The Frozen North

Last updated

The Frozen North
Exhibitors Herald - October 14, 1922 frozen north.jpg
Advertisement for the film from Exhibitors Herald
Directed by Buster Keaton
Edward F. Cline
Written byBuster Keaton
Edward F. Cline
Produced by Joseph M. Schenck
StarringBuster Keaton
Sybil Seely
Cinematography Elgin Lessley
Release date
  • August 28, 1922 (1922-08-28)
Running time
17 minutes
CountryUnited States
LanguageSilent with English intertitles
Frozen North

The Frozen North is a 1922 American short comedy film directed by and starring Buster Keaton. [1] The film is a parody of early western films, especially those of William S. Hart. The film was written by Keaton and Edward F. Cline (credited as Eddie Cline). The film runs for around 17 minutes. Sybil Seely and Bonnie Hill co-star in the film.

Contents

Plot

The film opens near the "last stop", a subway terminal (apparently) in Alaska, which appears to be emerging from deep snow in the middle of nowhere. A tough-looking cowboy emerges. He arrives at a small settlement, finding people gambling in a saloon. He tries to rob them by scaring them with a cutout taken from a poster of a man holding a gun, which he places at the window, to appear as if he has an accomplice. Frightened, the gamblers hand over their cash, but soon they find out the truth when a drunk man looks closer over the cutout and tips it over. Keaton attempts to hand the cash that he has been collecting back, but is thrown out through the window.

Next, he mistakenly enters a house thinking that it is his own house. Inside, from behind, he sees a man and a woman kissing before a fire. Thinking the woman is his wife, he begins to cry and shoots the couple, moments later to realize his mistake, whereupon he makes his exit. He goes to his own house, where he finds his wife, who greets him, but he spurns her coldly, and she screams in anguish. She goes to a wall, and a vase drops on her head and knocks her unconscious; Keaton glances at her momentarily without interest, and then goes back to thinking again. While investigating the shooting of the couple, a passing policeman then knocks at Keaton's door after hearing his wife scream. Keaton saves himself from arrest by playing music on a gramophone and pretending to dance with his unconscious wife, acting as if all were normal.

He looks out of the window and sees his pretty neighbor. He quickly dons an elegant white suit and picks flowers (mysteriously growing from the deep snow). He attempts to woo her, but she doesn't appear to favor him. Her husband comes back inside to get something he forgot, and angrily takes his wife away with him after finding Keaton inside the house with her moments after he had left. Keaton bares his teeth threateningly at him as he leaves and they stare each other in the eye.

The neighbors leave on a sled for a new, even more bleak northerly location. Keaton gets a "car" (a cross between a dog sled and an early automobile, with an engine) driven by a friend to follow them, but it breaks down, so he has to hail a passing "taxi" (a horse drawn sled with upholstery). The taxi is stopped by a traffic warden (riding a classic Harley-Davidson motorcycle frame mounted on skis driven by a pusher propeller - an actual mode of transport, not a joke for the film), but they get away: Keaton is up to his old tricks—he flips the propeller around to reverse the thrust, so after they drive off in the middle of the traffic stop, the officer goes backward into a lake when he restarts his engine to chase them. Three miles north of North Pole, he and Roberts find a hotel-like igloo with wall-hangings of a stag's head and a guitar. They attempt to survive by fishing in the manner of the Eskimos. Keaton makes snow-shoes from guitars and attempts to catch fish using tinned sardines as bait, but just creates trouble—he first falls through the ice and then tries to fish—but the only things he "catches" are another fisherman's strung fish and the other fisherman himself.

Keaton offers flowers to his pretty neighbor (Bonnie Hill). Frozen north buster keaton.jpg
Keaton offers flowers to his pretty neighbor (Bonnie Hill).

Forced to flee back to the igloo, where his companion is using a carpet sweeper on the ice floor, Keaton sees his pretty neighbor again in her new hut. Apparently fortified by drinking a bottle of cola, grimacing as if it were strong liquor, he decides he will go and make another attempt to win or coerce the other woman. He appears at her hut, and enters, to her distress. Upon hearing the husband returning to the hut to show his wife some gold he had just panned out of the water, Keaton resolutely bars the door with his arm, to prevent the husband from entering, only to discover the door hinges on the other side. After jumping and falling out the window, he disguises himself as a snowman to elude the husband when he runs out of the door in pursuit, and returns to the hut, where he is momentarily shown dressed as Erich von Stroheim's character from the film Foolish Wives , to indicate his villainous intent to force himself on her (or her apprehension of his intent). The husband reappears outside, searching for his wife, scanning the horizon; while he is searching for her, Roberts approaches him wearing clumsy cross-country skis, without being noticed, and stabs him in the arm. The husband appears to punch the friend so hard he flies through the air and lands headfirst in the ice fishing hole from earlier in the film. The husband returns to find his wife weeping on the floor as Keaton stands over her. He pulls out his own knife, and wrestles with Keaton. Keaton's wife appears outside the window, and shoots her husband in the back as they struggle. As husband and wife embrace, the wounded Keaton lying on the floor takes a derringer from his pocket and points it at the husband, but at that moment a janitor wakes Keaton up in the front row of a film theater (the gun in the last scene turns out to be a folded newspaper in his hand) and Keaton realizes that it was all a dream.

Cast

Production

The film followed Roscoe Arbuckle's arrest for the rape and manslaughter of actress Virginia Rappe. While studio executives ordered Arbuckle's industry friends and fellow actors (whose careers they controlled) not to publicly speak up for him, Keaton did make a public statement in support of Arbuckle's innocence. However, William S. Hart, who had never met or worked with Arbuckle, made a number of damaging public statements in which he presumed that Arbuckle was guilty. Arbuckle later wrote a premise for a film parodying Hart as a thief, bully and wife beater which Keaton purchased from him. Hart was widely believed in the industry to be "prone to domestic violence" and Keaton believed that Hart was helping to convict Arbuckle. Keaton produced, directed and starred in The Frozen North, the film that resulted. [2] [3]

Keaton wears a small version of Hart's campaign hat from the Spanish–American War and a six-shooter on each thigh, and during the scene in which he shoots the neighbor and her husband, he reacts with thick glycerin tears, a trademark of Hart's. [4] Keaton spoofs Hart's demeanor, and comically attempts Hart's iconic one handed cigarette roll. Keaton spends a lot of time standing and staring to imply Hart's wooden acting, which is reinforced in the scene where he puts a picture of a cowboy in a doorway to dupe gamblers, and the image on the picture is Hart. Audiences of the 1920s recognized the parody and thought the film hysterically funny. However, Hart himself was not amused by Keaton's antics, particularly the crying scene, and did not speak to Keaton for two years after he had seen the film. [5] The comedy also briefly parodies Erich von Stroheim's womanizing character from the film Foolish Wives . In contrast to Hart, von Stroheim was delighted with the parody of his character. [2]

The film was photographed on location at Donner Lake outside Truckee, California, in mid-winter. The film's opening intertitles give it its mock-serious tone, and are taken from The Shooting of Dan McGrew by Robert W. Service. [5]

Many of the gag sequences from The Frozen North, including the fishing sequence and wearing guitars as snowshoes while carrying a mattress, were later used by The Three Stooges in Rockin' thru the Rockies . [2]

The gag of a protagonist being in a film in a dream sequence and waking up in the end is also in the film Sherlock Jr. .

See also

Related Research Articles

<span class="mw-page-title-main">Buster Keaton</span> American actor, comedian and filmmaker (1895–1966)

Joseph Frank "Buster" Keaton was an American actor, comedian and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face".

<i>Sherlock Jr.</i> 1924 film

Sherlock Jr. is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.

<span class="mw-page-title-main">Roscoe Arbuckle</span> American actor (1887–1933)

Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.

<span class="mw-page-title-main">Edward F. Cline</span> American actor and director

Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.

<span class="mw-page-title-main">William S. Hart</span> American actor (1864–1946)

William Surrey Hart was an American silent film actor, screenwriter, director and producer. He is remembered as a foremost Western star of the silent era who "imbued all of his characters with honor and integrity." During the late 1910s and early 1920s, he was one of the most consistently popular movie stars, frequently ranking high among male actors in popularity contests held by movie fan magazines.

<i>One Week</i> (1920 film) 1920 American two-reel silent comedy film

One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.

<i>Convict 13</i> 1920 film by Buster Keaton, Edward F. Cline

Convict 13 is a 1920 two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline.

<i>Neighbors</i> (1920 film) 1920 American Buster Keaton comedy film

Neighbors is a 1920 two-reel silent comedy film co-written, co-directed by, and starring Buster Keaton.

<i>Three Ages</i> 1923 film

Three Ages is a 1923 black-and-white American feature-length silent comedy film starring comedian Buster Keaton and Wallace Beery. The first feature Keaton wrote, directed, produced, and starred in, Keaton structured the film like three inter-cut short films. While Keaton was a proven success in the short film medium, he had yet to prove himself as a feature-length star. It has been alleged that, had the project flopped, the film would have been broken into three short films, although this has been disputed by film historians who note that neither Keaton nor his associates made this claim in their lifetimes. The structure also worked as a parody of D. W. Griffith's 1916 film Intolerance.

Seven Chances is a 1925 American silent comedy film directed by and starring Buster Keaton, based on the play of the same name by Roi Cooper Megrue, produced in 1916 by David Belasco. Additional cast members include T. Roy Barnes, Snitz Edwards, and Ruth Dwyer. Jean Arthur, a future star, has an uncredited supporting role. The film's opening scenes were shot in early Technicolor.

<i>The Butcher Boy</i> (1917 film) 1917 film by Roscoe Arbuckle

The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.

<i>Out West</i> (1918 film) 1918 film

Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.

<i>The High Sign</i> 1921 film

The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film was not released until the following year. The title refers to the secret hand signal used by the film's underworld gang.

<i>Good Night, Nurse!</i> 1918 American film directed by Roscoe Arbuckle

Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The action centers in a sanitarium where Arbuckle's character is involuntarily brought to by his wife to be operated on by Keaton's character for alcoholism.

<i>Back Stage</i> (1919 film) 1919 film by Roscoe Arbuckle

Back Stage is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John.

<i>Coney Island</i> (1917 film) 1917 film by Roscoe Arbuckle

Coney Island is a 1917 American two-reel silent comedy film starring, written and directed by Roscoe "Fatty" Arbuckle and featuring Buster Keaton.

<i>Oh Doctor!</i> (1917 film) 1917 film

Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.

<i>Moonshine</i> (film) 1918 film

Moonshine is a 1918 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The movie is available on Youtube.

<span class="mw-page-title-main">Elgin Lessley</span> American cinematographer

Elgin Lessley was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming. Though Lessley worked earlier with Roscoe "Fatty" Arbuckle, and later with Harry Langdon, he is best known for the groundbreaking effects he produced with Buster Keaton, who dubbed him "the human metronome" for his ability to crank consistently at any requested speed.

<span class="mw-page-title-main">Luke the Dog</span> Fictional character

Luke the Dog (1913–1926) was an Staffordshire Bull Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.

References

  1. "Progressive Silent Film List: The Frozen North". Silent Era. Retrieved March 26, 2008.
  2. 1 2 3 Neibaur, James (2013). Buster Keaton's Silent Shorts: 1920-1923. Rowman & Littlefield. pp. 178–186. ISBN   9780810887411.
  3. Meade, Marion (2011). Buster Keaton: Cut to the Chase. Chapter 12 "Cops": e-reads. p. un-numbered. ISBN   9781617560743.{{cite book}}: CS1 maint: location (link)
  4. p.23, p.11, p.27
  5. 1 2 Keaton, Eleanor, and Vance, Jeffrey. Buster Keaton Remembered, H.N. Abrams, 2001, p. 95