The Nutcracker (1993 film)

Last updated
The Nutcracker
The Nutcracker (1993 film) poster.JPG
Theatrical release poster
Directed by Emile Ardolino
Written by Susan Cooper (narration)
Based on Peter Martins's stage production of The Nutcracker
Produced by Robert Hurwitz
Robert A. Krasnow
Starring
Narrated by Kevin Kline
Cinematography Ralf D. Bode
Edited byGirish Bhargava
Music by Pyotr Ilyich Tchaikovsky
Production
companies
Distributed by Warner Bros.
Release date
  • November 24, 1993 (1993-11-24)
Running time
92 minutes
CountryUnited States
LanguageEnglish
Budget$19 million [1]
Box office$2.1 million [1]

The Nutcracker, also known as George Balanchine's The Nutcracker, is a 1993 American Christmas ballet film based on Peter Martins's stage production and directed by Emile Ardolino. It stars Darci Kistler, Damian Woetzel, Kyra Nichols, Bart Robinson Cook, Macaulay Culkin, Jessica Lynn Cohen, Wendy Whelan, Margaret Tracey, Gen Horiuchi, Tom Gold, and the New York City Ballet.

Contents

The film was released by Warner Bros. under their Warner Bros. Family Entertainment label on November 24, 1993, four days after director Ardolino died. It received mixed reviews and was a box office failure, grossing only $2 million.

Plot

The film follows the traditional plot of the Nutcracker.

Act I

Scene 1: The Stahlbaum Home

Konstantin Ivanov's original sketch for the set of The Nutcracker (1892) Nutcracker design (cropped).jpg
Konstantin Ivanov's original sketch for the set of The Nutcracker (1892)

It is Christmas Eve. Family and friends have gathered in the parlor to decorate the beautiful Christmas tree in preparation for the party. Once it is finished, the children are sent for. They stare in awe at it sparkling with candles and decorations.

The party begins. [2] A march is played. [3] Presents are given out to the children. Suddenly, as the owl-topped grandmother clock strikes eight, a mysterious figure enters the room. It is Herr Drosselmeyer, a local councilman, magician, and Marie's godfather. He is also a talented toymaker who has brought gifts for the children, including four lifelike dolls who dance to the delight of all. [4] He then has them put away for safekeeping.

Marie and her brother, Fritz, are sad to see the dolls being taken away, but Drosselmeyer has yet another toy for them: a wooden nutcracker carved in the shape of a little man. The other children ignore it, but Marie immediately takes a liking to it. Fritz, however, breaks it, and she is heartbroken.

During the night, after everyone else has gone to bed, Marie returns to the parlor to check on her beloved nutcracker. As she reaches the little bed she put it on, the clock strikes midnight and she looks up to see Drosselmeyer perched atop it. Suddenly, mice begin to fill the room and the Christmas tree begins to grow to dizzying heights. The nutcracker also grows to life size. Marie finds herself in the midst of a battle between an army of gingerbread soldiers and the mice, led by their king. They begin to eat the soldiers.

The nutcracker appears to lead the soldiers, who are joined by tin soldiers, and dolls who serve as doctors to carry away the wounded. As the Mouse King advances on the still-wounded nutcracker, Marie throws her slipper at him, distracting him long enough for the nutcracker to stab him. [5]

Scene 2: A Pine Forest

The mice retreat and the nutcracker is transformed into a handsome Prince. [6] He leads Marie through the moonlit night to a pine forest in which the snowflakes come to life and dance around them, beckoning them on to his kingdom as the first act ends. [7] [8]

Act II

The Land of Sweets

Ivan Vsevolozhsky's original costume designs for Mother Gigogne and her Polichinelle children, 1892 Vsevolozhskys design for Nutcracker.jpg
Ivan Vsevolozhsky's original costume designs for Mother Gigogne and her Polichinelle children, 1892

Marie and the Prince travel to the beautiful Land of Sweets, ruled by the Sugar Plum Fairy in the Prince's place until his return. He recounts for her how he had been saved from the Mouse King by Marie and transformed back into himself. In honor of the young heroine, a celebration of sweets from around the world is produced: chocolate from Spain, coffee from Arabia, [9] [10] tea from China, [11] and candy canes from Russia [12] all dance for their amusement; Marzipan shepherdesses perform on their flutes; [13] Mother Ginger has her children, the Polichinelles, emerge from under her enormous hoop skirt to dance; a string of beautiful flowers perform a waltz. [14] [15] To conclude the night, the Sugar Plum Fairy and her Cavalier perform a dance. [16] [17]

A final waltz is performed by all the sweets, after which the Sugar Plum Fairy ushers Marie and the Prince down from their throne. He bows to her, she kisses Marie goodbye, and leads them to a reindeer-drawn sleigh. It takes off as they wave goodbye to all the subjects who wave back.

Cast

Production

Development on The Nutcracker began around Christmas 1989, when Peter Martins, Master-in-Chief of the New York City Ballet, learned that Time Warner Entertainment Chairman Steve Ross wanted to produce a film with the company. [18] Bob Krasnow, an avid ballet fan and executive of Time Warner subsidiary Elektra Records, worked on the film as a producer. [18] George Balanchine's trust hired Emile Ardolino to direct the film and Macaulay Culkin was cast as The Nutcracker Prince due to his stardom as well as his experience dancing as “Fritz” for the School of American Ballet during the 1989 and 1990 seasons. [18] Initially there had been talk of hiring a major star such as Dustin Hoffman for the role of Drosselmeyer, but the role ultimately went to dancer Bart Robinson Cook. [18] Ralf D. Bode watched every film version of The Nutcracker to ever be produced in order to decide how he'd shoot the film. [18] During production Culkin's father and manager Kit Culkin repeatedly sparred with the producers often threatening to withdraw his son’s likeness and support in all promotional materials due to Milchan’s refusal to reshoot footage and remix audio as well as removing narration provided by Kevin Kline. [18] Despite Kit Culkin's objections and demands the narration was retained at the behest of George Balanchine's Trustee Barbara Horgan. [18]

Reception

Critical response

The film received generally mixed reviews from critics. Based on eight reviews, it holds a rotten rating of 50% on review aggregator Rotten Tomatoes, with an average rating of 6/10. [19] The film was criticized by James Berardinelli for not capturing the excitement of a live performance; he wrote that it "opts to present a relatively mundane version of the stage production...utilizing almost none of the advantages offered by the (film) medium." [20] Roger Ebert of the Chicago Sun-Times was mixed on it, and gave it 2 out of 4 stars criticizing it for not adapting the dance for a film audience and also its casting of Culkin who, he writes, "seems peripheral to all of the action, sort of like a celebrity guest or visiting royalty, nodding benevolently from the corners of shots." [21] In The Washington Post , Lucy Linfield echoed Ebert's criticism of Culkin, stating that "it's not so much that he can't act or dance; more important, the kid seems to have forgotten how to smile...all little Mac can muster is a surly grimace." She praised the dancing, however, as "strong, fresh and in perfect sync" and Kistler's Sugar Plum Fairy as "the Balanchinean ideal of a romantic, seemingly fragile beauty combined with a technique of almost startling strength, speed and knifelike precision." [22] The New York Times' Stephen Holden also criticized Culkin, calling his performance the film's "only serious flaw", but praised the cinematography as "very scrupulous in the way it establishes a mood of participatory excitement, then draws back far enough so that the classic ballet sequences choreographed by Balanchine and staged by Peter Martins can be seen in their full glory." [23]

Box office

During its theatrical run, the film grossed $2,119,994. [1] In North America, it opened at number 16 in its first weekend with $783,721. [24]

Home media

George Balanchine's The Nutcracker was released on VHS on October 25, 1994, and on DVD on November 19, 1997, by Warner Home Video.

The film was released on DVD on August 11, 2015, from 20th Century Fox Home Entertainment (now owned by Disney) through their exclusive partnership with Regency Enterprises.

See also

Related Research Articles

<i>The Nutcracker</i> 1892 ballet by Pyotr Ilyich Tchaikovsky

The Nutcracker, Op. 71, is an 1892 two-act classical ballet by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination. The plot is an adaptation of E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on The Sleeping Beauty, assisted by Lev Ivanov. Although the complete and staged The Nutcracker ballet was not as successful as had been the 20-minute Nutcracker Suite that Tchaikovsky had premiered nine months earlier, The Nutcracker soon became popular.

The School of American Ballet (SAB) is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet.

<span class="mw-page-title-main">Darci Kistler</span> American ballerina (born 1964)

Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.

<span class="mw-page-title-main">Melissa Hayden (dancer)</span> Canadian ballerina (1923–2006)

Melissa Hayden was a Canadian ballerina at the New York City Ballet.

Moscow Ballet has toured the United States and Canada during the holiday season since 1993 and is exclusively represented by Talmi Entertainment Inc for these tours. There are 70 to 80 Russian-trained classical dancers on the annual North American tour who fly in from the former republic of Russia. Stanislav Vlasov, a former principal artist of the Bolshoi Ballet, was the first artistic director on the North American tour in 1993. Vlasov's debut in the United States was at Carnegie Hall in 1957.

<span class="mw-page-title-main">The Nutcracker and the Mouse King</span> 1816 story by E. T. A. Hoffmann

"The Nutcracker and the Mouse King" is a novella-fairy tale written in 1816 by Prussian author E. T. A. Hoffmann, in which young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. The story was originally published in Berlin in German as part of the collection Kinder-Märchen, Children's Stories, by In der Realschulbuchhandlung. In 1892, the Russian composer Pyotr Ilyich Tchaikovsky and choreographers Marius Petipa and Lev Ivanov turned Alexandre Dumas' adaptation of the story into the ballet The Nutcracker.

Sarah Van Patten is an American ballet dancer. She began an apprenticeship at the Royal Danish Ballet at age 15. In 2001, at age 17, she became the youngest ever dancer to receive a contract at the company. Later that year, she joined the San Francisco Ballet as a soloist, and was promoted to principal dancer in 2007. She retired from ballet in 2022.

<span class="mw-page-title-main">Maria Kochetkova</span> Russian ballet dancer

Maria Olegovna Kochetkova is a Russian ballet dancer. She was a principal dancer with the San Francisco Ballet between 2007 and 2018, and with the American Ballet Theatre between 2015 and 2017. After that, she became a freelance dancer for several years, before joining the Finnish National Ballet in the 2020/21 season.

<i>The Nuttiest Nutcracker</i> 1999 animated film

The Nuttiest Nutcracker is a 1999 computer-animated direct-to-video Christmas film loosely based on the 1892 ballet The Nutcracker. The film was directed by Harold Harris and starred the voices of Jim Belushi, Cheech Marin, and Phyllis Diller. This film follows a group of anthropomorphic fruits and vegetables. Their goal is to help the Nutcracker's army get a star to the top of a Christmas tree before midnight and stop a rodent army from destroying Christmas. The film was released on home video by Columbia TriStar Home Video in 1999. The film aired on CBS December 4, 1999, in addition to being shown on cable.

Miranda Weese is an American former ballet dancer, teacher and ballet master. She joined the New York City Ballet in 1993 and was promoted to principal dancer in 1996. In 2007, she left to perform with the Pacific Northwest Ballet, first as a guest artist, then joined the company as a principal dancer, before retiring in 2010. In 2017, she joined the Boston Ballet as a children's ballet master.

<i>Nutcracker: The Motion Picture</i> 1986 American film

Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet's Nutcracker or simply Nutcracker, is a 1986 American Christmas performing arts film produced by Pacific Northwest Ballet in association with Hyperion Pictures and Kushner/Locke, and released theatrically by Atlantic Releasing Corporation. It is a film adaptation of 1892 ballet The Nutcracker by Pyotr Ilyich Tchaikovsky and the 1816 short story "The Nutcracker and the Mouse King" by E. T. A. Hoffmann.

Choreographer George Balanchine's production of Peptipa and Tchaikovsky's 1892 ballet The Nutcracker is a broadly popular version of the ballet often performed in the United States. Conceived for the New York City Ballet, its premiere took place on February 2, 1954 at City Center, New York, with costumes by Karinska, sets by Horace Armistead and lighting and production by Jean Rosenthal.

The Hard Nut is a ballet set to Tchaikovsky's 1892 The Nutcracker and choreographed by Mark Morris. It took its inspiration from the comic artist Charles Burns, whose art is personal and deeply instilled with archetypal concepts of guilt, childhood, adolescent sexuality, and poignant, nostalgic portrayals of post-war America. Morris enlisted a team of collaborators to create a world not unlike that of Burns’ world, where stories take comic book clichés and rearrange them into disturbing yet funny patterns.

Tchaikovsky's now-classic 1892 ballet The Nutcracker received its first complete production in the U.S. on 24 December 1944, performed by the San Francisco Ballet. This production used the ballet's original plot and was choreographed by Willam Christensen, who danced the role of the Cavalier. Gisella Caccialanza, the wife of Lew Christensen, danced the role of the Sugar Plum Fairy. The staging was a huge success and one critic wrote: "We can't understand why a vehicle of such fantastic beauty and originality could be produced in Europe in 1892 with signal success [a factually erroneous claim] and never be produced in its entirety in this country until 1944. Perhaps choreographers will make up for lost time from now on." The company was the first in the U.S. to make the ballet an annual tradition, and for ten years, the only company in the United States performing the complete ballet, until George Balanchine's production opened in New York in 1954.

<i>The Slutcracker</i>

The Slutcracker is a burlesque, satirical version of the 1892 ballet The Nutcracker that is the creation of Lipstick Criminals troupe director Vanessa White. It has been performed in Somerville, Massachusetts, and Montreal, Quebec, Canada. The performance incorporates burlesque and tango dancers, drag kings, hoopers, ballerinas, acrobats, and belly dancers in a retelling of Pyotr Ilyich Tchaikovsky's ballet from the point of view of a young woman who experiences a sexual awakening during a holiday dream-like sequence.

<span class="mw-page-title-main">Darren Anderson (dancer)</span> Canadian ballet dancer and choreographer

Darren John Anderson is an internationally acclaimed ballet dancer. He is also known for his work in contemporary and classical choreography.

<i>The Nutcracker and the Four Realms</i> 2018 American film

The Nutcracker and the Four Realms is a 2018 American fantasy adventure film directed by Lasse Hallström and Joe Johnston and produced by Mark Gordon and Larry Franco, from a screenplay by Ashleigh Powell. Co-produced by Walt Disney Pictures and The Mark Gordon Company, it is a retelling of E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King", as well as of Marius Petipa and Pyotr Ilyich Tchaikovsky's 1892 ballet The Nutcracker, about a young girl who is gifted a locked egg from her deceased mother and sets out in a magical land to retrieve the key. The film stars Keira Knightley, Mackenzie Foy, Eugenio Derbez, Matthew Macfadyen, Richard E. Grant, Misty Copeland, Helen Mirren, and Morgan Freeman.

The Nutcracker (<i>Playhouse 90</i>) 12th episode of the 3rd season of Playhouse 90

"The Nutcracker" was a special Christmas presentation of the CBS television series, Playhouse 90, featuring Tchaikovsky's ballet performed by the New York City Ballet, choreographed by George Balanchine, and conducted by Robert Irving. It was broadcast live and in color on December 25, 1958.

Elena Lobsanova is a Russian-Canadian ballet dancer. She joined the National Ballet of Canada in 2004 and was promoted to principal dancer in 2015. In 2020, she joined the Miami City Ballet.

References

  1. 1 2 3 "The Nutcracker (1993) - Box Office Mojo". Box Office Mojo. Retrieved 7 November 2014.
  2. Maximova, Yekaterina; Vasiliev, Vladimir (1967). Nutcracker Suite Performed By The Bolshoi (1967). Moscow, Russia: British Pathé.
  3. The Nutcracker at the Royal Ballet: "March of the Toy Soldiers". London: Playbill Video. 1967.
  4. Dancers of the Moscow Ballet (2017). Doll Dance. Moscow, Russia: Moscow Ballet.
  5. Dancers of the Moscow Ballet (2017). The Rat King Appears. Moscow, Russia: Moscow Ballet.
  6. Dancers of the SemperOperBallett (2016). Snow Pas de Deux. Dresden, Germany: SemperOperBallett.
  7. Bolshoi Ballet (2015). The Nutcracker (Casse-Noisette) – Bolshoi Ballet in Cinema (Preview 1). Moscow, Russia: Pathé Live.
  8. Dancers of the Perm Opera Ballet Theatre (2017). Вальс снежинок из балета "Щелкунчик". Russia: Perm Opera Ballet Theatre.
  9. Dancers of the SemperOperBallett. The Nutcracker – Arabian Divertissement. Dresden, Germany: SemperOperBallett. Archived from the original on 2020-01-15.
  10. Cecilia Iliesiu (2017). Arabian Coffee/Peacock. Pacific Northwest Ballet.
  11. Dancers of the Mariinsky ballet (2012). The Nutcracker – Tea (Chinese Dance). Mariinsky Ballet. Archived from the original on 2021-10-30.
  12. Dancers of the Boston Ballet (2017). SPOTLIGHT The Nutcracker's Russian Dance. Boston Ballet. Archived from the original on 2021-10-30.
  13. Dancers of the SemperOperBallett. The Nutcracker – Mirlitons Divertissement. Dresden, Germany: SemperOperBallett.
  14. Kyra Nichols and the NYCB Corps de Ballet (2015). New York City Ballet: Waltz of the Flowers. New York City: Lincoln Center.
  15. PNB dancers. Nutcracker Flowers Excerpt. Pacific Northwest Ballet. Archived from the original on 2021-10-30.
  16. Alina Somova & Vladimir Shklyarov (2012). Sugarplum and Cavalier variations. St Petersburg, Russia: Ovation.
  17. Darci Kistler. Dance of the Sugarplum Fairy. New York City: Ovation. Archived from the original on 2021-10-30.
  18. 1 2 3 4 5 6 7 "George Balanchine's The Nutcracker (1993)". AFI . Retrieved December 2, 2023.
  19. "The Nutcracker". 24 November 1993. Retrieved 7 November 2014.
  20. "Review: Nutcracker, The (1993)" . Retrieved 7 November 2014.
  21. "George Balanchine's The Nutcracker". Chicago Sun-Times.
  22. Linfield, Susie (24 November 1993). "George Balanchine's The Nutcracker (review)". The Washington Post. Retrieved 5 November 2010.
  23. Holden, Stephen (24 November 1993). "George Balanchine's The Nutcracker (review)". The New York Times. Retrieved 5 November 2010.
  24. "Weekend Box Office Results for November 26-28, 1993". Box Office Mojo. Retrieved 7 November 2014.