Margot Grahame was an English actress most noted for starring in The Informer (1935) and The Three Musketeers (1935). She started acting in 1930 and made her last screen appearance in 1958.
Love in Exile is a 1936 British romantic adventure film directed by Alfred L. Werker and starring Helen Vinson, Clive Brook and Mary Carlisle.
Casanova Brown is a 1944 American comedy romantic film directed by Sam Wood, written by Nunnally Johnson, and starring Gary Cooper, Teresa Wright, and Frank Morgan. The film had its world premiere in western France after the Allies had liberated those territories following the D-Day Invasion. The film is based on the 1927 novel An Unmarried Father by Floyd Dell and the 1928 play Little Accident by Dell and Thomas Mitchell, which had been previously filmed by Universal Pictures in 1930 as The Little Accident and in 1939 as Little Accident.
Edmund Breon was a Scottish film and stage actor. He appeared in more than 130 films between 1907 and 1952.
Crime Over London is a 1936 British crime film directed by Alfred Zeisler and starring Margot Grahame, Paul Cavanagh and David Burns. It was made at Isleworth Studios, based on the novel House of a Thousand Windows by Ludwig von Wohl. The film's sets were designed by art director Edward Carrick. Distributed by United Artists in Britain, it was later given an American release by Gaumont British.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
The Broken Melody is a 1934 British musical drama film directed by Bernard Vorhaus and starring John Garrick, Margot Grahame, Merle Oberon and Austin Trevor.
Compromising Daphne is a 1930 British comedy film directed by Thomas Bentley and starring Jean Colin, Phyllis Konstam, C. M. Hallard and Viola Compton. It was also released under the alternative title Compromised! and was based on a play by Edith Fitzgerald. The film was produced by the leading British company of the era British International Pictures at their Elstree Studios with sets designed by John Mead.
Uneasy Virtue is a 1931 British comedy film directed by Norman Walker and starring Fay Compton, Edmund Breon, Francis Lister, Donald Calthrop, and Garry Marsh. It was produced by British International Pictures and shot at the company's Elstree Studios. The film was based on the 1927 West End play The Happy Husband by Harrison Owen.
Yes, Mr Brown is a 1933 British musical comedy film directed by Herbert Wilcox and starring Jack Buchanan, Hartley Power, Elsie Randolph and Margot Grahame. According to the Idaho Falls Post Register, the film was "gay catchy...entertainment with plenty of light comedy", in which "the manager of the Viennese branch of a large American toy firm [played by Buchanan] sets out to entertain his visiting boss [played by Power] in an effort to win a partnership." Yes, Mr. Brown is currently missing from the BFI National Archive, and is listed as one of the British Film Institute's "75 Most Wanted" lost films.
Leap Year is a 1932 British comedy film directed by Tom Walls, who co-stars with Anne Grey, Edmund Breon and Ellis Jeffreys. Made at British and Dominion's Elstree Studios, it was written by A. R. Rawlinson, and produced by Herbert Wilcox. The film was re-released in 1937.
Forging Ahead is a 1933 British comedy mystery film directed by Norman Walker and starring Margot Grahame, Garry Marsh and Anthony Holles. Its plot involves a gang of criminals who pretend a house is haunted in order to keep people away.
Money for Nothing is a 1932 British comedy film directed by Monty Banks and starring Seymour Hicks, Betty Stockfeld and Edmund Gwenn. It was produced by British International Pictures and shot at the company's Elstree Studios near London. A French-language remake of the film Love and Luck, also directed by Banks, premiered later in the year.
Glamour is a 1931 British drama film directed by Seymour Hicks and Harry Hughes and starring Hicks, Ellaline Terriss and Margot Grahame. A young, ruthless woman falls in love with a rising actor. It was loosely remade for the 1934 American film Glamour. There are currently no known surviving copies of the original film.
Timbuctoo is a 1933 British comedy film, co-directed by Walter Summers and Arthur B. Woods for British International Pictures, and starring Henry Kendall and Margot Grahame. Although BIP had a reputation for churning out films quickly and cheaply, in this case they allocated enough of a budget to finance location filming in Africa.
Falling in Love is a 1935 British comedy film directed by Monty Banks and starring Charles Farrell, Mary Lawson, Diana Napier and Gregory Ratoff. The film was shot at Walton Studios. It was released in the United States the following year under the alternative title Trouble Ahead.
French Leave is a 1937 British comedy film directed by Norman Lee and starring Betty Lynne, Edmund Breon and John Longden. It was based on a play by Reginald Berkeley which had previously been made into a film of the same title in 1930. It was made at Welwyn Studios.
The Innocents of Chicago is a 1932 British comedy film directed by Lupino Lane and starring Henry Kendall, Binnie Barnes and Margot Grahame.
Without You is a 1934 British comedy film directed by John Daumery and starring Henry Kendall, Wendy Barrie and Margot Grahame. It was made at Beaconsfield Studios as a quota quickie.
The Happy Husband is a comedy play by the British-based Australian author Harrison Owen. It premiered at the Theatre Royal, Portsmouth before transferring to the Criterion Theatre in London's West End where it ran for 109 performances between 15 June and 17 September 1927. The London cast included Madge Titheradge, Stella Arbenina, A.E. Matthews, Charles Laughton, Lawrence Grossmith, David Hawthorne, Carl Harbord in his West End debut, Marda Vanne and Ann Trevor. It was produced by Basil Dean. It was staged at the Empire Theatre on Broadway the following year, running for 72 performances.
