Debt of Honour is a 1936 British drama film directed by Norman Walker and starring Leslie Banks, Will Fyffe, Geraldine Fitzgerald and Garry Marsh. Based on a story by Sapper, and scripted by Tom Geraghty and Cyril Campion, the film is also known as The Man Who Could Not Forget.
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Oscar Wilde is a 1960 biographical film about Oscar Wilde, made by Vantage Films and released by 20th Century Fox. The film was directed by Gregory Ratoff and produced by William Kirby, from a screenplay by Jo Eisinger, based on the play Oscar Wilde by Leslie Stokes and Sewell Stokes. The film starred Robert Morley, Ralph Richardson, Phyllis Calvert and Alexander Knox.
Arthur Crabtree was a British cinematographer and film director. He directed films with comedians such as Will Hay, the Crazy Gang and Arthur Askey and several of the Gainsborough Melodramas.
Leslie Arliss was an English screenwriter and director. He is best known for his work on the Gainsborough melodramas directing films such as The Man in Grey and The Wicked Lady during the 1940s.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry" and "one of the greatest figures in British film history, the maker of stars like Margaret Lockwood, James Mason, John Mills and Stewart Granger. He was also one of the very few producers whose films, over a considerable period, made money." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
A Lady Mislaid is a 1958 British comedy film directed by David MacDonald and starring Phyllis Calvert, Alan White and Thorley Walters. It is based on a 1948 play of the same name by Kenneth Horne.
For Freedom is a 1940 British drama film directed by Maurice Elvey and Castleton Knight. It was made largely for propaganda purposes during the Second World War. It features Will Fyffe, Guy Middleton, and Terry-Thomas. Through its blending of fiction and documentary it was similar to The Lion Has Wings produced by Alexander Korda's London Films.
Neutral Port is a 1940 British war film directed by Marcel Varnel and starring Will Fyffe, Leslie Banks, Yvonne Arnaud, and Phyllis Calvert, with a supporting role for Wally Patch. It was produced and distributed by Gainsborough Pictures and shot at the company's Lime Grove Studios in West London. The film's sets were designed by the art director Alex Vetchinsky.
The Woman with No Name is a 1950 British drama film directed by Ladislao Vajda and starring Phyllis Calvert, Edward Underdown, Helen Cherry, Richard Burton and James Hayter. In the United States it was released as Her Panelled Door.
Give Me the Stars is a 1945 British musical drama film directed by Maclean Rogers and starring Leni Lynn, Will Fyffe, Jackie Hunter and Olga Lindo. American Toni Martin travels to Scotland and finds herself looking after her cranky grandfather Hector MacTavish, and even taking over his music hall act.
Uncensored is a 1942 British war drama film directed by Anthony Asquith starring Eric Portman, Phyllis Calvert and Griffith Jones. The film was produced at Gainsborough Pictures by Edward Black, with cinematography from Arthur Crabtree and screenplay by Rodney Ackland, Wolfgang Wilhelm and Terence Rattigan based on the 1937 novel of the same title by Oscar Millard. The film was shot at the company's Lime Grove Studios in Shepherd's Bush, with sets designed by the art director Alex Vetchinsky.
Anthony Hulme (1910–2007) was a British film actor.
The Mind of Mr. Reeder is a 1939 British mystery crime film directed by Jack Raymond and starring Will Fyffe as Mr. Reeder, with Kay Walsh, George Curzon, and supporting roles for Chili Bouchier, John Warwick and Ronald Shiner.
The Missing People is a 1940 British mystery film directed by Jack Raymond and starring Will Fyffe, Kay Walsh and Lyn Harding. Fyfe appears as J. G. Reeder, a character created by Edgar Wallace who works as an investigator for the Department of Public Prosecutions. The film is based on a novel by Edgar Wallace. Fyffe, Walsh and Raymond were involved in another Mr. Reeder film The Mind of Mr. Reeder released the previous year. It was shot at Highbury Studios in London.
Peter Auriol Murray Hill was an English actor, antiquarian, and publisher He was married to the actress Phyllis Calvert from 1941 until his death.
My Own True Love is a 1949 American drama film directed by Compton Bennett and written by Arthur Kober, Josef Mischel and Theodore Strauss. The film stars Phyllis Calvert, Melvyn Douglas, Wanda Hendrix, Philip Friend, Binnie Barnes and Alan Napier. The film was released on February 2, 1949, by Paramount Pictures.
Time Out of Mind is a 1947 American film noir drama film directed by Robert Siodmak and starring Phyllis Calvert, Robert Hutton and Ella Raines. The film was made by Universal Pictures on a large budget of $1,674,500, but the film was not a commercial success. The British actress Calvert was a major star in Britain and other countries for her roles in the Gainsborough Melodramas.
Uncensored is a 1937 novel by British writer Oscar Millard. It takes place during the German occupation of Belgium in the First World War. It was inspired by the real-life underground newspaper La Libre Belgique run by the country's resistance movement.
