by Mal St. Clair and starring Florence Vidor and Adolphe Menjou. The film is based on a 1925 Broadway play of the same name starring stage actress Elsie Ferguson, who had recently returned to Broadway after years in the film colony. A print of this film is preserved at the Library of Congress.
Are Parents People? is a 1925 American silent comedy film starring Betty Bronson, Florence Vidor, Adolphe Menjou, George Beranger, and Lawrence Gray. The film was directed by Malcolm St. Clair and released by Paramount Pictures.
Sea Horses is a 1926 American silent drama film directed by Allan Dwan and written by Becky Gardiner, James Shelley Hamilton, and Francis Brett Young. The film stars Jack Holt, Florence Vidor, William Powell, George Bancroft, Mack Swain, Frank Campeau, and Allan Simpson. The film was released on February 22, 1926, by Paramount Pictures. It is based on the 1925 novel of the same title by British writer Francis Brett Young.
The Popular Sin is a 1926 American comedy silent film directed by Malcolm St. Clair, written by Monta Bell and James Ashmore Creelman, and starring Florence Vidor, Clive Brook, Greta Nissen, Philip Strange, George Beranger, and Iris Gray. It was released on November 22, 1926, by Paramount Pictures.
